Macro photography works well with conventional lenses and inexpensive extension tubes. The combination achieves 0.3x to 0.5x magnification. Depth of field is much greater with these moderate magnifications than at the 1x magnification possible with macro lenses.
Dear lens manufacturers,
I'm writing this letter to remind you of something you well know. The age of mirrorless cameras is upon us. And with this comes the benefit that we can compose, focus, and shoot at f/8, f/11, and f/16.
Photographer João Burini has published a review of the Laowa Venus 50mm f/2.8 2x Ultra Macro APO for micro four thirds after a long time shooting with the lens. He has captured a large number of beautiful images of insects, and calls the lens "the best macro option in micro four thirds."
Photographer Christopher Frost has put together one of the most comprehensive and detailed macro lens shootouts we've ever seen. In this video he tests the latest 100mm (ish) f/2.8 macro lenses from Canon, Nikon, Sony, Sigma, Tamron, and Laowa to see how they compare in terms of build, usability and performance.
The biggest misconception with macro lenses is in the name, photographer Peter McKinnon says. In this 3-minute video, he explains why a macro lens should be in every photographer’s kit bag.