Photographer and CreativeLive founder Chase Jarvis dropped a serious truth bomb in this short clip from one of his classes. And the bomb is this: you will never turn a $500 client into a $5,000 client... the best thing you can do is move on and find a new, $5,000 client.
Disclaimer: This ain't a guide to Pokemon Go.
What is the best camera for street photography? What do you recommend? That is the question I get asked most.
While shooting in the Galapagos Islands a few years ago, a friend said to me, "Dennis, you shoot from the heart." We had been traveling together for several days by then and this was the beginning of one of many conversations we had about photography.
I have to admit, when I first started my photography business I didn’t think it was going to be that difficult. I thought I’d get a camera, take some photos, put some stuff out on Facebook and people would start hiring me. They would give me money, I would give them photos—done deal! How tough could it be?
I was honoured to wrap-up another bridal-inspired editorial shoot where I was paid for my expertise. Having been a wedding photographer for 5+ years, I can say with certainty that it has taken 2+ years of hustling to be welcomed into the inner circle of a few select Sydney florists, stylists, hair stylists and makeup artists. Being invited to shoot an editorial campaign is one thing, being paid for the privilege is another.
Many of us started photography quite innocently— with small compact point-and-shoots, a smartphone, or a disposable film camera. The main advantage was that we didn’t need to think about all the technical settings when we made images—rather, we focused on capturing the “decisive moment”, the framing and composition as well as the emotional content within the frame.