Landscape photography at 70 mph. Is it even possible? For years the idea of landscape photography was to put your camera on a tripod, frame very carefully, then wait for the light to be perfect before you shot. But what if you had to do everything in exactly the opposite way?
Do you ever wonder why one person gets chosen over another, or how a story comes to be told in a certain way? Well here’s something that happened to me recently that gave me new insights about how choices are sometimes made and what it tells us about the people who make them.
It began with an email one morning. The link in it led to the work of one hundred fifty photographers. I had 1,500 images to judge for Focus Photo, a s**t ton of looking to get it right. It wasn’t going to be easy to hold it all in my mind, to remember why I was making the decisions I was making.
We all have a blind spot, both literally and metaphorically. Ansel Adams had one so big and powerful that he, Beaumont Newhall, and a few others “disappeared” some very important and wonderful photographers from the history of photography. And in doing so they also helped “disappear” an important movement in photography, one called Pictorialism.
In a world dominated by too many photos and too little photography, one of the pieces of advice we stumble across fairly often from masters of this craft is to simply "slow down." Andy Romanoff is one such master, and his project "Seeing the PDC" -- for which he spent 6 months photographing the Pacific Design Center in LA -- is a testament to slowing down and really seeing what it is you're trying to capture.