‘No Such Thing as a Straight Photograph’: Computational Photography Pioneer
Computational photography pioneer Marc Levoy argues "straight photography," an idea popularized by Ansel Adams, is a myth.
Computational photography pioneer Marc Levoy argues "straight photography," an idea popularized by Ansel Adams, is a myth.
For the past several years, German freelance photographer Nikita Roytman has been working on a personal photo project in which he does landscape astrophotography in the style and mood of the 19th-century Pictorialism movement. The series is titled "Nocturnal Mood Of Time."
A largely forgotten bit of photographic history might be of interest: the civil war between realism and pictorialism.
We all have a blind spot, both literally and metaphorically. Ansel Adams had one so big and powerful that he, Beaumont Newhall, and a few others “disappeared” some very important and wonderful photographers from the history of photography. And in doing so they also helped “disappear” an important movement in photography, one called Pictorialism.
Don Hong-Oai was a San Francisco-based Chinese photographer who created beautiful images that resembled traditional Chinese paintings.
The photographs of Don Hong-Oai are made in a unique style of photography, which can be considered Asian pictorialism. This method of adapting a Western art for Eastern purposes probably originated in the 1940s in Hong Kong. One of its best known practitioners was the great master Long Chin-San (who died in the 1990s at the age of 104) with whom Don Hong-Oai studied. With the delicate beauty and traditional motifs of Chinese painting (birds, boats, mountains, etc.) in mind, photographers of this school used more than one negative to create a beautiful picture, often using visual allegories. Realism was not a goal.
Hong-Oai was one of the last photographers to use this technique, and was also arguably the best.