masks

Photographer Tests the Best Masks for Working During the Pandemic

If you’re a photographer who has to work or is choosing to work during the COVID-19 pandemic, then you’ve probably been looking for a good mask. I was too. I wanted mask that looked professional and felt comfortable. After doing some Amazon searches, I thought I found one that was perfect. Well, I’ve shot a few weddings while masked in the heat now, and it caused me to reevaluate my decision and try other masks out.

Photos of Unusual Masks Seen in the Coronavirus Pandemic

Sherry walks up to me on an abandoned street in the Meatpacking District, and in spite of it being a warm, springlike Saturday morning, there isn’t a soul around. She’s wearing a silver sequin dress, massive silver sequin boots, and a silver-sequined, homemade double-cloth mask over her face, stitched together from an old boyfriend’s T-shirt and a bygone dress.

This Crash Course Will Help You Master Luminosity and Luminosity Masks

Photoshop expert Sid Vasandani of StyleMyPic has put together a fantastic, in-depth look at luminosity masks that could significantly speed up your photo editing workflow. If you don't understand luminosity or you've never used luminosity masks, this tutorial could legitimately change the way you make selections.

Photoshop Tutorial: Using Luminosity Masks vs Blend If

Photoshop's tools frequently overlap, and a great example of this is Luminosity Masks vs Blend If. Both can be used to do the same thing, but they work in slightly different ways. This useful tutorial breaks down the differences so you know when and how to use each tool.

These Macro Photos of Colorful Insects Look Like Masked Faces

Fine Art photographer Pascal Goet has been capturing macro photos for 26 years, but it's only today that his work made its way onto our radar. His series Mask & Totem features some of the most colorful, anthropomorphic insects he's photographed—insects that looks like mysterious, intricate masks.

Striped Double Exposure Photos Created Entirely In-Camera

The photographs in Isabel M. Martínez's Quantum Blink project look like they were stitched together using Photoshop, but they were actually all created in-camera. She writes,

The photographs in Quantum Blink are composed of two exposures taken instants apart. The striped pattern is the result of masks placed in-camera, this feature allows me to blend two images together and at the same time keep them from fully fusing onto one another. Each photograph holds a brief sense of continuity, almost like an animation, slightly cinematographic. Though they provide a notion of movement and progression, their beginning and end is ambiguous and indistinguishable.