
Great Reads in Photography: February 7, 2021
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
This week, TIME magazine published James Nachtwey’s photo essay on the opioid crisis. Over his decades-long career, Nachtwey has carved out a reputation as a stoic and relentless documentarian of conflict and pain. His latest effort took over a year to produce, and it has all the hallmarks of great photojournalism, providing a level of intimacy and rawness that can only be captured with persistence and skill.
Photojournalist and war photographer James Nachtwey received a Lifetime Achievement Award this past Monday from the American Society of Magazine Editors. The 3.5-minute video above is his acceptance speech in which he talks about the power of photojournalists to create positive change in the world.
While covering the pre-election violence in the Thai capital of Bangkok, renowned photojournalist James Nachtwey was shot in the leg, reports the Wall Street Journal. Fortunately, according to a report in TIME, it seems the photog wasn't badly injured and returned to work soon after being shot.
The Reportage Festival in Sydney, Australia is a well-known Vivid exhibition that displays the powerful work of some of the world's best photojournalists and documentary photographers. But this year, the New South Wales government has gotten involved by telling the curators what they can and cannot display, stirring up many photographers and anti-censorship advocates in the process.
If James Nachtwey were a street photographer, he wouldn't be the type to stand on the opposite sidewalk and stealthily capture unsuspecting strangers using a telephoto lens. As you can see from the photograph above, Nachtwey has a fearless attitude when shooting in dangerous situations, getting up close and personal with the subjects.