music

Here's an 8-minute video in Adorama's "Spotlight" series that features music and sports photographer David Bergman.

I recently shot a series of double exposure photos of the band I Don’t Know How But They Found Me at The Knitting Factory, and they've received a great response. So, I thought it would be worth explaining how I took them!

William Eggleston is well known for his work in the early 1970s as a pioneer who helped legitimize color photography's place in the art world. The 78-year-old artist has revealed that he is releasing his first music album -- one composed of improvised symphonic tracks recorded on a Korg synthesizer.

If a tree could write its own Requiem, its own death song, what would it sound like? It seems like an absurd question, but the folks at camera gear manufacturer Syrp collaborated on a strange, beautiful ecological shoot that revealed the answer.

There are a lot more music photographers than there are music photography jobs — that’s just how it is in this corner of the industry. It's a port of entry for many hobbyist photographers, and the result is saturation of the market. A lot of budding photographers are willing to work for free, making the gigs that are out there even tougher to get.

Strapping thousands of dollars of camera gear to your body and navigating large crowds of intoxicated fans can present unique risks to professional music photographers. Never is that risk greater than at music festivals.

I've been touring with bands for about 4 years now, and my workflow has changed nearly every tour, allowing me to spend less and less time editing, and ending up with an organized, easy to manage body of work after each tour is done. I think this is crucial to not only the quality of work you can put out on tour, but also your sanity.

I’ve been shooting festivals for a number of years now. In the pit, backstage, on-stage, around the site… While all of that is great (like, really really good fun) I’ve had an idea knocking about for a while now.

Photographer Ron Risman has created a video that he calls "The Most Spectacular 2.5 Minutes of Lightning." It shows a powerful lightning storm in Kansas synchronized with music.

Canon's slogan in the US is "See Impossible," but over in Asia it's "Delighting You Always." To celebrate the 10th anniversary of that slogan last year, Canon decided to... write a song and make a cheesy music video.

The YouTube musical channel AVbyte created this short video titled “Selfie: The Musical.” …

Here's a music video that took quite a bit of planning and endurance for a photographer to shoot. Created for the song "A Carta" by the rapper V1RUZ, it's one continuous hyperlapse through the city of Lisbon, Portugal, that comprises 5210 photos shot over the course of a 25-hour marathon shoot.

It’s been a big week for Nikon announcements at CES 2016 in Las Vegas, with launches of the Nikon D500, Nikon D5, and new SB-5000 Speedlight. The new D500 is a camera that many people have been waiting a long time for — a successor to the Nikon D300/D300s and a true flagship for the Nikon DX line of APS-C cameras. The D500 packs in many of the same new, next-generation features as the Nikon D5 that was also just announced, including a brilliant new autofocus system, EXPEED 5 image processing, and a whole lot more.

With the Nikon D500 now official, I am extremely excited to say I had the privilege of shooting with the D500 to create images for its launch. I’ve had to keep this project under wraps since August, but now that the camera has been announced, I can finally share my thoughts on this new DX flagship DSLR.

Kodak's iconic Kodachrome film was retired from service back in 2009, but back in 1973, American singer Paul Simon immortalized the classic film stock in his hit song "Kodachrome."

The new ABC series The Muppets recently posted this short music video in which Dr. Teeth and the Electric Mayhem -- the rock band of The Muppets -- perform "Kodachrome" live in concert.

Throughout your measure of time learning photography and shooting, have you ever reached a point of realization that there is hardly a place left on the planet that you can shoot where someone else hasn’t already? Especially the most remarkable places, we find they have been packaged up, guard rails erected, and signs posted that welcome us while at the same time restrain our ability to capture a unique perspective.

How do you go about capturing music in a photograph? Photographer Stephen Orlando has an interesting answer: light painting. By attaching LED lights to the bows of violin, viola, and cello players, Orlando is able to capture a creative representation of the sounds created by musicians.

This music video, titled "ShotBySound," is the world's first music-video-and-fashion-shoot hybrid in which a band takes pictures of models by triggering cameras with their musical instruments.

Over the last couple of weeks, the matter of photo contracts has once again been debated. First came Jason Sheldon’s blog post, calling Taylor Swift out on her hypocrisy when attacking Apple for demanding musicians give away their music for free while doing the exact same thing to concert photographers in her photo contracts. If you’re reading this, you’re probably well aware of that whole ordeal, so there’s no need to get into it further other than to say that I fully support Sheldon’s views.

Last week, the Washington City Paper made a stand against what it considered an unfair concert photography contract presented by the Foo Fighters with an article entitled "Why We’re Not Photographing The Foo Fighters." Concert photographers everywhere stood up and slow clapped for the headline, the main idea of the article, and the stand it took on photographers rights.

In the last paragraph of the article however, the City Paper did something even worse to photographers than the Foo Fighters ever could have: they called on the fans to submit photos of the show, and they offered to pay for them.

After my public response to Taylor Swift’s open letter to Apple, I didn’t quite expect the phenomenal reaction it received. I knew it was provocative. I knew it was going to be risky and could possibly harm my chances of getting access to other concerts in future, but it needed to be said -- out loud. When I thought hard about the possible consequences, and restrictions on my access to future work, I asked myself “What point is there in going to work if I can’t be paid for it, yet everyone else gets to benefit from my labor?”. The answer?

There was nothing left to lose. When you’re faced with a choice of working for free to save a millionaire having to pay a reasonable fee, or not working at all, what would you do?

Vintage Trouble recently played their biggest gig in front of 115,000 people as the support act of AC/DCs “Rock or Bust” Tour 2015 at the Red Bull Ring in Zeltweg, Austria.

I had the once in a lifetime opportunity to join the band and work with them directly on stage. It was life changing for me and this experience once again showed me that being a concert photographer is the best job in the world!

Country music star Brad Paisley pulled an unusual camera stunt at a live show last year. While playing a guitar solo, Paisley grabbed the GoPro of a fan in the front row, held it against his guitar, and played a slide guitar solo with the camera as the slide.

What do famous rock bands look like if you take portrait photos of each of their members and average them into a single face? The folks over at West Coast Shaving recently decided to find out.

English rock band The Police sold over 75 million records over the course of their decade-long career, making them one of the best selling music artists of all time. In addition to being the band's lead guitarist, Andy Summers was also a passionate photographer who captured behind-the-scenes photos of the band at the peak of their popularity.

Those photographs will be featured in a new documentary later this year, titled Can't Stand Losing You: Surviving the Police.

Charles Peterson is known for being one of the primary photographers on the forefront of the grunge music scene when it emerged from the Seattle underground during the 80s and 90s. He was able to capture images showing the movement from its inception through the days of bands such as Nirvana becoming huge commercial successes in the music industry.

Here’s a tongue-in-cheek sketch in which Ramones drummer Marky Ramone shows off a …

Every year the barrier of entry for music photography seems to get lower. This isn't a bad thing, in fact I think it's awesome. But what it means is that the number of people working toward becoming music photographers is much higher. It's not an uncommon thing to be a music photographer these days, and there are thousands upon thousands of us.

James Tyler Shores and some friends in Macon, Georgia created this parody of the popular song "Blank Space" by Taylor Swift. Titled "Make You Look Like Taylor," the new lyrics change the song from a love song into one about the life of a professional photographer.

Here's a strange incident that's causing a stir online and in music communities: at a recent concert by the metal band Every Time I Die, a fan named Micah Barnes decided to climb onto the stage to try and snag a selfie with the lead singer. Guitarist Jordan Buckley would have none of it, and decided to put an end to the photo shoot with a swift kick that sent the smartphone flying into the air.