walkthrough

Developing ECN-2 Motion Picture Film at Home

If you’re a film geek like me, these numbers should look familiar, 5203, 5207, 5217, and 5219. These are the film stocks Kodak Motion Picture offers to film directors and cinematographers. Since 2014, Quentin Tarantino, Martin Scorcese, and J.J. Abrams partnered with former Kodak CEO Jeff Clarke, to spearhead an effort in protecting the use of celluloid in the motion picture industry.

A Full Commercial Food Photo Shoot: From Concept to Shooting to Editing

In this 35-minute video, I go through my entire process of shooting for my commercial portfolio. During the COVID-19 lockdown, I have had more time to focus on my book, which will hopefully help get me back out there when everything opens up again.

How to Use Light Painting to Capture Dramatic Car Photography

Automotive photographer Dave Cox (AKA ShootingDave) recently put together a handy step-by-step tutorial that shows you exactly how he uses light painting to capture dramatic car photos when working in a tight space like a workshop. By combining six exposures into one, he's able to capture a beautiful and surprisingly natural looking photo.

How I Shoot Insect Macro Photography in My Home Studio

Insects and other animals have fascinated me since I was a small child. I remember well how I used to pick them up and simply stare at them in wonder for hours. The concept of photographing insects indoors had been on my mind for years, even when photography and playing with light was a hobby, and long before I considered photography a profession and way of life.

How to ‘Magically’ Remove Glare from Glasses in Photoshop

Unmesh Dinda over at PIXimperfect has released another exceptional photo editing tutorial that you'll want to bookmark if you shoot portraits. In this video, he shows you a detailed step-by-step method for removing glare from glasses in Photoshop—something all of us have probably had to do at one point or another.

How to Edit Portraits in Affinity Photo

Portrait and headshot photographer Ivan Weiss recently created a helpful tutorial that walks you through his entire portrait editing process in the popular Adobe alternative Affinity Photo. If you've been wanting to give Affinity a shot, this is a phenomenal resource.

How I Shoot Solargraphs with a Digital Camera

Solargraphies (pinhole images on photographic paper that capture months of the sun arching across the horizon) were a thing starting sometime in the 2000s. When this caught on broadly in the early 2010s, it got a lot of people excited for film again.

A Beginner’s Guide to Focus Stacking

Focus stacking is a fun and easy technique you can do right at home with nothing more than your camera, lens, and editing software. In fact, the Fujifilm X-T2, X-T3, and X-T4 series of cameras—and many others—contain a "focus bracketing" feature that lets you do this automatically.

My Workflow for Editing a Watch Photo

Two years ago, I took an online class about product photography editing that completely changed the way I approach the photographic process. Coming from a background of street photography using film cameras, I have always been very “purist” about the whole process, trying as much as possible to preserve the original image by only making slight adjustments on light and contrast.

Building an Afghan 8×10 Box Camera for $100

My name is Antoine Loncle, and I'm an independent photographer. I shared my homemade 8x10 box camera on several photography groups and it received a lot of interest. I figured I'd do a little write up for anyone that wanted to know more about the camera as well as see some images of the building process.

Shooting Environmental Portraits in Detroit

The City of Detroit has launched a redevelopment plan for the Gratiot/7-Mile community. I’ve been hired by the city and the consulting firm Giffels-Webster as the still-images creative director and photographer.

How I Built a Custom Charging Board for All of My Camera Batteries

Recently I became—as I’m sure many of you already are—utterly sick of the endless chargers and cables in my studio. It's a mess of wires that always seem to get tangled and it always ends up looking like Medusa on a bad hair day.

Creating Homemade Photography Backdrops on the Cheap

Anyone who has had any exposure to still life photography or studio work will know just how expensive backdrops can be. I have a couple from Kate Backdrops company, one of which I use very often, but I've been hankering after a few more.

The Secret to Developing Your Street Photography

Shooting street photography without a project in mind is like shopping for food when you’re hungry. You might get a few nice treats, but ultimately you get back and find there is nothing to sustain you.

There and Back Again: Passing Photos Between Lightroom and Photoshop

Lightroom and Photoshop are designed to work hand-in-hand, so you can easily pass photos between the two programs while you're working with them. Photography instructor Phil Steele of Steele Training made this beginner's 17-minute tutorial on doing "round trips" (and even "nested round trips") with photos between Lightroom and Photoshop.

Shooting a Portrait with Light, Shadow, and Highlight

Light, shadow, and highlight -- this is always a great combination for creating portraits from a lighting point of view. This is the interesting part: changing the intensity of the highlight or the tone in the shadows while maintaining the exposure can produce a different feel to an image, from being dramatic to soft and subtle, and that is what is so intriguing about photography.

How to Make a Ground Glass Focusing Screen at Home

Did you know that you can make your own ground glass focusing screen? In his latest video, wet plate photographer Markus Hofstätter shows you exactly how by making a ground glass screen for one of his large format cameras.

Making an Autonomous (Tiny) Boat for Hyperlapse Photography

Daniel Riley of the popular YouTube channel rctestflight has been building tiny autonomous boats, and recently he realized that the platform would be perfect for shooting photos for hyperlapse videos. In this 14-minute video, he explains how he made and tuned a boat for automated hyperlapses.

5 Ways You Can Use a Softbox to Shoot Stunning Portraits

Portrait photographer Miguel Quiles is back with the third part of his series on various lighting modifiers. Part one covered the beauty dish, part two covered the umbrella, and part three is all about the different ways you can use a softbox to capture distinctive portraits.

Shooting a Photo of Politicians’ Empty Campaign Promises

'Politricks': "the word "politics" altered to convey the empty-campaign promises often experienced after politicians get elected." About a year ago I had this thought of making a picture from this word.

Match Cuts Part 2: How to Create Compelling Transitions

Filmmaker Daniel DeArco is back with the promised Part 2 of his tutorial on creating cool and compelling "match cuts" to up your transition game. In Part 1, he showed you how he captured the three shots that he would be using to create the match cut; in Part 2, he takes us the rest of the way there in post.

How to Create Killer Match Cuts like Daniel DeArco

Creative consultant and talented videographer Daniel DeArco is one of the best there is at creating impressive transitions from shot-to-shot in his videos. In his latest video, he'll take you behind the scenes to show you exactly how he created one of the coolest cuts in his recent empathy video.

How to Double the Resolution of Your Smartphone Photos

"Super-resolution" and "pixel-shift" photography isn't just possible if you have a fancy camera that can move the sensor 1 pixel between shots. As Usman Dawood of Sonder Creative demonstrates in this video, you can even do it with your run-of-the-mill smartphone, shooting hand-held.

I Built This DIY Camera Rig for Shooting Through-the-Viewfinder Videos

Recently I made my own custom-built camera rig for shooting Through-The-Viewfinder videos on a Nikon Z6 through the viewfinder of an old Lomo Lubitel 166. With my setup, I can have the whole camera in the frame but without distracting hands visible. Here's how I did it.