Why You Shouldn’t Give Too Much Weight to Anonymous Online Critics

Back in 2006, Flickr user André Rabelo submitted the above photograph to the group pool of DeleteMe!, a group whose members vote on photos to weed out any photos that aren’t “incredible pictures, amazing, astonishing, perfect”. Sadly, the photograph was very quickly removed by popular vote.

Here are some of the criticisms the voters had:

When everything is blurred you cannot convey the motion of the bicyclist. On the other hand, if the bicyclist is not the subject– what was?

Why is the staircase so “soft”? Camera shake? Like the angle though.

so small. so blurry. to better show a sense of movement SOMETHING has to be in sharp focus

Nicely composed, but blurry

This looks contrived, which is not a bad thing. If this is a planned shot, it just didn’t come out right. If you can round up Mario, I would do it again. This time put the camera on a tripod and use the smallest aperture possible to get the best DoF. What I would hope for is that the railings are sharp and that mario on the bike shows a blur. Must have the foreground sharp, though. Without that, the image will never fly.

yeah and? grey, blurry, small, odd crop

bit too blurred to be worth a save from me

Fantastic composition, but the tones and the graininess keep the photo from being great.

What’s funny about this story is that Rabelo had the last laugh — the photograph is actually “Hyeres, France, 1932″, a famous photograph by the French photographer and “father of modern photojournalism”, Henri Cartier-Bresson. Made in 1932, the photo sold at auction in 2008 for a whopping $265,000.

This just goes to show that you shouldn’t let anonymous online critics dictate how you photograph. While it’s great to receive feedback and certainly worthwhile to hear things that help you improve your technique, the criticisms you hear online are often from people who don’t know what they’re talking about, so don’t give too much weight to negative comments!

  • Randell

    It just goes to prove that a lot of people carrying camera’s in the world today, have absolutely no photographic education.
    This image is a classic and instantly recognisable as Bresson’s.
    It amazes me that the very same people with so little knowledge are so happy to critique others work, when it’s obvious by the silly comments they make, they don’t know what the hell they are talking about.

  • itsmerighthere

    This is a smart and orignal idea… I think the good ones are the ones you like and the no good the ones you dislike?


  • itsmerighthere

    As you say you want to be honest, from the comments above, could you tell us which one is your?

  • grungebob