Timelapse and landscape photographer Michael Shainblum has shared a tip-filled guide showing how he uses long exposures to capture some of his more creative waterfall images in the Pacific Northwest.
At first glance, the Tamron 50-400mm f/4.5-6.3 Di III VC VXD seems like Frankenstein’s monster of lenses. Super-telephoto lenses that provide a relatively wide focal length are uncommon and generally awful. Making a lens with such a wide range of focal lengths is complicated, yet Tamron made one that performs well across the zoom range.
The Tamron 50-400mm f/4.5-6.3 Di III VC VXD for Sony E-mount full-frame mirrorless cameras that was announced in July will be available in September for $1,299.
Tamron has announced a new 50-400mm f/4.5-6.3 Di III VC VXD for Sony E-mount full-frame mirrorless cameras which is expected to be available from this fall.
Nikon has announced the compact Nikkor Z 400mm f/4.5 VR S super-telephoto prime lens for its mirrorless Z-mount cameras and it says that this new optic is the lightest in its class.
At times, Death Valley can bring serene scenes of soft and picturesque sand waves, other times, as landscape photographer Michael Shainblum found out, it can also bring chaos, wind, and challenging shooting conditions.
Sony has announced the Xperia 1 Mark IV, a smartphone packed with features that put the needs of video shooters first but doesn't hold much back for everyone else. It's also the first smartphone with a true optical zoom lens that can shoot between 85mm and 125mm.
Wildlife photographer Steve Perry took the newly-announced Nikon PF 800mm f/6.3 VR S lens for a test drive and has shared his opinions on what to expect from the super-telephoto prime.
Nikon has announced the Nikkor 800mm f/6.3 VR S super-telephoto lens for its Z-mount cameras. While still a hefty lens, it is 48% lighter and 16% shorter than its F-mount counterpart thanks in part to the use of a Phase Fresnel (PF) front element.
One of my favorite techniques in photography is shooting panoramas with a telephoto lens. I got asked a lot about this technique, so I decided to create a full video and article in which I’ll go through the entire process.
Blessed with clear skies and soft sunlight, photographer Michael Shainblum visited Death Valley National Park where he captured the captivating sand dunes from early sunrise into the evening.
Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.
During his trip to Kauai, one of the many islands in the Hawaiian archipelago, photographer Michael Shainblum captured his journey using a mix of wide-angle and telephoto lenses, making the most of the diverse natural beauty of the area.
In photography, the “cutting edge” doesn’t always happen with the most expensive gear; the ability to produce a quality lens at a price lower than ever is just as innovative. Canon’s RF 100-400mm f/5.6-8 IS USM is my case in point.
Samyang has announced that it has reimagined its manual focus 135mm f/2 telephoto lens that it launched in 2015 as a new and improved autofocus version, the AF 135mm f/1.8 for Sony E-mount.
Kenko Tokina has announced that the 500mm f/8 mirror lens that it teased last year is finally available and will be available for Canon EF, Sony E, Nikon F, Nikon Z, Fujifilm X, T-mount, and Micro Four Thirds.
While full-frame has received the most attention from camera manufacturers in recent years, there are plenty of great reasons to purchase smaller format sensors like APS-C. These systems can be cheaper, smaller, lighter, and offer greater reach over their full-frame counterparts.
In a new video from Fotodiox, photographer Sean Anderson shows how anyone can make a telephoto pinhole lens out of a few items like a soda can, tape, and an empty Pringles can.
Kenko has announced an updated 400mm f/8 N II S mirror lens that changes the optical design and integrates a T-mount system that the company says improves performance. It will be available in eight camera mount configurations.
Nikon has announced two new zoom lenses for its Z-mount mirrorless system: the Nikkor Z 100-400mm f/4.5-5.6 VR S and the Nikkor Z 24-120mm f/4 S. The company also launched a second-generation FTZ adapter.
Filmmaker Joel Honeywell has a fascination with rare and unusual lenses, and after seeing a one-of-a-kind 400mm f/2 Canon lens for sale on eBay, he realized he had to have it.
Landscape photography is often associated, or even equated, with the use of wide-angle lenses, however, this can lead to formulaic compositions. Telephoto lenses may seem like the province of wildlife photography, but alternating with them brings new creative opportunities for landscape photography.
OM Digital has released a new lens roadmap as well as announced the development of two new lenses for Micro Four Thirds (M43), the M.Zuiko Digital ED 20mm f/1.4 Pro and M.Zuiko Digital ED 40-150mm f/4.0 Pro.
Remember when lenses had character? Tokina remembers. Last year, it released the SZX 400mm f/8 reflex lens which oozes personality that most modern lenses miss out on -- it's a tiny but mighty telephoto lens.
Canon has filed a patent for a new "image pickup-up device and adjustment mechanism" that appears to be a high-powered clip-on-style telephoto camera accessory for smartphones.
Camera Labs' Gordon Laing was given the opportunity to test the two largest and most expensive lenses for Canon's mirrorless RF system -- the Canon RF400mm f/2.8L and the Canon RF600mm f/4L -- and has evaluated how they stack up in stills and video tests.
How does the legendarily heavy-duty Sigma 200-500mm f/2.8 EX DG lens translate to use for portraits today? What about when combined with teleconverters on a Sony Alpha 7 Mark III?
F1 photographer Kym Illman tries to clear up some of that mystery that surrounds his job and covers everything a prospective photographer would need to know to succeed in the racing world.
Landscape photographers dread the feeling of standing in front of an incredible scene only to look up to find blue skies filled with harsh sunlight and no clouds. On a recent photography trip to Death Valley National Park, Michael Shainblum decided to use the harsh conditions to experiment.
One of the most effective ways to fill a frame with information, particularly in street photography, is to layer elements of your composition, either in two dimensions along the X and Y axis or in three with the Z axis.