I don’t enjoy my Zenit camera (it keeps chewing up film) but the lens that comes with it (the Helios 44/2) is legendary for its surreal swirly bokeh, so is an excellent choice to adapt. It’s often cheaper to buy the camera and steal the lens than buy a copy of the lens.
The founder of lutify.me has launched fylm.ai, a modern AI-powered and browser-based approach to motion and stills color grading that helps users easily match and extract color, emulate print film, share and collaborate remotely, and more.
VSCO has partnered with Snap Inc. to release its first ever Snapchat lens. Dubbed 'Analog,' the sponsored lens is free to use and "designed to celebrate the imperfections, mistakes, and happy accidents found when shooting with film."
Have you ever heard the argument that digital just doesn’t have the same look as film? Well, let’s put that argument to rest. I have painstakingly made my own Lightroom preset that I believe is 96% the same as my favorite film, Kodak Tri-X 400.
Everyone's digging that "faded" film look nowadays, but here's a secret: you don't have to have a VSCO preset pack to get it. In this short tutorial, Mathieu Stern will show you three very quick and very effective ways to "crush the blacks" and get that popular look using just Photoshop.