
Positive Developments and Negative Attitudes: A Word on Color and Conversion
Color is complex. Achieving great color can be cumbersome, both in analog and digital workflows, and developing and researching it has been as hard as rocket science.
Color is complex. Achieving great color can be cumbersome, both in analog and digital workflows, and developing and researching it has been as hard as rocket science.
When a few days past, the news circulated that Kodak Alaris had sold its paper division to Hong Kong-based Chinese company Sino Promise, reactions were mixed and ranged from disinterest over protectionist outrage to the fear that analog photography would finally meet its demise.
When the news broke on January 29th, 2019, that the restructuring of Tetenal had apparently failed, a shockwave rolled over the analog community. Suddenly, supply for basic photochemistry of all sorts seemed uncertain.
Whenever PetaPixel has published an article about chemical photography in recent months, it has been met with a plethora of malicious, if not even downright hateful, comments. They're left by photographers who claim that only they may decide on how other photographers, their colleagues, or even hobbyists who simply enjoy photography for what it is may pursue photography as their passion or job.
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it out and shoot it. I did not want to waste my last remaining packfilm but I knew I shouldn’t wait too long, because eventually the chemistry inside the film would dry. And since the film expired in late 2007, I was running out of time.