Venus Optics’ Laowa 9mm f/2.8 is the Widest Lens for DJI Cameras/Drones
Venus Optics has just unveiled the Laowa 9mm f/2.8 DL Zero-D. It's the widest lens ever made for DJI cameras and drones.
Venus Optics has just unveiled the Laowa 9mm f/2.8 DL Zero-D. It's the widest lens ever made for DJI cameras and drones.
For certain sports, telephoto lenses are crucial for allowing viewers to see the action from a distance. But for one major football game this weekend, ESPN was forced to broadcast parts of the game with a wide-angle view. Frustration, mocking, and hilarity ensued.
How many of you can relate to this scenario? You encounter a scene that really grabs your attention, and it has all the elements you look for in a great composition -- a spectacular foreground that works the eye towards the mid-ground that in turn leads the viewer towards a majestic mountain range in the background.
Panasonic has announced the development of the Leica DG 10-25mm f/1.7 for Micro Four Thirds cameras. It's the world's first wide-angle zoom lens with a constant f/1.7 aperture.
Tamron has announced the new SP 15-30mm F/2.8 Di VC USD G2 full-frame lens for Canon and Nikon DSLRs, four years after the first generation version of the lens became the first ultra-wide f/2.8 zoom to offer stabilization.
Samyang today announced the Samyang 14mm f/2.8 (also sold as the Rokinon 14mm f/2.8), the company's 8th autofocus lens and its first AF lens designed for Nikon F-mount cameras.
Samyang has just announced the Samyang/Rokinon 24mm f/2.8 full frame lens for Sony FE-mount cameras, which follows in the footsteps of the Samyang 35mm f/2.8 that was announced in the middle of 2017.
Hasselblad has launched its widest lens ever, the new XCD 21mm f/4 designed for the X1D-50c medium format mirrorless camera.
"Zooming with your feet" means getting closer to your subject physically instead of relying on a longer lens, but you should be aware that the results you won't be the same. Here's a 9-minute video from This Place that looks at how different focal lengths affect perspective when compared to "zooming with your feet."
Trees invoke a sense of timelessness, of grandeur. Most species grow many centuries older than humans ever will, so let’s make trees look the part with these tips on capturing them with a wide-angle lens.
Zeiss has just announced the Milvus 25mm f/1.4 lens, adding the 11th lens to the Milvus family of full frame DSLR lenses. It's the fourth Milvus lens to have fixed aperture of f/1.4, joining the 35mm, 50mm, and 85mm.
As a landscape photographer, I love extreme wide angle lenses. I use my 16-35mm for 90% of my photos and I mostly use it at 16mm. When I give lectures about photography, I often hear people saying they have trouble with using extreme wide angle uses just because they are "so wide". But these lenses require a different approach than your kit lens to get the most out of them.
Nikon has just unveiled 3 new wide-angle lenses: the AF-S NIKKOR 28mm f/1.4E ED, AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR, and AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED. The 10-20mm is a budget-friendly wide-angle zoom for DX-format cameras, and the 8-15mm is Nikon's first ever fisheye zoom lens.
Sony just debuted two new full-frame E-mount zoom lenses—one ultra lightweight, one premium. The 12-24mm f/4 G ultra-wide angle zoom falls into the former category, while the fast 16-35mm f/2.8 GM joins Sony's line of high-end G-Master lenses for pixel peeping sharpness fiends.
Lomography has announced a new camera called the Lomo'Instant Automat Glass. It's the world's first instant camera with a wide-angle glass lens.
'Ultra-wide angle' and 'minimal distortion' are not terms you typically see together. But that's what lens manufacturer Irix is claiming with their new ultra-wide 11mm f/4 rectilinear lens for full-frame Canon, Nikon, and Pentax DSLRs.
German photographer Christian Schmidt was commissioned last year to shoot a series of photos of the world, from the perspective of Earth itself.
Just before sunset a few days ago, a gorgeous double rainbow appeared over the San Francisco Bay. I happened to have a fisheye lens attached to my camera, so I ran outside and snapped the shot above.
The first rule for any photographers, portrait, landscape, or weddings: always, always check your gear, count it twice, because the last thing you don’t want to happen is not having the right gear for what you want to shoot.
The Samyang summer lens release bonanza continues. Last week it was a super-fast 35mm f/1.2 for mirrorless APS-C cameras; today, we get a new ulra-wide angle, the Samyang 20mm f/1.8 ED AS UMC for full-frame DSLRs and mirrorless cameras.
Computers are changing photography in a big way—from colorizing black and white photos automatically, to telling how memorable your photos are. And now, a new imaging technology can change the apparent focal length of a photo, making it look like a wide-angle selfie was taken from further way with a portrait lens.
Canon's original 16-35mm f/2.8L was released in 2001, and the followup Mark II version arrived in 2007. Now, 9 years later, a Mark III refresh is reportedly just around the corner.
TH Swiss has announced a new line of lenses called Irix. The first lens in the family is the Irix 15mm f/2.4, a "photographer's dream" lens that was "built by engineers and perfected by designers.
In 35mm photography, a "portrait lens" is usually considered to be a fast lens with a focal length of around 80-135mm. This allows you to achieve a shallow depth of field and a pleasant perspective that doesn't distort your subject's facial features. But that doesn't mean you should rule out wide angle lenses completely when shooting portraits.
In the 4-minute video above, Rishi Sanyal of DPReview explains why he prefers wide-angle lenses for portraiture.
Street photographer Willem Jonkers often hits the streets of Rotterdam in the Netherlands with an ultra-wide-angle 8mm fisheye lens. He then approaches strangers and gets not only close, but low -- really low.
His collection of ultra-low, ultra-wide street portraits show a "Gulliver" effect that makes his subjects look like enormous giants towering over each scene.
Street photographer Keenan Hastings recently mounted a GoPro to his Fujifilm X-T1 and visited the Eastern Market in Downtown Detroit for up-close-and-personal street portraits. The 4.5-minute point-of-view video above shows how he approached his subjects for photos.
The Chinese lens manufacturer Venus Optics made quite a splash back in January by announcing the new Venus 60mm f/2.8, the world's first 2:1 macro lens with infinity focus. The lens has gotten some pretty positive reviews since then.
Now Venus is back with another groundbreaking lens. Today the company unveiled its new Laowa 15mm f/4 lens, the world's widest 1:1 macro lens.
Canon seems to be playing the numbers game against its arch-rival Nikon. Its new 50MP EOS 5DS and R-variant allowed Canon to leapfrog past Nikon’s D810’s 36MP in resolution. And with this new EF 11-24mm f/4L USM, Canon users can sneer at Nikon’s 14-24mm f/2.8G with “only” 14mm focal length.
But one shouldn’t forget that Nikon photographers have been enjoying 36MP for the past 3 years, and shooting gorgeous 14mm wide-angle images for more than 8 years. Canon is just catching up, but will this ultra wide-angle zoom lens be good enough to justify its retail price of $2,999?
Did you know that certain wide angle lenses offer slots on the rear mount that allow you to insert gel filters? Often this design decision is due to the fact that the bulbous front element prevents the use of a standard filter that screws onto the front, but sometimes it's not.
Canon today announced a new ultra-wide zoom lens for its EF lineup: the 11-24mm f/4L USM. Canon claims the lens offers the widest angle of view ever achieved for a rectilinear full frame DSLR lens.
It boasts an angle of view of 126° 5'. By comparison, the popular 16-35mm offers an angle of view of 108° 10'.
Sigma has been cranking out its Art, Sports and Contemporary lens lineups like mad this past year. Of those three, the Art series has been the most talked about, and it looks like the much-anticipated 24mm f/1.4 addition to that line might finally see the light of day in Q1 of 2015.
A photo of a previously-patented ultra-wide angle zoom lens leaked online earlier today, and it has the Canon faithful all atwitter in the hopes that the leaked image is indeed the real thing and not just some hoax playing on their hopes and dreams.
We've said it before and we'll say it again, one of the major downsides of the exceptional Sony A7, A7r and A7s full-frame mirrorless cameras is the lack of native lenses, but Sony and ZEISS are working hard to remedy that.
Just last week ZEISS debuted the Loxia line of FE lenses, and today Sony introduced a brand new wide-angle lens and teased several primes at Photokina.
Tamron today announced the Tamron 15-30mm f/2.8 DI VC USD ulta-wide zoom lens, which the company says is the first ultra-wide f/2.8 zoom to offer image stabilization (called "vibration compensation" in Tamron-speak).
In one of those rare more-informative-than-funny Top Gear DigitalRev episodes, Kai tries to help beginners decide what they should buy for their first prime: a nifty 50mm, or a more versatile 35mm.
Mohammad Reza Domiri Ganji is a 23-year-old physics student at Mazandaran University, and yet, you've probably seen his photography floating around the Internet as of late.
That's because, when he's not studying, Ganji is capturing truly stunning photographs of the colorful, architecturally gorgeous interiors of historical Mosques throughout the Middle East.
This is a geek article. Many of you don’t understand the term ‘geek’ properly, so perhaps this will help. As the graph below shows, if you aren’t both intelligent and obsessed with photo gear, you won’t enjoy this article.
In a continuing efforts to give its users the best photography experience possible, Google yesterday gave its Camera app a substantial update. The update touts a few new features including a timer, updated panorama modes, still capture during video and more.
Lomography's already has some experience partnering with Russian lens manufacturers. And given how successful the Zenit partnership and Lomo's recreation of the Petzval lens has been, they've decided to do it again, this time with the Russar+.
One of the common complaints people hesitant to switch to mirrorless systems have is that there just isn't enough glass for this that or the other mount. Micro Four Thirds cameras don't really suffer from this problem, but proprietary mounts like Sony's E-Mount (especially full-frame) and Fuji's X-Mount certainly don't offer the kind of selection you get from Canon or Nikon.
The good news is, they're catching up. And a great case in point is the Fuji X-Mount 10-24mm f/4 lens announced today.