The visual record left behind by the United States Farm Security Administration (FSA) photographers has, according to New York Times critic Charles Hagen, come to “represent one of the most ambitious attempts ever made to depict a society in photographs (Hagen, 1985).”
Often when scoping out digitization projects, devising complementary conservation treatments that assist in digital photo capture are challenging aspects of overall workflow design. And so it has been the case with our recent efforts at UConn Library on a set of 19th century Latin American newspapers from the University's archives and special collections.
One of the challenges (and rewards) of managing a digital production lab for a university research library is working with the wide assortment of analog formats that are collected within its archives, special collections, and map library holdings. For instance, we've recently begun conversion work on a 2002 aerial survey of Connecticut that was originally shot on 9"x9" positive black and white film.