Analog Versus Digital: Photographer Pits Leica M2 and M11 Head-to-Head

Two vintage cameras with leather straps, a memory card, and a roll of Ilford HP5 film are placed on a black surface. One camera has a red knob and a viewfinder attachment, while the other has a silver finish.

Leica’s M-series cameras have stayed very similar throughout their illustrious history, even as technology has shifted from analog to digital. But which kind of camera feels better? Photographer Markus Hofstaetter aims to find out.

In comparisons between modern mirrorless camera releases, reviewers often give more weight towards specs and image quality than ergonomics. But how does the overall haptic experience compare between two different cameras? What if one’s analog and the other is digital? That’s the question Hofstaetter sets out to answer in an interesting new comparison.

In a new blog post, Hofstaetter pits two Leica cameras head to head in what he calls an “unfair comparison:” the 1952 Leica M2 film camera versus 2022’s (digital) Leica M11. It’s not the first time Hofstaetter did an analog-vs-digital test like this. However, unlike that comparison, which sought to compare large format film to a high megapixel digital image; this test is all about haptics.

For Hofstaetter, he’s more interested in how the camera feels in the hands. “The haptics and sounds of the M2 are very satisfying,” he writes. “It just puts a smile on my face when I use it.”

In comparison, he describes the M11 as having a “clicky microswitch kind of sound.”

A cat walks down a paved driveway at dusk, heading towards a person in the distance. The person and the figure of a dog are silhouetted against the evening sky. Cars are parked under a carport to the right.
Photo by Markus Hofstaetter | Leica M11

Hofstaetter goes on to describe other quality of life differences between the two formats that most street photographers would have at top-of-mind. He praises the M11 for its long lasting battery and ability to charge quickly via USB-C. However, the Leica M2 “wins this race easily,” he writes. The film camera has no battery, and with its fully-mechanical operation, it’s always ready to go.

A black and white photograph of a deserted gas station at night. The image features several pump stations aligned in perspective with overhead canopies and bright lights illuminating the area, casting dramatic shadows and highlighting the geometric structures.
Photo by Markus Hofstaetter | Leica M2

Another difference he notes is the extra considerations required for high-megapixel digital sensors. With its 60-megapixel sensor, Hofstaetter writes that experiences a high degree of shutter shake with the M11, and finds himself compensating with higher shutter speeds. In comparison, he states that he doesn’t worry about camera shake with 35mm film

It’s a very interesting discussion that analyzes parts of photography that are often overlooked whenever a new camera from a major brand is announced: how one feels while using the camera.

Hofstaetter’s full thoughts are posted on his blog.


Image credits: Photos by Markus Hofstaetter

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