Jerome Gence is a Paris-based photographer who has been published in National Geographic, Le Monde, and other magazines. He is also a Canon Ambassador but, surprisingly, does not have an Instagram or Facebook page because he dislikes (no pun intended) all social media.
The exploration of dreams, thoughts, and possibilities are hallmark traits of conceptual self-portrait photographer Fares Micue. The mesmeric and otherworldly concepts presented in each of her shots not only captivate the eyes but stir a kind of whimsical intrigue into the story behind the images.
I often hear photographers express frustration with their images, saying something like, "My photographs don't capture what I really see." But cameras actually do a great job of capturing what things look like. I think what people really mean is that their photographs don't capture what they felt when they made the exposure.
When difficulties due to local unrest as well as COVID-19 complications prevented my wife and me from being able to visit the Congo and photograph the local gorilla population, an unforeseen opportunity presented itself to go to Uganda instead, and I jumped at the chance.
In today’s world, it is easier than ever to start a business. Explore Instagram on any given day and you will inevitably see an ad for some new online retailer. It begs the question: How, in such a saturated online marketplace, can a fledgling brand separate itself from the pack and survive?
Any writer worth their salt knows that a good story is comprised of three primary components: Character, Setting, and Plot. The same can be said of visual storytelling, regardless of the medium.