The Sony FE 100mm f/2.8 Macro GM OSS is the company’s best macro lens to date. It improves upon the Sony FE 90mm f/2.8 Macro G OSS in nearly every technical respect and integrates seamlessly into modern underwater macro systems.
The Sony FE 100mm f/2.8 Macro GM OSS is the company’s best macro lens to date. It improves upon the Sony FE 90mm f/2.8 Macro G OSS in nearly every technical respect and integrates seamlessly into modern underwater macro systems.
For anyone looking at a macro lens for the Sony ecosystem, the Sigma 105mm f/2.8 DG DN Macro Art is a great alternative to the Sony or Tamron 90mm macro lenses.
The OM System M.Zuiko 12–40mm f/2.8 Pro II (or the Olympus original) isn’t just a general-purpose lens—it’s a creative tool that, when paired with the right gear and a bit of out-of-the-box thinking, becomes a powerhouse for almost any diving situation.
For underwater photographers considering a move to the Sony ecosystem, or for those searching for an alternative to the Sony FE 90mm Macro or Canon EF 100mm Macro, the Tamron 90mm f/2.8 Di III VXD Macro lens deserves serious consideration.
When paired with the Backscatter Octo housing, the E-M10 Mark IV is a versatile and capable system offering amazing value.
Looking back at the images captured by the LX10—especially the detail and low-light performance in wide angle—it’s hard to imagine that a compact camera was the tool used.
I was quite happy that the Sony a7R II not only met my high hopes, but surpassed them. The quality of the images and video alone made me want to become a Sony convert.
The Canon EOS 7D Mark II showed itself to be an outstanding cropped-sensor DSLR that would hold its own against the most capable full-frame DSLRs and mirrorless cameras [...]
If the G7 X is considered to be a strong player on land, it’s an even more powerful one underwater.
As an upgrade, the D750 is one of the best mid-range full-frame DSLRs on the market in both capacity and price range, and Ikelite is always a great brand to take underwater.
The D7100 is Nikon’s third enthusiast-level SLR to feature the 24.1-megapixel sensor, joining the previously released D3200 and D5200. As a result, the sharpness of the shots is fantastic as well.
This isn’t a camera that will rival the earlier G and S series PowerShot cameras when capturing a moving or small subject.
