I get asked all the time about my process: what applications I use, what gear I use, how I do what I do. So I figured, since I'm locked in my apartment by myself because of COVID-19, I might as well write my first blog post about it.
I have often wanted to carry out global adjustments in Lightroom which target specific luminosity values in an image. Lately, I have discovered a way of achieving this. It is not as precise as, for instance, luminosity masking or blend-if masking in Photoshop, but yet it has the power to give an image that extra punch many of us are looking for in our editing.
Your display profile may be wrong. How is that for a bold statement! But it may very well be true, even if you do it regularly on schedule. Display calibration and profiling is a must for all digital photographers.
One of the things you kind of take for granted with a digital camera sensor is that every pixel is the same size, but Fujifilm may turn that idea on its head with a new RGBW sensor design that uses bigger pixels for white and green frequencies.
Creating a 3D scan of an object can be done several different ways. We've seen everything from long distance laser cameras and hacked Kinects used to great effect. Computer engineer Giancarlo Todone's take on creating a 3D reconstruction takes another approach: using focus stacking.
Tyler Shields has led a very successful career -- both as a photographer and previously as a skater -- and in his talk at Luminance 2012 he spent some time explaining how he differentiates himself in an increasingly photographed world.
Specifically, he spends time explaining that there is photography that gets you "eyeballs" (viewers and attention for your work) and photography that gets you paid. (Warning: The video includes some strong language and a few potentially offensive PG-13 photos.)
I was over at Lake Tahoe attending my brother’s soccer tournament this past weekend, and took this photograph from behind …