Not too long ago, I was approached by a newspaper (Journal Le Droit, a large daily newspaper distributing print in the Ottawa-Hull area) asking if I would allow them to print a few of my pictures in an upcoming special feature on a nearby town, Rockland, Ontario. Having photographed much of Rockland in the past three years, I gladly accepted and figured that I could somewhat benefit from some exposure.
Just to make sure, I asked if they were offering monetary compensation. They responded that a photo-credit would be placed at the bottom of the image in lieu of payment. Why not? Read more…
The Portland Press Herald has agreed to fork over $400 to a woman named Audrey Ann Slade after its use of one of Slade’s photos sparked a furious fair use debate online. The paper published a story last week about Reverend Robert Carlson, a minister who committed suicide recently after being accused of abusing young boys. Specifically, the piece reported on the fact that Slade’s photos proved that Carlson continued to engage in on-campus events after resigning abruptly in 2006 from his position as chaplain.
It decided to publish one of Slade’s photographs — both online and in print — showing Carlson at a 2010 ceremony held on campus grounds. Problem was, they badly mishandled the process, and neither contacted Slade nor attributed the photos to her. Read more…
Photographs of of Syria these days are filled with grim sights of pain and suffering. One Austrian newspaper apparently decided that the photos weren’t grim enough. Kronen Zeitung, Austria’s largest newspaper boasting ~3 million readers, published a photo this past weekend (top) showing a couple stepping through the rubble of a destroyed building complex with their child wrapped in a blanket. A powerful image… but completely fabricated. The original photo (bottom) published by the European Pressphoto Agency two days earlier shows a completely different scene.
Update: Apparently, after hearing the Montreal Gazette’s response and suffering a rough social media backlash, Labatt have decided to back off and not pursue the issue any further. You can find all of the details here.
We all know that a picture is worth a thousand words, but what if your company logo showed up in a picture of an alleged killer? Chances are you wouldn’t be too thrilled with any of the 1000 words that picture was generating.
That’s the situation beer company Labatt recently found itself in because of a photo of murder suspect Luka Magnotta publicized in the Montreal Gazette. Magnotta was recently accused of murdering a Chinese engineering student, dismembering the body and mailing the parts to political parties — and in said photo(seen above) he is drinking a Labatt Blue. Needless to say, Labatt isn’t happy with what the picture is doing for their company image. Read more…
How do you go about demanding payment from a local newspaper if you discover that they’ve infringed upon your copyright? Blogger Duane Lester of All American Blogger recently found an article of his reprinted nearly verbatim, typos and all, by the Oregon Times Observer in Oregon, Missouri. He then decided to pay a visit to the newspapers offices with a letter in hand to demand payment from the editor face to face. The video above shows how the confrontation unfolded.
Shirking expectations of both its size and location, the paper has produced some of the country’s best documentary photography and most thoughtful presentations since the late ’70s.
[...] The paper, a tabloid instead of a broadsheet, has created a following mostly because of its now-famous Saturday photo stories, which combine thoughtful reporting and powerful photography. They’re run ad-free and take up the entire front page plus five additional pages inside, sometimes more.
[...] Because the new Saturday cover features were driven by photography, it was often the photographers who were out finding the stories instead of the other way around. This earned them a newfound respect that has since trickled down.
Today, photographers not only have a real voice in the Saturday features but also in the entire news cycle, bucking a trend of second-class citizenship that still plagues other photojournalists across the country.
Despite the financial downturn in the journalism industry, the paper has had no layoffs and has given its staff a raise every year.
Spanish sports daily AS was forced to publish an apology earlier this week over a soccer match photo in which a player was airbrushed out. The photo was of a controversial no-call in which a Barcelona player might have been slightly offsides before receiving the ball and assisting in a goal. In the photograph published by AS, the last defender was removed, making the Barcelona player look clearly offsides.
The apology posted by the paper had the headline “Pedimos disculpas por un error en la infografía del 1-0,” which translates to “We apologise for the error in the computer graphics in the 1-0 incident”. So it seems that while they were adding in the lines and player names explaining the play, the brilliant Photoshop guru accidentally performed some Content Aware Fill mojo on that last defender. Clearly an understandable mistake, wouldn’t you say?
The top photo was published by Al-Ahram, Egypt’s second-oldest and most widely circulated newspaper, while the photo below it is another photo taken at almost exactly the same moment in time by Getty Photographer Alex Wong. The main gripe people have with the edited photo is that the paper placed Egyptian President Hosni Mubarak at the front of the group — suggesting that he was leading the Middle East peace talks — while he was actually trailing behind the others.
Not content with shifting people around, the paper decided to change the colors of the ties, and to make the leaders look like they were strolling on a flying carpet. It’s pretty clear Al-Ahram needs to fire their Photoshop guru and hire someone more competent — either that, or stop being a “corrupt regime’s media“.
English soccer (football) club Southampton F.C. revealed a plan last week to deny press accreditation for photojournalists this season, and instead to force publications to purchase photographs from a single approved source, a photo agency called The Digital South.
Needless to say, this didn’t go over well with newspapers, and one in particular — The Plymouth Herald — came up with a creative way to protest the decision. Rather than purchase approved photographs, they commissioned city historian Chris Robinson to cover a recent match with Argyle using cartoons (reminds us of a criminal trial). Read more…