Posts Tagged ‘hyperprime’

Mitakon to Release 50mm f/0.95 Full-Frame E-mount Lens on April 20th

Mitakon50mm095_2

Three months after SonyAlphaRumors shared the first image samples taken using a prototype of the Mitakon 50mm f/0.95 Full Frame E-mount lens, one of their “trusted sources” has informed them the lens will be officially released on April 20th. Read more…

Noktor to Launch 50mm f/0.95 HyperPrime Lens for Leica M Mount

Shortly after startup lens maker Noktor went out of business, a company called SLR Magic decided to acquire the brand and continue the Noktor project. Now, the company is planning on launching a 50mm f/0.95 “HyperPrime” lens for the Leica M mount. It’ll be a 6-bit coded lens that’s significantly cheaper than the Noctilux lenses offered by Leica.

(via Steve Huff Photos)

Noktor and Its Hyperprime f/0.95 Lens Are No More

A little over a year ago, US-based startup company Noktor announced a manual focus HyperPrime 50mm f/0.95 lens for Micro Four Thirds cameras that generated some buzz, and there was even murmurings of the lens being released for Canon and Nikon DSLRs. The company never really took advantage of the excitement they caused and not much was heard about the project since then. At the end of last week, the company took down the Noktor website and announced that the effort had come to an end.
Read more…

Noktor Unveils HyperPrime f/0.95 Lens

Some years ago Canon offered a f/1.0 version of its 50mm L lens. They’ve since stopped manufacturing lenses faster than f/1.2, and US-based company Noktor thinks there’s an opportunity for relatively affordable “hyperprime” lenses.

Today, it announced the Noktor HyperPrime 50mm f/0.95, a manual focus lens designed for Micro Four Thirds cameras. The $750 lens will begin shipping on April 15th, but the company is accepting preorders on their website. In addition to Micro Four Thirds, the company has a poll asking which mount it should design lenses for next.

Here’s a photograph shot with the lens showing its low light performance:

One of the problems with having such a large aperture is that the resulting depth-of-field is so shallow. The lens, being more than a stop faster than an f/1.4 lens, could be very difficult to focus correctly for shots were precision is needed. It was one of the complaints people had against the Canon 50mm f/1.0, though that lens was autofocus.

It’s interesting to see another lens company pop up for a specific type of lens, just like Lensbaby and its creative focus lenses.


P.S.: Various sources are saying the lens is almost identical to the Senko 50mm f/0.95 C-mount CCTV lens.