Here’s a Music Video That Highlights the Unoriginality of Instagram Photos
Clichés are everywhere on Instagram, and trending hashtags are an easy way for users to shoot nearly identical photos …
Clichés are everywhere on Instagram, and trending hashtags are an easy way for users to shoot nearly identical photos …
Kodak's iconic Kodachrome film was retired from service back in 2009, but back in 1973, American singer Paul Simon immortalized the classic film stock in his hit song "Kodachrome."
The new ABC series The Muppets recently posted this short music video in which Dr. Teeth and the Electric Mayhem -- the rock band of The Muppets -- perform "Kodachrome" live in concert.
Canadian singer Kalle Mattson just released a music video for his song "Avalanche" that creatively recreates some of the most famous album cover photos in the history of music. Over the course of 4 minutes, Mattson steps into 28 different sets to show what his album cover would look like as other iconic albums. The Ramones, Jay-Z, the Backstreet Boys, and Michael Jackson are some of the artists referenced. Brownie points if you can name the others.
This music video, titled "ShotBySound," is the world's first music-video-and-fashion-shoot hybrid in which a band takes pictures of models by triggering cameras with their musical instruments.
America's largest newspaper publisher has laid off a large number of employees in recent days, but things appear to be quite rosy at the top. An internal team-building video has surfaced that's raising quite a few eyebrows: it's a parody of the LEGO Movie song "Everything is Awesome," featuring company CEO Gracia Martore as the band leader.
Jim Romenesko got his hands on the clip, which you can watch above.
During the total solar eclipse on March 20th, 2015, the Faroese doom metal band Hamferð took the opportunity to …
The band Guster recently released this video version of their entire album Evermotion.
The 3.5-minute music video above was captured in a span of 5 seconds. French filmmaker Guillaume Panariello tells us he did this "shortest shoot ever" using a Phantom 4K camera snapping 1000 frames per second. When slowed down, those 5 seconds of real time turn into three-and-a-half minutes of slow-mo craziness. The song is "Unconditional Rebel" by Siska.
Kevin McGloughlin of Sligo, Ireland created this captivating music video for the song "Never Knew" by Sunken Foal. He tells us his use of "lights and bokeh in an unconventional way" recently got his project selected as a Vimeo Staff Pick.
Photographer and film director Naren Wilks created this mind-bending music video by arranging DSLRs around a circular green screen room. When the perspectives of the cameras are combined and synchronized, a "rotationally symmetric, kaleidoscopic world" is created. The song is "Fear & Delight" from the album Puppet Loosely Strung by The Correspondents.
Creating a stop motion music video by photographing a boatload of physical prints is nothing new, but what happens if you add gasoline and fire to the mix?
That's what visual artist Christophe Thockler decided to do in creating the music video above for the song "Why Won't You" by Victoria+Jean. Each of the prints seen in the video is on fire.
Stop-motion is a painstaking and labor and time-intensive process when you do it with photographs, so imagine creating an entire stop-motion video using only oil paintings. That's exactly what ambient folk band The Sea The Sea decided to do for their most recent music video, enlisting the help of artist Zachary Johnson to do the heavy lifting... or painting.
In all, the final music video is made up of 3,454 oil paintings that take you on a nighttime cab ride home through New York City.
OK Go is known for its creative music videos that often feature single takes and innovative camera techniques, and the band's latest video continues that trend in an impressive way.
Released today, the "I Won't Let You Down" music video has already amassed hundreds of thousands of views on YouTube. Give it a watch above and you'll quickly see why.
Time-lapse and hyper-lapse photographer Patrick Cheung finished up his latest project a month ago after deciding to challenge himself to produce something even better than his earlier video, Motorized City.
Indie rock band OK Go's recent music video for the song "The Writing's On the Wall" was a smash hit, receiving some 6.6K likes on PetaPixel alone and currently boasting over 7.6M views on YouTube.
But just in case the claim that it was all shot in a single take without any cuts has you skeptical, the band yesterday released a spellbinding behind-the-scenes video to show you how the optical illusion magic was made.
The indie rock band OK Go has an uncanny ability to come up with some of the most creative, fun and visually compelling videos in the entire music industry. Over the years we've featured several of the music videos they've come up with, and today we have another that is perhaps the most impressive of them all.
We've seen how impressive footage shot with a drone and just one GoPro can be, but that's child's play compared to the band Booka Shade's most recent music video shoot. Employing the services of the drone cinematographers at Octofilms, they slapped 8 GoPros onto a drone to capture some psychedelic 'Little Planet' style imagery.
Talented singer-songwriter Tom Fletcher recently teamed up with his wife Giovanna to create an awesome time-lapse music video, taking advantage of the fact that she just happen to be growing a small human being.
From NYC-based filmmaker Paul Trillo, whose work we've featured a couple of times before here on PetaPixel, comes a new visual journey in collaboration with Los Angeles-based soul-folk duo The Peach Kings.
The 'lyric-lapse' isn't new. But creating one takes so much time and dedication that we still don't see them crop up very often.
There are many videos and articles out there condemning the use of Photoshop to alter a model's body in unnatural ways. The practice is abhorred by most, and hardly a week goes by that another "Photoshop fail" or controversy doesn't arise (this week's featured photos of actress Lena Dunham taken by iconic portrait photographer Annie Leibovitz).
The most recent anti-Photoshop video making the rounds online, however, is a bit different. It's a music video that shows the lead singer being given a digital makeover as she sings the song.
If we start a post off by telling you that "the stop motion video above consists of 8,000 frames taken on an iPhone," you'd probably assume it was some small-time filmmaker or hobbyist that put it together, and most of the time you'd be right.
In this case, however, you'd be dead wrong. Because that's exactly how musicians LeAnn Rimes, Rob Thomas, and Jeff Beck decided to film the music video for their most recent collaboration, a song called "Gasoline and Matches."
It's getting harder to impress these days when it comes to music videos, because there seems to be an abundance of uber-creative people putting together really interesting takes. A great example is this simple yet moving music video filmed entirely in the reflection of an eyeball.
The band The Paper Kites went a bit more complicated when putting together the music video for their song "Young," but the results are no less captivating.
Yesterday we shared an amazing time-lapse music video spanning 24-hours on a Parisian rooftop. While the video did, in fact, make my jaw "drop" (there's a pun coming), it got me thinking about one of the most amazing music videos I've ever seen: "Drop" by The Pharcyde.
Every once in a while someone gets really, really creative and it makes our jaws drop. Such is the case with UK pop artist Dan Black's timelapse music video for his song called "Hearts."
In short, the video (created by the folks at Chic & Artistic) features Black and company on a Parisian rooftop -- for a full 24 hours. That's right, one full day of shooting (from 11AM to 11AM!).
Here's a really creative idea that makes for a really cool and unique music video. For the second single off of his upcoming album Where You Stand, musician Travis teamed up with a creative directing duo to put together a music video shot entirely using an animation projected onto the band's breath in freezing temperatures.
We've seen some pretty creative music videos in the past, ranging from a microscopic time-lapse to what looked to be a Google Street View music video. The latest creative musical endeavor that has caught our eye is a video by the California group The Grouch & Eligh (or G&E for short).
Working together with Colorado-based DJ Pretty Lights, they put together a video that combines traditional time-lapse and hyper lapse with stop motion for a mind-bending 'lyric lapse' experience similar to what we saw in Marc Donahue and Sean Michael Williams' Dream Music video.
It took 223 takes, 8 hard-boiled eggs, 5 microphones, 2 days and 1 camera, but Bob Boilen's Tiny Desk -- which is featured in the Boilen-created Tiny Desk Concert series on NPR Music -- has officially been moved to NPR's new headquarters.
Why did it take so much video? Because Boilen decided to film a Tiny Desk Concert featuring the band OK Go during the move, producing the above music/moving video in the process.
We've featured quite a few "bullet time" projects in the past that involve freezing time using rigs of tens or hundreds of cameras, but have you ever seen the technique done with pinhole cameras? That's what you'll see in the music video shown above. It's for the song "Wasting My Young Years" by London Grammar.
It's always a good idea to get to know your neighbors. Case in point: photographer David Vincent Wolf recently found himself directing a mind-bending music video for the band Portugal. The Man, and all because his neighbor Rich Holtzman happens to be both the manager of the band and the father of his daughter's preschool classmate.
Last Saturday, we featured a creative music video by the band James Wallace and the Naked Light that was shot entirely in one take in the reflection of a fan's eyeball. It was a wonderfully simple video and an approach we hadn't seen before in a music video.
But shortly after featuring that video, we were told that a similar idea had actually been done before by the Italian band K-Conjog, when they made the award-winning video for their song Qwerty.
Check out this creative and moving music video that was shot entirely through the reflection of an eyeball. The band is James Wallace and the Naked Light, the song is "To the River," and the video is a beautiful example of simplicity and creativity working hand in hand.
Directors Ian & Cooper created this clever music video for the song “Back …
Check out this one-of-a-kind music video for the song "Could Be Me" by the band Gunnar and The Grizzly Boys. The video is titled "Redneck Country Band Ambushes Google Street View Car!," and appears to be a music video shot entirely through the cameras of Google's Street View cars.
Photographer and director Greg Jardin made this creative music video for the song "New York City" by Joey Ramone. It's a stop-motion video that features 115 people (some of them random pedestrians yanked off the street) traveling backwards through various locations in New York City.
NYC-based creative agency OKFocus has created a brilliant interactive music video for the song "Not The Same" by Tanlines. The experimental video is styled after Photoshop's workspace.
You might remember PermaGrin Films' Marc Donahue from his amazing "Dream Music: Part 2" lyric-lapse video that took 6 hours of work for every 3 seconds of footage. We even shared a behind the scenes look at how that time-lapse was put together, complete with deleted scenes and director commentary.
We all know Instagram as an app for retro-filtered photos, but have you ever considered using it to film a video, one photo at a time? That's what director Arturo Perez Jr. did for the video above. It's the official music video for the song "Invasión" by Mexico City-based band The Plastics Revolution.
Back in August we shared a mesmerizing stop-motion video titled "Dream Music: Part 2" and created by Marc Donahue and Sean Michael Williams. The team spent 6-8 hours of work photographing every 3-4 seconds of the 8-minute music video. All in all, the project took six months to complete. The video above presents a behind-the-scenes look at how the whole thing was done, with director's commentary, deleted scenes, and a bunch of time-lapses of the time-lapse being shot.
Photographer Michel “Mijonju” Jones just sent us this humorous parody music video that …