With the worldwide craze for analog photography in full swing, we have seen another blast from the past rise again. Everybody wants compact digital point-and-shoot cameras again, to the point where some models are going for prices similar to when they were released.
Ricoh has experienced much success in the compact digital camera market with its GR series. Drawing on a lengthy heritage of its GR 35mm film cameras, the latest digital version is the popular GR III, and within that, is the GR III HDF.
A photographer has endeavored to capture 8,000 faces of strangers mainly in the Boston area.
When the Fujifilm X100 first hit the market it took the world by storm. A pocket-sized camera with stellar good looks and a retro-inspired control scheme, it was instantly coveted by photographers aplenty. We wanted to take a retrospective look at the X100 series from the beginning and give you the low-down on the upgrades and quirks over the years.
I’ve been in the camera review business for over 15 years and in that time I’ve been fortunate enough to have tested and taken photographs with countless cameras, spanning a wide variety of designs and intentions. Curiously, as I prepared to review the Pentax 17 it occurred to me that I had never once reviewed a new production 35mm film camera in all that time.
Sigma introduced the world's first full-frame, mirrorless, f/1.8 lens: the 28-45mm f/1.8 Art. But if no one has ever made a lens like this before, do we even need it? Let's look at the facts with this rather odd entry and see if it's a hidden gem or a mad science experiment.
One of my favorite cameras of all time was the Panasonic GM5. With its interchangeable lenses and ultra-compact design, I could truly take it anywhere and still have full manual control. Compromises had to be made given such a small design, and the Micro Four Thirds format did limit potential image quality, but I had an EVF and a creative camera that was perfect for travel.
Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.
A street photographer has won a legion of fans for his impromptu portraits of cops, firefighters, medics, and anyone in uniform who "works for the public good."
In one of her most famous quotes, the photographer Dorothea Lange said that "the camera is an instrument that teaches people how to see without a camera."
Walking through the streets of Brooklyn, people poured out of storefronts, giggling and looking up at the sky with their paper glasses. Everyone, it seems, was focused on one thing: the solar eclipse.
"I have the perfect camera for you," my dad Tom told me when I said I needed one for my film photography class at Gonzaga University in 2008. "Take my Nikon FTN, it was always my favorite," he said. "But you can't keep it. I want it back."
I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too?
A street photographer has gone viral with his epic impromptu portrait of actor Gordon Cormier who plays Avatar Aang in Netflix's hit series Avatar: The Last Airbender.
When photographer Jordan Gale moved to Portland a few years back, Oregon had just passed Measure 110 -- the first-ever U.S. drug decriminalization law -- and he wanted to explore the topic with his camera.
Late photographer Elliott Erwitt was perhaps best known for his humorous images of dogs taken on the streets of New York City but his body of work is an important documentation of the Big Apple.
I'm gonna let you in on a dirty little secret of mine: I never liked the original Fujifilm X100. When it first came out, I was -like many others- enamored by the beautiful styling, but the operation of the camera just never gelled with me. The rather boring -- in my opinion -- 35mm lens didn't help things either. It wasn't until I played with the newly designed X100V that I had my aha moment, and realized the appeal of this camera.
We've seen 24-105mm lens formulas before and we have seen f/2.8 zooms, too. However, we have never seen the two combined, and it's about time.
Wandering the empty streets of New York during the dark days of the COVID-19 pandemic, photographer Phil Penman captured the city at one of its lowest ebbs.
70 years after she roamed the streets of the Big Apple with her camera, Vivian Maier is finally getting a major exhibition in New York City.
Photographer Alan Schaller has finally completed his Metropolis series; a haunting and provocative look at the isolation many feel in a big city.
Tamron has built a reputation for creating some unique focal ranges. Take, for example, the 35-150mm that recently hit the market and really impressed. What might seem at first to be an odd range can end up being very useful. So the same could be expected of the 17-50mm f/4 Di II VXD, right?
Fujifilm has come to dominate the medium format market and for good reason. Combining the ergonomic controls and autofocusing capabilities of its APS-C cameras with the colossal image quality from the 100-megapixel sensor has paid dividends for the company. Although Fujifilm also uses a 50-megapixel sensor, it's the latest sensors in the GFX 100 line of cameras that steal the show.
I consider myself an ardent supporter of Ricoh/Pentax products and have always endeavored to review its cameras and lenses when many others have chosen not to. I also think that the Pentax brand has really found its niche as more of a boutique manufacturer, focusing on the classic SLR design -- a move that I think makes a ton of sense in today's waning market.
An anonymous street photographer spent six months visiting hundreds of different areas in Los Angeles documenting raw and poignant images.
The Leica M11 series now consists of three cameras. We have the original M11 which I very much enjoyed using on the streets of New York. Then, the M11 Monochrom was released and became an instant classic. I loved taking black-and-white images with it all over Montana. Now we have the release of the M11-P which apart from some minor cosmetic changes is largely the same as the original M11. So, why then should we get excited about such a similar camera?
I’ve spent countless hours walking streets both near and far from home with My Precious in my hand and a muscle memory for it in my fingers that made it effectively part of me — an extension of my arm. My Precious is, of course, my camera.
A documentary series looking at street photographers has just been released with the camera being turned on shooters like Daniel Arnold and Jill Freedman.
It is unfortunately not unheard of for street photographers to face attacks in public. However, German photographer Robin Schimko was able to record such an incident and speak about the experience.
It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be?