metropolitan

The Civil War wasn't the first war to be photographed, but the leaps and bounds that photographic technology had taken leading up to the war in 1861 enabled American photographers at the time to come out en masse when news of the attack on Fort Sumter came.

Many photos came out of the war, showing everything from the horrifically scarred back of an escaped slave, to the bravado of young confederate soldiers. In the video above, curator of the Metropolitan Museum of Art's "Photography and the American Civil War" exhibit Jeff L. Rosenheim walks us through some of those photos, explaining the role each one played in documenting four years of bloodshed.

William Eggleston didn’t invent color photography, but his landmark 1976 exhibition at the Museum of Modern Art gave it dignity, and began the four-decade process of acceptance by curators and collectors as an art form to rival oil painting.

Shot in 1970, “Untitled (Memphis)” – shown above – was one of the 75 photos in the show, and also featured on the cover of the catalogue. Now it’s included in a retrospective of Eggleston’s early work at the Metropolitan.

Over the weekend 16-year-old freelance photographer Jules Mattsson was photographing police cadets in an Armed Forces Day parade in London when he was approached by police and told that he needed parental permission to photograph the cadets.