Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.
A street photographer has won a legion of fans for his impromptu portraits of cops, firefighters, medics, and anyone in uniform who "works for the public good."
In one of her most famous quotes, the photographer Dorothea Lange said that "the camera is an instrument that teaches people how to see without a camera."
Walking through the streets of Brooklyn, people poured out of storefronts, giggling and looking up at the sky with their paper glasses. Everyone, it seems, was focused on one thing: the solar eclipse.
"I have the perfect camera for you," my dad Tom told me when I said I needed one for my film photography class at Gonzaga University in 2008. "Take my Nikon FTN, it was always my favorite," he said. "But you can't keep it. I want it back."
I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too?
A street photographer has gone viral with his epic impromptu portrait of actor Gordon Cormier who plays Avatar Aang in Netflix's hit series Avatar: The Last Airbender.
When photographer Jordan Gale moved to Portland a few years back, Oregon had just passed Measure 110 -- the first-ever U.S. drug decriminalization law -- and he wanted to explore the topic with his camera.
Late photographer Elliott Erwitt was perhaps best known for his humorous images of dogs taken on the streets of New York City but his body of work is an important documentation of the Big Apple.
I'm gonna let you in on a dirty little secret of mine: I never liked the original Fujifilm X100. When it first came out, I was -like many others- enamored by the beautiful styling, but the operation of the camera just never gelled with me. The rather boring -- in my opinion -- 35mm lens didn't help things either. It wasn't until I played with the newly designed X100V that I had my aha moment, and realized the appeal of this camera.
We've seen 24-105mm lens formulas before and we have seen f/2.8 zooms, too. However, we have never seen the two combined, and it's about time.
Wandering the empty streets of New York during the dark days of the COVID-19 pandemic, photographer Phil Penman captured the city at one of its lowest ebbs.
70 years after she roamed the streets of the Big Apple with her camera, Vivian Maier is finally getting a major exhibition in New York City.
Photographer Alan Schaller has finally completed his Metropolis series; a haunting and provocative look at the isolation many feel in a big city.
Tamron has built a reputation for creating some unique focal ranges. Take, for example, the 35-150mm that recently hit the market and really impressed. What might seem at first to be an odd range can end up being very useful. So the same could be expected of the 17-50mm f/4 Di II VXD, right?
Fujifilm has come to dominate the medium format market and for good reason. Combining the ergonomic controls and autofocusing capabilities of its APS-C cameras with the colossal image quality from the 100-megapixel sensor has paid dividends for the company. Although Fujifilm also uses a 50-megapixel sensor, it's the latest sensors in the GFX 100 line of cameras that steal the show.
I consider myself an ardent supporter of Ricoh/Pentax products and have always endeavored to review its cameras and lenses when many others have chosen not to. I also think that the Pentax brand has really found its niche as more of a boutique manufacturer, focusing on the classic SLR design -- a move that I think makes a ton of sense in today's waning market.
An anonymous street photographer spent six months visiting hundreds of different areas in Los Angeles documenting raw and poignant images.
The Leica M11 series now consists of three cameras. We have the original M11 which I very much enjoyed using on the streets of New York. Then, the M11 Monochrom was released and became an instant classic. I loved taking black-and-white images with it all over Montana. Now we have the release of the M11-P which apart from some minor cosmetic changes is largely the same as the original M11. So, why then should we get excited about such a similar camera?
I’ve spent countless hours walking streets both near and far from home with My Precious in my hand and a muscle memory for it in my fingers that made it effectively part of me — an extension of my arm. My Precious is, of course, my camera.
A documentary series looking at street photographers has just been released with the camera being turned on shooters like Daniel Arnold and Jill Freedman.
It is unfortunately not unheard of for street photographers to face attacks in public. However, German photographer Robin Schimko was able to record such an incident and speak about the experience.
It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be?
For years, street photographer Irving Greines avoided documenting homeless people feeling that taking photos is intrusive and exploitative. Eventually, though, he felt compelled to document the growing unhoused population.
If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.
It is rare for a photo to make you laugh, but one street photographer has a distinct talent for capturing perfectly-timed humorous images that connect different elements within a frame.
Street photography ethics has always been a hot potato but one photographer may have found a novel solution by using artificial intelligence (AI) to hide people's identities.
Ask nine out of 10 influencers, and the Leica Q2 will still be on their favorites list even though it's three years old. Its timeless styling made it an instant classic, but credit goes to the venerable 28mm f/1.7 Summilux for delivering the goods. Now Leica has released its latest version, the Q3, and we got our hands on a pre-production version to try out.
A photographer has spent the last decade documenting the people who live in Los Angeles' Skid Row -- a notorious area known for its homeless population.
I love street photography, I teach street photography, I promote street photography, I defend street photography, and want everyone to experience the fun of doing street photography!
Much has been written about the concept of the "decisive moment", a notion popularized (posthumously, for the most part) by legendary candid photographer Henri Cartier-Bresson.
Sotheby's is presenting On the Road: Photographs by Robert Frank from the Collection of Arthur Penn on exhibition in New York ahead of a live auction on Feb. 22 at 2 P.M. Sotheby's says it's "the world's most expansive private collection of Robert Frank photographs" and the collection includes images across several decades of the late photographer's storied career.
Street photography can speak to our souls. Taking images of common, everyday people and transforming them into art—that’s what it’s all about.
Language is an underlying reality in our everyday world, present in our thoughts, our words, and even our haptic gestures. When interacting with someone else we are incorporating language to translate abstract thoughts into communication, communication into meaning, and meaning into understanding.
Steam vents, suited businesspeople, the neon glow of the night, umbrellas on windy days, stray glances through bus windows, beachgoers in a boardwalk scene, or silhouetted figures dancing in the sunlight: as photographers, we want to capture things that give life and vivacity to the subjects of the streets. We capture their spirit and do it in a visually interesting way.
A photographer has headed out each day for the past seven years to capture a stranger's portrait in his diverse local community.
A retrospective of an Irish street photographer's life works offers an unvarnished view of 1980s Dublin and beyond.
Want to see some bad street photographs? I’ll share them and tell you why I think they’re not good. These photographs were all made during a five-day visit to New York City between October 31 and November 4, 2022.
Many photographers hit the streets in search of a perfect photo. But not Japanese photographer Masayuki Oki.
Funleader's new CapLens 18mm f/8 0.3m-∞ Pro iterates on the brand's original 18mm f/8 CapLens by adding a focusing adjustment dial that lets photographers shoot between 0.3, 0.5, 0.7, one, and two meters in addition to infinity.