British filmmaker Philip Bloom recently filmed the Moon during sunset Skiathos in Greece. After sharing it on social media, he was surprised when the video was blocked due to a claim by Universal Music Group, which claimed copyright to the generic shots of the Moon.
Well-known British filmmaker Philip Bloom is accusing Google of using his work without permission or payment for an internal video that has since been leaked and published by major publications.
"Las Vegas In Infrared" is a new 4-minute short film by Philip Bloom, who visited Las Vegas with a Sony RX100 IV that had been modified for infrared photography through having its filter removed. Most of what you see was shot from a moving vehicle with 2 second bursts at 250fps through a 665nm filter.
Kessler Crane has announced that it will be ending its business relationship with British filmmaker Philip Bloom after accusations were made by a former partner.
Award-winning filmmaker Philip Bloom recently got his hands on the new A7s, and as part of his ongoing review of the newest mirrorless full-frame offering from Sony, he put it to the test in low-light to see how it compared to approximately 520 million years of eyeball evolution.
British filmmaker Philip Bloom was recently in Frankfurt working with digital agency Szyygy, and while he was there, he was selected as the subject of a filmmaking exercise he assigned the students of the 3-day private workshop he gave.
The assignment was to film a mini doc, and the four students picked Bloom as the subject, choosing to interview him about the street photography he shoots during his time off.
Back in January 2013, lens adapter company Metabones rocked the camera world by announcing the Speed Booster, an SLR-to-mirrorless lens adapter that can magically increase your maximum aperture, sharpness, and angle of view.
So far the adapter has been released for Sony NEX and Fuji X cameras, but greater things are on the horizon: Metabones will be releasing the Speed Booster for Micro Four Thirds cameras as well.
While attending Photokina 2012 in Cologne, Germany last week to talk about the C300 for Canon, filmmaker …
In the old days, affordable consumer cinema cameras used the same film as high-end ones, allowing everyday folk to capture high-quality videos. All that changed when digital video rolled around. However, there's a new camera in development called the Digital Bolex that aims to bring us back to that:
The Digital Bolex is a “digital cinema camera” or a camera that shoots RAW images (sometimes known as Digital Negatives) instead of compressed video. Unlike the digital cinema cameras used on big budget films, the Bolex is designed with consumers as well as pros in mind, and will be inexpensive, compact, and easy for anyone to use, just like the film cameras many of us remember using as kids.
The camera captures 2K RAW video using a 16MM equivalent sensor. It records in DNG, TIFF, or JPEG sequences and has XLR inputs for audio.
Philip Bloom recently shot this interesting mini-documentary on …
Filmmaker Philip Bloom recently helped Lucasfilm shoot parts of their upcoming film …
Here’s a beautiful tone mapped HDR time-lapse video of Las Vegas shot by …
Philip Bloom shot this beautiful time-lapse video using a Canon 5D Mark II, Canon Rebel T2i, Canon Rebel T3i and Panasonic GH2. All the cameras were pointed out of a hotel window on a pretty cloudy and gloomy day.
Okay, so you have a memory card full of timelapse photos taken over a long-ish period of time using …
Canon Expo 2010 is going on over in New York City right now, and one of the interesting things being displayed is a funky multipurpose 4K camera. The 8-megapixel CMOS camera is capable of super high definition video and photography at 60 frames per second, and has a do-it-all 24-480mm zoom lens.
UK-based filmmaker Philip Bloom created this beautiful video of Monument Valley, Utah. Blending regular video and timelapse footage, Bloom builds a serene and powerful portrait of the place. Bloom used a plethora of gear to capture the footage, including five cameras - one Canon 5D Mark II to capture video, another 5D Mark II, two Canon 7D, Canon 1D Mark IV, and a Nikon D3s for timelapse. Whew!