Photographers are often viewed with suspicion by police, and there are regular headlines about people being harassed and detained for simply shooting photos. However, being stopped by police for this type of "suspicious" behavior is not an issue unique to the digital age. Renowned photographer Robert Frank was even jailed for three days while driving through Arkansas in 1955 as he shot his famous photo book The Americans.
Robert Frank, one of the most influential documentary photographers of our time, passed away on Monday on Cape Breton Island in Nova Scotia. He was 94 years old.
The San Francisco Museum of Modern Art shared this 3.5-minute video in which renowned American photographer Robert Frank talks about how he shot his seminal 1958 photo book, The Americans. Reflecting on various photos from the project, Frank shares insights into the process behind the shots.
In this post, we're going to revisit The Americans by Robert Frank. This influential photography book, first published in France in 1958, appears highly relevant today with the United States divided in so many ways. However, the odds are that these honest, and often sad images, have always been relevant.
Online book marketplace AbeBooks -- probably the first link you'll see if you try to search for a rare, signed or early edition of your favorite novel or photo book -- has a list of the 10 most collectable photography books of all time. You can probably guess two or three of them, but do you think you know them all?
We're not sure what it is about destroying one's own work, but it seems Robert Frank, the photographer behind the iconic photobook The Americans, will be jumping on board with this trend following a pop-up exhibition at Anna Leonowens Gallery in Halifa, Nova Scotia.
In the first week of April, the three major auction houses in New York managed to post over $30 million in photography sales, showing that the photography as collectible market is thriving, to say the least. The houses posted a record-setting week as almost every auction blew away projected sale prices.
We live in an analytical time, where most of the information we receive -- be it about the stock market or the presidency -- comes in way of charts, graphs, and other visual representations of hard (or sometimes soft) data. And it's this dependency on analysis that Sherwin Tibayan's diagnostic take on Robert Frank's "The Americans" -- the second "The Americans" spin off we've seen in two weeks -- focuses on.
Many consider Robert Frank's classic photobook "The Americans" (originally published in France as "Les Américains") to be one of the greatest photobooks of all time. Knowing this, Mishka Henner should have probably thought twice before using it as the subject of one of his forays into digital appropriation and, in this case, erasure.