mediumformat

An ‘Aural Ode’ to the Classic Zenza Bronica S2a

In response to the classic camera shutter sound video we shared yesterday, a reader sent over another, even more enjoyable entry into the "oddly satisfying" category. Created a few years ago by YouTube user Tywen Kelly, he describes his video as "a semi-instructional aural ode to [a] great medium format camera" the Zenza Bronica S2a.

Film Photography Shootout: 35mm vs 120 Film with Fuji 400H

Braedon Flynn from Film Supply Club is back with another film photography shootout. Except this time, instead of comparing two different film stocks (see here), he's comparing two formats using the same film: 35mm and 120 format Fuji 400H.

Using a 17-Year-Old Digital Back on a Hasselblad 500C/M

Photographer Mark Fore has a classic Hasselblad 500C/M that he would love to shoot digitally, but he didn't want to drop $6,400 on the new 907x 50c with the compatible CFV II 50C digital back. Instead, he picked up a 17-year-old Phase One H20 for less than $600 on eBay, and he couldn't be happier about it.

Pentax vs Contax: Testing 2 Go-To Film Cameras for Wedding Photography

Today we’re going to take a look at two film cameras. We have the Pentax 645nII and the Contax 645: two of the last medium format film bodies ever produced, and the two most popular go-to cameras for wedding shooters who are still shooting film.

Sensor Comparison Revisited: Does Sensor Size REALLY Matter?

A few months back, the guys at The Slanted Lens posted a video comparing the performance of various sensor sizes and it... didn't go well. The comments were filled with complaints (valid and otherwise) about how they'd handled the test, and so they decided to address some of those concerns and run a whole new test.

Sensor Size Comparison: MF vs Full Frame vs APS-C vs Micro Four Thirds

JP Morgan and Kenneth Merrill over at The Slanted Lens have put together an in-depth sensor size comparison that will definitely spark some conversation. They've compared medium format, full-frame, APS-C and Micro Four Thirds, in a side-by-side shootout—taking identical photos and making large prints to see how the image quality and dynamic range compares across formats.

How I Photograph the Milky Way with Medium Format Film

My name is Jason De Freitas (@jase.film on Instagram), and I'm an analog photographer based in Australia. In this article, I'll share how I shoot the Milky Way from my backyard on medium format film.

I Shot Military Survival Training with a Holga Toy Camera

My name is Corban Lundborg, and I just completed a series of rare military survival courses at Fairchild Air Force Base in Spokane, Washington, during February 2020. I was authorized to bring a film camera to the field portion of SERE (Survive, Evasion, Resistance, Escape) School. Equipped with a Holga 120N plastic camera, I was able to capture four rolls of Ilford HP5+ medium format film.

Stop Romanticizing Medium Format — There’s Nothing Magical About It

When it comes to image quality, there are very few cameras that can compete against a good medium format system. The resolution, detail, and colors they produce are difficult to match using cameras with a smaller sensor. This is one of the reasons manufacturers can charge what they do for these types of cameras. The issue, however, is that many people tend to romanticize what medium format cameras are. And for the most part, it’s complete nonsense.

iPhone 11 Pro vs 100MP Medium Format Camera

When commercial photographer Josh Rossi first came up with the idea of comparing the iPhone 11 Pro against his new Fuji GFX 100, he wrote it off. But he decided to do it anyway, because even if the GFX 100 was going to be the obvious winner, he still wanted to see how the RAW files stacked up.

The Medium Format Experience: High ISO and the Milky Way

For several years I had believed that shooting a medium format camera at high ISO would yield terrible results. Most likely there would be no point in trying, I thought. However, a few days ago I nevertheless brought the Pentax 645Z and the Pentax 25mm f/4 out into the darkness where the zoombies reign — in my imagination anyway.

Photography Newbies Try Using the $52,000 150MP Phase One XF IQ4

What happens when you put a $52,000, 150MP medium format monster of a camera into the hands of complete newbies? The folks at Gear Patrol wanted to find out. So they got some of the non-photographers on their staff to come in and try out the Phase One XF IQ4 before telling them just how expensive the camera really is.

Patent Shows DJI is Working on a Clone of the Hasselblad X1D

Ever since DJI acquired a majority stake in Hasselblad back in 2017, people have been waiting to see what the Chinese drone maker would do with their newly acquired camera company. So far, they haven't done very much, but a Chinese patent application shows that they may be preparing to launch a clone of Hasselblad's X1D-50c.

Amateur with Fuji GFX 50R Takes On Pro with Google Pixel 3

The folks over at popular tech channel Linus Tech Tips recently did something fun. They combined your standard Amateur vs Pro photography challenge with the Pro Gear vs Smartphone trope to answer a different kind of question: Can a rote amateur with an expensive camera beat a professional who's using only a smartphone?

The Lie of ‘Medium Format-Level Image Quality’

I, like many of you, watched the Sony a7R IV announcement live stream on Tuesday. I saw them put up the video of the camera and its specs, which I thought looked good as an evolution of their R platform. However, when the lights came back on in the room, the kind man that is the VP of their alpha division debuted the camera to the world with the line: “medium format level image quality”

Sony a7R IV vs Medium Format: Image Quality and High ISO Comparison

When Sony announced the 61MP a7R IV this week, both presenters were quick to say that the camera's full-frame sensor "rivaled medium format" thanks to its combination of resolution and dynamic range. But was that engineering truth, or marketing speak? Photographer Matt Granger decided to find out.

Fujifilm Unveils GF 50mm f/3.5 R: Its Smallest Medium Format Lens Yet

Earlier today, Fujifilm unveiled its lightest, smallest medium format lens yet. The GF 50mm f/3.5 R LM WR expands the lineup of lenses available for the GFX series mirrorless medium format cameras, adding an incredibly portable, almost pancake-style 50mm that weighs only 335g (11.8 oz.).

Why the Hasselblad CFV II 50C is the Perfect Weapon to Fight Fujifilm

Fujifilm is the largest medium format camera manufacturer in the world. Its resources are vast and the experience it has as a company is extensive. Hasselblad, on the other hand, is a tiny Swedish company that solely produces niche high-value cameras. This may seem like a David and Goliath type story, but considering the sheer differences in size between the two companies, this is more of a David and Godzilla type story.