A black camera lens sits on a white marble surface, with the text "AF 35mm 1:1.4 VCM ASPH ED IF" and "Φ77mm 0.3m/0.98ft" visible on the front element.

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Viltrox 35mm f/1.4 Pro Review: A Beautiful Behemoth

Viltrox has made huge waves in the world of optics, with many saying that it is the Sigma of China. Of course, this is a huge compliment given that Sigma is now famous for making affordable optics that easily compete with OEM lenses. I’ve reviewed many Viltrox lenses now, and I always enjoy the process. They are solid lenses, with ambitious optical goals, and they usually meet these lofty expectations.

The Viltrox 35mm f/1.4 is sharp and exceptionally well-designed for shallow depth of field performance. The only real price you have to pay is in its bulk.

Pros

  • Insanely sharp right to the corners of the image.
  • Solid build quality and excellent controls.
  • Fast focusing motor.
  • Flare and bokeh are well rendered.

Cons

  • Heavy and bulky lens
  • LoCA can be quite visible

I’m a particular fan of the Pro series of Viltrox lenses because it delivers fast optics with excellent correction for a good price. In fact, the 85mm f/1.4 Pro is easily one of my favorite portrait lenses, but can the new $829 35mm f/1.4 Pro have this same impact on me? When I use 35mm lenses, I want them to have faster apertures so that I can get some separation from my subjects. I went into this review hoping that this latest offering from Viltrox could keep the ball rolling.

A Viltrox AF 35/1.4 FE camera lens stands upright against a white marble-patterned hexagonal tile background.
The Viltrox 35mm Pro cuts an imposing figure.

Viltrox 35mm f/1.4 Pro Review: How It Feels

Viltrox takes a very clean and practical approach to the Pro lens design. Nothing flashy, but everything is built reliably and with ease of use in mind. The 35mm Pro definitely keeps the trend alive with a rugged chassis and professional weather-sealing. However, it also keeps the larger size and bulk of the Pro lenses as well. This is a big chunk of glass weighing in at 26.8 ounces (760 grams), as tested on the Sony E-mount. You can also get this lens for the Nikon Z mount, which turns out to be quite important to the success of this lens. More on this shortly. The filter thread is 77mm, which is not unusual, but there is no denying that the 35mm Pro feels a little larger than it needs to be. At least this size comes with fantastic physical controls.

A black camera lens with a 35mm focal length and 1.4 aperture sits on a white marble surface with a hexagonal tile pattern background.
The front of the lens takes 77mm filters.
A camera lens with a metal mount and electronic contacts sits on a marble-patterned surface next to its black lens cap.
You always get rugged construction with Viltrox Pro lenses.
A close-up view of a black camera lens barrel featuring the brand name Viltrox and the text 35/1.4 FE printed on its side.
The design is clean and simple, but it feels great.

The manual focus ring is tuned beautifully, with just enough resistance to make focusing accurate. There is a customizable button and controls for switching between autofocus and manual focus. You also get a really nice aperture ring with third-stop increments and a noticeable point of resistance before it clicks into auto aperture control mode. You can also set the aperture ring for smooth operation with the flick of a switch.

A close-up of a camera lens barrel showing an aperture ring, an AF/MF switch, and a click on/off switch against a marble background.
You get plenty of controls, and a functional aperture ring.
A close-up view of a Viltrox AF 35/1.4 FE Pro camera lens, showing the aperture ring, focus mode switch, and focal length markings.
This lens is all about light gathering and performance.

Everything on this lens feels solid, works smoothly, and is quick and easy to adjust. The autofocusing experience is also quick and easy, thanks to a powerful voice-coil motor to drive the heavy glass elements. There is a supplied hood that bayonets onto the front of the lens and a USB-C connector built into the lens mount for lens updates.

A black Viltrox AF 35/1.4 FE Pro camera lens stands upright against a white marble-patterned hexagonal tile background.
The supplied hood uses a simple plastic bayonet.

Viltrox 35mm f/1.4 Pro Review: How It Shoots

I distinctly remember shooting the test charts for this lens, evaluating them, and immediately texting the team a simple “wow”. I expect Viltrox lenses to be sharp, as I do with any modern lens, frankly, but I didn’t expect the consistency I was finding. The center of the image is full of usable detail at f/1.4, with only a slight improvement noticeable as you stop down. However, the corners are equally impressive, with good clarity right to the edge at f/1.4 and very little vignetting. Stopping the lens down will tighten things up and cover even the extremes of the corners, but this lens is made to shoot at f/1.4 and still deliver impressive sharpness anywhere on the image.

A side-by-side comparison of a test chart showing a Canadian one-dollar bill and geometric patterns at f/1.4 and f/2.8 apertures.
Center sharpness is excellent, and what I expected from Viltrox.
A side-by-side comparison of a Canadian one-dollar bill and a letter grid chart, showing depth of field differences at f/1.4 and f/2.8.
The corners were the really impressive part, with good results even at f/1.4.

A person in a hooded jacket sits on a park swing reading a book, viewed through tall ornamental grasses in the foreground.

A mural of two stylized faces, one with open eyes and one with closed eyes, is partially obscured by a blurred rainbow flag.

A low-angle view of a dark, foggy urban alleyway with a large drainage pipe overhead and apartment buildings in the distance.

Flare resistance is good thanks to the Viltrox lens coatings, with some very minor green ghosting wide-open. Stopping the lens down will create a more sizable field of green across the frame, but it is manageable nonetheless. Contrast is also well maintained, and due to a grey and cloudy day, we torture-tested the lens coatings with a strong COB light up close. It still did pretty well.

A close-up view of a black tripod head in the foreground with a bright, circular studio light glowing in the background.
A COB light is a punishing test, and the Viltrox does show some ghosting.

A close-up of a vintage poster featuring a bearded hockey player in a red Calgary Flames jersey, next to a pink neon sign that reads

A white and green Lime electric scooter stands on a concrete sidewalk against a textured light green wall.

A close-up of a brightly painted, textured sculpture with floral patterns sits in the foreground against a blurred, colorful mural featuring geometric shapes and mountain imagery.

Bokeh matters on a lens with such a wide aperture, and the Viltrox 35mm lens handles it well. I like the cat’s eye effect at f/1.4, but the lens does exhibit a bit of a strong halo around the highlights. You will also see some very minor onion rings, and the specular highlights have a polygonal look when stopped down. The bokeh looks fine, and you can absolutely get shallow depth of field at will, but the backgrounds can have a touch of distracting harshness.

Two side-by-side images of a vintage camera sitting on a docking station, demonstrating the difference in background blur between f/1.4 and f/2.8 apertures.
Bokeh is pretty nice on the 35mm Pro lens, with only a little harshness.

A vertical wooden post stands in the foreground, with blurred, out-of-focus string lights glowing in the background.

A black and white view of a concrete garage entrance with a closed white door, illuminated by two overhead fluorescent lights.

A traffic cone with orange and white reflective stripes stands on a gray asphalt surface in front of a blue wall.

Where this lens will show some weakness is in the LoCA department. Longitudinal chromatic aberrations are difficult to get rid of in the editing process, and the color fringing can be very distracting when shooting at wider apertures. The Viltrox isn’t out of control, but it does exhibit a noticeable green/magenta split, and this will show up in some of your pictures.

A row of polaroid photos is displayed on a dark, textured surface, with a shallow depth of field highlighting a photo labeled

A black-and-white close-up portrait of a man with a goatee, looking directly at the camera against a blurred, bokeh background.

A middle-aged man with a mustache and goatee looks directly at the camera in a dimly lit, blurred setting with colorful ambient lighting.

Viltrox 35mm f/1.4 Pro Review: It Depends on the Mount

Okay, so earlier I stated that the mount is really going to determine how popular this lens will be. The Viltrox is delivering excellent image quality with just a few compromises, and I’d happily use it for even demanding professional photography. However, if you get this lens in Sony E-mount, there is lots of strong competition. The Sony G-Master 35mm f/1.4 is better, but it’s also wildly expensive. The Sigma 35mm f/1.4 Art is not that far off, though, and it is a near-perfect lens. You will still save a bit of money going to the Viltrox, but it might not be enough to justify the loss of image quality in comparison.

A man with gray hair and a beard holds a camera to his eye, looking through the viewfinder.
I like this lens a lot, but it is a bit big in size.

A cluttered ceiling and wall in a pub are decorated with string lights, hanging t-shirts, cowboy hats, vintage posters, license plates, and a central lantern.

A window with a red LED sign reading

At $829 the Viltrox is a good bargain, and Nikon Z-mount users don’t have as many options. There is an affordable Nikkor 35mm f/1.4 lens, but it is specifically targeted at a lower price range and doesn’t quite have the same sophistication as the Viltrox.

I’d definitely recommend it on the Nikon mount, where Sigma is not currently supported. Regardless, the Viltrox has some really strong points and is a good value in the fast optics arena. I’m happy to say that the Viltrox Pro series continues to impress as it expands the options available, but make sure you are okay with the weight and size.

Are There Alternatives?

In E-mount, the Sigma is a better lens if you don't mind spending a little more money. It's probably worth it, especially when considering that the Sigma is much smaller and lighter too. In Nikon Z-mount, the Viltrox makes more sense and outperforms the Nikkor Z 35mm f/1.4 at a fairly similar price.

Should You Buy It?

Yes. No matter how you look at it, the Viltrox 35mm f/1.4 Pro delivers professional results at a great price. Just be ready for its hefty proportions.

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