Address Is Approximate is a beautiful and creative stop-motion video by Tom Jenkins of Theory Films. Here’s the one-sentence synopsis:
A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View.
No CGI was used — all the animation you see in the video was done by hand and captured on a still photograph using a Canon 5D Mark II!
Between August and October of this year, the crew onboard the International Space Station used a Nikon D3S (at high ISOs) to capture photographs of Earth as they zipped around it at 17,000mph. Michael Konig then took the footage and compiled it into this eye-popping time-lapse video showing what our planet looks like from up there. Read more…
Photographer Samuel Cockedey spent a year photographing the Shinjuku area of Tokyo, Japan using his Canon 5D Mark II, and then created a time-lapse video set to music from the sci-fi film Blade Runner. Titled “Android Dreams”, the time-lapse is both a fitting tribute to Blade Runner and a beautiful portrait of Tokyo at night.
One of the big things GoPro has going for it is viral marketing: people — including the world’s best daredevils — are constantly producing never-before-seen footage using the company’s tiny HD cameras, and it seems every week a new GoPro video goes viral on the web. The company isn’t bad at creating their own videos either — the above is an amazing promo video showing off the capabilities of the new Hero2 camera announced yesterday. 100% of the footage was captured using the camera, which can shoot 10mp stills at 11fps and 1080p video at 30fps.
Time-lapse guru Dustin Farrell recently released this epic video showing the stunning landscapes of Arizona and Utah. Every single frame in the video was a still photo captured with a Canon 5D Mark II.
“What Light” is an incredible stop-motion video that features sunlight dancing around a bedroom. It might look like it was done with CGI, but the sunlight was actually manipulated using cut-outs and stencils placed in the window. Creator Sarah Wickens says,
I noticed how the sun came through the windows in my bedroom, creating patches of light that moved throughout the day, as the sun changed position in the sky. So I started experimenting with ways of using that light to make animation, sticking cut-outs and stencils on to my windows to carve the light into different shapes [#]
The result of her efforts is one of the most creative stop-motion videos we’ve seen.
Crazy about photography, web designer and aspiring commercial photographer Dabe Alan decided to get a sleeve tattoo showing the evolution of cameras. He documented the process by creating stop-motion videos in which the artwork magically appears on his arm. The videos show 12 hours of sitting in the tattoo parlor, and comprise 2713 separate photographs shot with a Canon 5D Mark II and 24-70mm lens. Read more…
Here’s an educational time-lapse tutorial by Los Angeles-based architectural photographer Mike Kelley in which he walks through how he goes about photographing buildings. His technique might be described “manual HDR” — after shooting the building over a longish period of time to capture different lightings, he then enters the scene and lights different areas of the building using two Canon 430EX Speedlites. Afterward, he loads the stills into Photoshop and selects different portions of the scene from different photos depending on the lighting he wants. The finished composite photo ends up looking as if it were lit by a large number of Speedlites.
Photographer Nathan Seabrook made this creative stop-motion music video for the band Yuba Diamond. Despite what your eyes might tell you to believe, no computer trickery was used. Instead, Seabrook used roughly 1700 separate prints and some old fashioned techniques (e.g. fishing line and projecting scenes onto the background) for all the animations and effects seen in the video.
Photography has almost always been in crisis. In the beginning, the terms of this crisis were cast as dichotomies: is photography science or art? Nature or technology? Representation or truth? This questioning has intensified and become more complicated over the intervening years. At times, the issues have required a profound rethinking of what photography is, does, and means. This is one of those times. Given the nature of contemporary art practice, the condition of visual culture, the advent of new technologies, and many other factors, what is at stake today in seeing something as a photograph? What is the value of continuing to speak of photography as a specific practice or discipline? Is photography over? [#]
The videos run a total of 5 hours altogether, so you’ll need to set aside a good amount of time to chew through the talks. You can also find transcripts of the sessions and more information about the experts here. Read more…