Rare Portraits of the Nigerian Royal Court from the Mid-1900s

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Noted Nigerian photographer Chief S.O. Alonge was the very first indigenous photographer of the Royal Court of Benin in Nigeria, and for some five decades, he captured thousands of Kodak glass-plate negatives of the ritual, pageantry and regalia of the Nigerian obas (kings), their wives and retainers.

Now, these rarely seen images and the fascinating world they preserved are being pulled out of the archives of the Smithsonian National Museum of African American Art and shown to the world once more.

The exhibit, which began last month and will run for a full year, uses Alonge’s photographs to celebrate Nigeria’s 100th anniversary as a united country by, “celebrating the role Nigerian photographers have played in documenting their own history and addressing issues of identity, nationhood and memory.”

Solomon Osagie Alonge, “Self-portrait, seated outside wearing formal attire and spats” (1942), Benin City, Nigeria, Glass plate negative (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Self-portrait, seated outside wearing formal attire and spats” (1942), Benin City, Nigeria, Glass plate negative (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
 Solomon Osagie Alonge, “Self-portrait with painted studio backdrop” (1942),  Silver gelatin print, with sepia tone (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)

Solomon Osagie Alonge, “Self-portrait with painted studio backdrop” (1942), Silver gelatin print, with sepia tone (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)

The key word there is identity. These portraits are from the 1950s and 60s, and chronicle Nigeria’s arts and culture at a time when they were transitioning from colonial rule to independence.

As Nigeria came into its own as an independent nation, Alonge was there at the Ideal Photography Studio he established in 1942, capturing both the kings and their subjects as they decided how they would show themselves to the world.

“Through his portrait photography in the Ideal Photo Studio, Alonge provided local resident — many for the first time — with the opportunity to represent themselves to themselves as dignified African subjects,” explains senior archivist and curator Amy Staples. “His portraits of an emerging elite society in Benin City not only illustrate the cosmopolitan and modernizing influences of the 20th-century in Nigeria, they preserve the social history of Benin and its traditional leaders for future research and educational programs.”

Here is a look at a small selection of the imagery you can see at the National Museum of African Art in Washington, DC between now and next September:

Solomon Osagie Alonge, “Oba Akenzua II greets Queen Elizabeth and Prince Philip (not shown) on a Royal visit to Benin City. On the left is Chief Jeremiah Obafemi Awolowo, first Premier of the Western Region, 1952-1959. On the right is Sir John Rankine, Governor, Western Region, Nigeria, 1954-1960,” Silver gelatin print and hand-colored (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Oba Akenzua II greets Queen Elizabeth and Prince Philip (not shown) on a Royal visit to Benin City. On the left is Chief Jeremiah Obafemi Awolowo, first Premier of the Western Region, 1952-1959. On the right is Sir John Rankine, Governor, Western Region, Nigeria, 1954-1960,” Silver gelatin print and hand-colored (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Commemorative cloth of Iyoba, Queen Mother of Benin (photograph by Solomon Osagie Alonge, 1981) (Eliot Elisofon Photographic Archives,  National Museum of African Art Smithsonian Institution)
Commemorative cloth of Iyoba, Queen Mother of Benin (photograph by Solomon Osagie Alonge, 1981) (Eliot Elisofon Photographic Archives, National Museum of African Art Smithsonian Institution)
Commemorative cloth of Iyoba, Queen Mother of Benin (photograph by Solomon Osagie Alonge, 1981) (Eliot Elisofon Photographic Archives,  National Museum of African Art Smithsonian Institution)
Commemorative cloth of Iyoba, Queen Mother of Benin (photograph by Solomon Osagie Alonge, 1981) (Eliot Elisofon Photographic Archives, National Museum of African Art Smithsonian Institution)
Solomon Osagie Alonge, “Visit of the Earl of Plymouth [right] to the Oba of Benin, Oba Akenzua II, Benin kingdom, Nigeria. Oba Akenzua II holds the coral regalia of Oba Ovonramwen, returned by the British in 1938. Sir John Macpherson, Governor-General of Nigeria, stands on the left” (1935), Glass plate (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Prize winner” (1937), Glass plate negative (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Prize winner” (1937), Glass plate negative (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Dame Merry Oritsetimeyin Ehanire née Cardigan” (1940), Benin City, Glass plate negative (Chief S.O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Dame Merry Oritsetimeyin Ehanire née Cardigan” (1940), Benin City, Glass plate negative (Chief S.O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Madame Ogiugo” (1960), Hand-colored photograph (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Madame Ogiugo” (1960), Hand-colored photograph (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Daughter of Oba Eweka II, wearing commemorative cloth from coronation of King George VI, May 1937,” Silver gelatin vintage (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Daughter of Oba Eweka II, wearing commemorative cloth from coronation of King George VI, May 1937,” Silver gelatin vintage (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Portrait of Chief Francis Edo Osagie” (1960), Benin City, Silver gelatin print with hand-coloring (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)
Solomon Osagie Alonge, “Portrait of Chief Francis Edo Osagie” (1960), Benin City, Silver gelatin print with hand-coloring (Chief S. O. Alonge Collection, Eliot Elisofon Photographic Archives)

(via Hyperallergic)


Image credits: Photographs courtesy of the Smithsonian National Museum of African American Art

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