strobe

Godox Unveils the AD1200 Pro: Its Most Powerful Strobe Yet

Godox has officially unveiled its most powerful strobe yet: the AD1200 Pro. After first teasing a prototype in late 2019, the company is ready to reveal the final product, making it more affordable than ever to add 1200Ws of flash power into your arsenal.

Anker Unveils First Ever ‘Made for iPhone’ Certified External Flash

Less than a week after reports indicated that "Made for iPhone" certified strobes were on the way, we have our first official product. Made by Anker—better known for their battery packs—the cube-shaped LED flash is compatible with the iPhone 11 and 11 Pro models, and will be available to purchase next month for a reported $50.

A Simple One-Light Portrait Setup Every Photographer Should Master

Portrait photographer Miguel Quiles' most recent video breaks down his favorite one-light setup for portraits. The tutorial is perfect for beginners who are just getting started with flash photography—not only is it easy to replicate, but having a one-light setup in your back pocket is a must as a portrait photographer.

How to Shoot Pro Portraits on a Budget with Just One Flash

Shooting professional-quality portraits with artificial lighting doesn't have to weigh heavily on your bank account. Here's a 22-minute video in which photographer Sean Tucker shares how to shoot great portraits using a single speedlight and a cheap modifier.

Understanding Flash Guide Number (and Common Misconceptions)

Mystified by talk of "guide number" and "flash power"? Gerald Undone made this helpful 10-minute video that explains everything you need to know about the light from strobes and speedlights, from common misconceptions to practical formulas that will help you light your shots.

Hands On with the Small but Mighty Profoto B10

I got my hands on a pair of the new Profoto B10 for some hands-on shoot testing from Profoto. If you just want to see the photos, scroll to the end of the article. If you want to get a little background on the ideas and the tech, read on.

Flash Battle: Profoto B1X vs Godox AD600 Pro vs Broncolor Siros 800 L

In 2016, I made a video comparing the Profoto B1 and Godox AD600. Since then both models have had an updated release and Broncolor has also released the Siros 800 and 400. I decided to put all three models head to head to help people decide which is the best option.

Godox AD600 Pro Strobe Announced, Brings Performance Upgrades

Godox has released the new AD600 Pro, a new 600Ws wireless strobe that's also marketed in the US by Adorama under the name Flashpoint XPLOR 600 PRO TTL. The strobe builds upon the success of its popular predecessor, the Godox AD600 (AKA Flashpoint XPLOR 600 HSS TTL), with a number of spec and feature improvements.

You Don’t Get What You Pay For: $700 Godox AD600 vs $2,100 Profoto B1

Back in December 2015 I saw a rumor report online about a 600w/s Chinese monolight with onboard battery, TTL, and built-in radio. After doing some research I found they had a TTL speedlight that worked within the same system, and I became very excited.

Optical Slaves and Why They Belong in Your Camera Bag

There are unfortunately times when technology just lets us down. It’s not always because it inevitably breaks either: sometimes it is simply because every piece of gear has its strengths and weaknesses, and flash triggers are no exception.

Profoto Reveals the D2, The World’s Fastest TTL Monolight

Holy recycle time batman! Photography speed demons get your bibs out, because Profoto just released a new monolight that'll get the salivary glands going strong. It's the Profoto D2, and it's officially "the world's fastest monolight with TTL."

Speedlights vs Studio Strobes: Which is Better and Why?

As beginner's guides go, this is one of the best we've stumbled across. In 10 minutes, Joe Edelman does a fantastic job comparing the standard speedlight to the standard monolight or "studio strobe," explaining some of the confusing terminology, and helping break down which is better when and why.

This Simple Example Shows the Power of High Speed Sync

High speed sync is a big deal when you're capturing portraits on-location. As photographer Manuel Ortiz shows in this informative video, it can mean the difference between a captivating shot and something full of background distraction.

I Made a DIY Handle for My Battery-Powered Strobe

I’m what I’d call a professional hobbyist when it comes to photography. I try to make it my life, but my passion sometimes overrides my business sense for it.

I’ve usually done photography in phases. There was my fisheye phase, natural light phase, reflector phase, speed light phase and so on. Eventually a friend of mine let me use his Profoto AcuteB system for a random adventure at the Renascence Faire, during which I knew I was hooked onto high-end strobes. Eventually he bought a B1, which I borrowed enough times to just buy one of my own.

Profoto B2: The World’s First Off-Camera Flash That Can Also Be Used On-Camera

After shaking up the lighting industry with the B1 flash system back in 2013, Profoto is back today with another "game changing" product: the Profoto B2. It's a small and lightweight off-camera flash system that's designed for easy and fast on-location shoots.

The B2 is a new ultra-portable counterpart to the B1 flash. It's so small and light that it can be mounted to the top of a camera, making it -- according to Profoto, at least -- the world's first off-camera flash that can also be used on-camera.

Pro Tip: How to Keep Ambient Light from Ruining Your Studio Portraits

If you're new to the world of studio portraiture and you've noticed that the skin tones in your photos are often turning out wrong, it's possible you're getting color contamination from the ambient lights in your studio -- be that a bank of windows or overhead lights.

Lindsay Adler and CreativeLive want to help you clear that up, and so they've published this short snippet of their Skin 101 course to explain how best to avoid this issue.

Comparing Natural Light and Strobes, Can You Tell the Difference?

An ongoing debate among photographers from all backgrounds is that of natural vs artificial light. Both options have their pitfalls and qualities worth praising, but even so, it seems like some photographers are hesitant to put a subject in front of a strobe if natural light is available.

But as shown in this video put together by Felix Kunze and Sue Bryce for CreativeLive, when used correctly, strobes can almost perfectly replicate the look of natural light. Kunze and Bryce compare identical model setups side-by-side using both natural and strobe lighting as an exercise in showing off the differences and similarities between the two.