soft

Lensbaby Edge 50 Optic: This Is Not A Review

Before I bought the Edge 50 optic earlier this year I did a bit of online searching to find out how people were using it, what their thoughts were and what sort of images they were creating with it. I found a few “proper” reviews but struggled to find any “this is what I’m doing and how I’m feeling about it” sort of posts.

Extreme DIY: Make an Old Lens ‘Glow’ by Scratching the Glass Elements

A few months ago I was blown away by some photos taken by one Victor Danell with a modified Helios 44 lens. His process was to “polish” the glass elements with a strong abrasive and sand the inside of the barrel in order to increase how light bounces around.

4K Test Footage from the DJI Mavic Pro is Gorgeous, NOT Blurry

Photographer and videographer Michael Shainblum just released some 100% unedited 4K test footage and first thoughts from/about the DJI Mavic Pro, and it's (to use the technical term) freaking gorgeous. So why does half the Internet think the Mavic Pro has a low quality camera?

Rigid vs Collapsible: Comparing Two Types of Beauty Dishes

The Beauty Dish is revered by many photographers for having a soft, but contrasty quality of light. The classic design puts the flash tube behind an opaque or translucent tube cover, which helps eliminate a central hot spot. Like umbrellas, beauty dishes are available with white or silver interiors and can be fitted with a “sock” or grid to control quality and spread of light even more.

A Conversation with Fine Art Photographer Ken Rosenthal

Ken Rosenthal received his MFA in photography from the School of the Art Institute of Chicago in 1993. His artwork is represented by Klompching Gallery, New York;  Etherton Gallery, Tucson; Gerald Peters Gallery, Santa Fe; Dolby Chadwick Gallery, San Francisco. Rosenthal’s photographs are in many public and private collections internationally including The George Eastman House, Rochester, NY; Museum of Fine Arts, Houston; Art Institute of Chicago; National Portrait Gallery, London; Smithsonian National Portrait Gallery, Washington DC; Museum of Fine Arts, Boston; and the Wittliff Collections’ Southwest and Mexican Photography Collection, San Marcos, Texas, which recently established a major collection of his work.

Since 2002 his work has been featured in more than 150 solo and group exhibitions internationally. The first publication of Rosenthal’s work, Ken Rosenthal Photographs 2001-2009, was released in 2011, and was included on photo-eye’s Best Books of 2011 list.