We know the maxim: the best camera is the one you have with you. We do not carry our cameras everywhere all the time, and when we come across something we want to capture, we reach for the only image capture device we have with us—the phone camera.
Canon seems to be playing the numbers game against its arch-rival Nikon. Its new 50MP EOS 5DS and R-variant allowed Canon to leapfrog past Nikon’s D810’s 36MP in resolution. And with this new EF 11-24mm f/4L USM, Canon users can sneer at Nikon’s 14-24mm f/2.8G with “only” 14mm focal length.
But one shouldn’t forget that Nikon photographers have been enjoying 36MP for the past 3 years, and shooting gorgeous 14mm wide-angle images for more than 8 years. Canon is just catching up, but will this ultra wide-angle zoom lens be good enough to justify its retail price of $2,999?
“Monochrome is the new color” The world was introduced to color photography when Kodak introduced the revolutionary Kodachrome film in 1935. But fast forward to 2012, Leica decided that “monochrome is the new color”, and wants to turn back the clock with a digital rangefinder that shoots only black-and-white for $7,995. At this point, I can hear you screaming, “That’s the silliest way of spending eight grand!”
This is a “first look” preview of a pre-production unit of the Ricoh GR, which I have been fortunate enough to get my hands on -- for a day. My time with it is limited to the half-day of shooting I had, and I am only sharing my initial impressions of it.
The images are selected to demonstrate the fast response of the Ricoh GR, and not the noise performance because it will not be fair to make any judgment based on a pre-production unit. Most of the images are in monochrome because I prefer black-and-white in street photography. None of the images have been cropped, to demonstrate the focal length effect of the Ricoh GR.