What is This Halo Around a World Press Photo Nominee?
Late Winter brings about a new crop of contest winners and nary a season goes by without a whiff of controversy in some form or fashion. Yesterday World Press Photo announced its 2020 Photo Contest and Digital Storytelling Contest nominees.
The #WPPh2020 Photo Contest and Digital Storytelling Contest nominees have been announced!
Over the next three weeks, we’ll be sharing the nominated stories on our Instagram account: https://t.co/MEn1J4zyoM pic.twitter.com/pCEoMev82i
— World Press Photo (@WorldPressPhoto) February 27, 2020
Among the fifteen images selected as nominees was a photo by Mulugeta Ayene who covered the tragic aftermath of Ethiopian Airlines flight ET302 — one of two downed Boeing 737 MAX airplanes.
It’s a decisive moment to be sure with a caption that explains the action, “A relative of a victim of the crash of Ethiopian Airlines flight ET302 throws dirt in her face as she mourns at the crash site, on 14 March.”
But if you look at the figure behind the two women on camera left, you’ll notice a strange halo that only seems to extend around his head and the collar of his jacket. It doesn’t look like typical chromatic aberration, which usually expresses itself as purple fringing.
There could be a perfectly reasonable explanation, but no technical information other than the camera model (Canon 5D Mark III) is included with the image description.
I feel incredibly honored to be nominated by the @WorldPressPhoto among the other amazing photographers. This was a very emotional assignment, being very close to so much pain by grieving family members. pic.twitter.com/L9gRLYC9R2
— Mulugeta Ayene (@mulugetaayene) February 26, 2020
Secondly, photo contests need to be in the business of transparency if they want to avoid controversy. If the jury saw this aberration and decided it didn’t need to be explained, I think the organization should reconsider its position. Photo contests are constantly under criticism (this piece is no exception), and they need to de-risk their relationship with a skeptical public by erring on the side of overcommunication.
Finally, for those who don’t understand what the big deal is, consider that even though we bandy about the term “fake news” with abandon, most journalists and photojournalists work within an ethical framework set out by their professional organizations and/or publishers. When a visible aberration like this halo appears without explanation, we have to wonder what else might have been edited within the frame.
Editor’s note: We reached out to photographer Mulugeta Ayene a couple of days ago for comment but have yet to hear back. We’ll update this post if he provides an explanation.
Update: Here’s World Press Photo’s response to our inquiry regarding this photo:
We can confirm the photograph abides by World Press Photo’s rules – the photograph was checked and verified by independent analysts.
The World Press Photo Contest has the most thorough verification process of any contest in the world. All winning images and stories have been through a rigorous three-stage verification process as detailed here: https://www.worldpressphoto.org/activities/photo-contest/verification-process
About the author: Allen Murabayashi is the Chairman and co-founder of PhotoShelter, which regularly publishes resources for photographers. The opinions expressed in this article are solely those of the author. Allen is a graduate of Yale University, and flosses daily. This article was also published here.
Image credits: Header photo by Mulugeta Ayene/World Press Photo