As Eastman Kodak Company transforms its legendary manufacturing complex, once devoted exclusively to the production of photographic equipment and materials, the management of the Eastman Business Park reached out to me (Professor Frank Cost at RIT) to involve students in learning opportunities centered in a new customer-education and workforce development center planned for the Park.
Since 1987, the School of Photographic Arts & Sciences at Rochester Institute of Technology (RIT) has done an annual nighttime community photo project called RIT Big Shot. For the the 31st event held this past weekend on October 3rd, the school set out to create a photo of the Churchhill Downs that shows the iconic Kentucky Derby track at night.
How do you go about lighting a giant racetrack at night? Well, RIT enlisted the help of 1,800 volunteers to help light paint the scene. All external lighting was provided by the volunteers using flashlights, electronic flash units, and some high-end strobes.
Last week, RIT photography professor Willie Osterman held the 2015 RIT Photo MFA picnic in the front yard of his home in Bristol, New York. To commemorate the gathering, he pulled out a giant camera to shoot a wet plate collodion ambrotype portrait of the group.
On the other side of the camera, in the group, was fellow photo professor Frank Cost with a DJI Inspire camera drone. Cost used the drone to capture the wet plate shooting process from a subject's point of view before lifting off into the sky for a bird's-eye view. The drone was also captured in the resulting wet plate from the last portrait attempt.
Say hello to drone pinhole photography. A photography class at the Rochester Institute of Technology has successfully created what appears to be the first documented case of a pinhole photograph captured from a drone.