Zhong Yi (ZY) Optics has announced that the mirrorless Mitakon Speedmaster 50mm f/0.95 lens originally launched for Sony E-mount, Canon RF-mount, and Nikon Z-mount (and later came to Leica M-mount) is now available for Leica L-mount. It is the first-ever f/0.95 lens that has been produced for L-mount.
When taking a look at Sigma's newest zoom in its Contemporary lineup, one can't help but draw comparisons to the myriad of other standard-range zoom lenses available. Let's be honest -- it doesn't break any new ground.
Leica has announced its version of the popular "desert island" lens in the Vario-Elmarit-SL 24-70mm f/2.8 ASPH., what it calls an "ideal lens with broad appeal," as it is capable across multiple disciplines from travel, studio, architecture, photojournalism, portraiture, and more.
Sigma has announced the 35mm f/1.4 DG DN Art lens for E-Mount and L-Mount. The company says that the original 35mm f/1.4 DG HSM that was announced in 2012 -- the first of all the Art lenses that set the standard for the line -- has been redesigned from the ground up specifically for mirrorless cameras.
The Sigma 28-70mm f/2.8 DG DN is a compacted take on the popular "desert island" 24-70mm f/2.8 lens that makes a slight concession in focal range at the wide end in order to make itself smaller, lighter, and cheaper: just $900.
Panasonic's Imaging Division director Yosuke Yamane has promised to "strengthen" the brand's commitment to both full-frame and Micro Four Thirds, while also noting that it is aware the contrast-based Depth From Defocus system still needs work.
On March 25, Sigma announced the 61-megapixel fp L camera that features a new autofocus system and much more resolution than the original fp. The company has provided a few images captured on the camera, and the quality looks impressive.
Sigma has announced the fp L, a 61-megapixel, L-mount, full-frame camera that the company claims is the "world's smallest and lightest single lens mirrorless camera." It shares the same dimensions as the original Sigma fp, but makes notable upgrades to resolution and performance that combine to make it far more appealing.
Sigma has announced the 28-70mm f/2.8 DG DN zoom lens for Sony E-Mount and L-Mount. In contrast to what is commonly associated with Sigma lenses, the company says this new lens is the smallest and lightest full-frame f/2.8 standard zoom for mirrorless systems currently available.
Leica has announced its latest L-mount prime: a 28mm f/2. This lens follows the company's existing focal lengths of 35mm, 50mm, 75mm, and 90mm lenses already available for L-mount, and promises top-tier optical performance and fast, reliable autofocus.
Panasonic has announced the Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. lens for L-mount. The company says it boasts both high performance throughout the zoom range as well as close focusing capabilities which combine into a well-rounded package.
Venus Optics has announced that four popular Laowa lenses are being released for L-mount. Two wide-angle lenses, the 4mm f/2.8 Fisheye and the 9mm f/2.8 Zero-D, and two macro lenses, the 24mm f/14 2X Macro Probe and the 25mm f/2.8 2.5-5X Ultra Macro, are available to order now.
Sigma has included a new all-metal magnetic lens cap (in addition to the normal plastic cap) with its three latest lenses, and the company seems to admit that the meticulously crafted, tested, and machined pieces of metal are a bit over-engineered.
Sigma has announced three new primes in the company's "Contemporary" line of lenses, but has categorized them additionally under what they are calling the "I Series." I Series Lenses are characterized by a compact design mixed with "superb optical performance."
Panasonic has published a firmware update for all four Panasonic S full-frame cameras. The S1, S1R, and S1H all see improvements to autofocus to match that of the S5, while the S5 sees a major video upgrade along with better autofocus performance.
Panasonic has announced the Lumix S 85mm f/1.8 for L-Mount, a compact and lightweight portrait prime that is also dust and moisture resistant. The lens is designed to be used in both photo and video applications, with special attention paid to assure its viability for both.
This morning, Sigma officially unveiled its much-anticipated 105mm f/2.8 DG DN Macro lens for full-frame mirrorless cameras. This is Sigma's first Art-series Macro lens for a mirrorless system, and it's been optically re-designed from the ground up to deliver "exceptional sharpness and pleasing bokeh."
Panasonic has just unveiled the much-rumored and heavily leaked Lumix S5: a compact, entry(ish)-level full-frame mirrorless camera that packs a lot of impressive video and stills features into a more compact and affordable L-mount body.
The rumors were right: Sigma has unveiled a new 85mm f/1.4 DG DN Art lens designed specifically for mirrorless cameras. Promising stellar optical performance and coming in at just $1,200, the lens undercut's Sony's 85mm G Master by a whopping $600... and yet it doesn't skimp on features.
Leica, Panasonic, and Sigma shooters have something to celebrate this morning. Venus Optics—the Chineses lens maker behind the popular Laowa lineup of DSLR and mirrorless lenses—has just added an L-mount option to six of its most popular lenses.
After some very accurate leaks last week, Sigma has officially revealed four products today: an affordable 100-400mm f/5-6.3 telephoto zoom lens for full-frame mirrorless cameras, two teleconverters for L-Mount mirrorless lenses, and a USB dock for Sigma's L-Mount and EF-M Mount mirrorless lenses.
Sigma is preparing to release a 100-400mm f/5-6.3 'DG DN OS' lens designed specifically for full-frame mirrorless systems like the Sony E- and Panasonic L-Mounts in the very near future. And if the latest rumors are to be trusted, this lens will be extremely affordable (relatively speaking).
Panasonic has just unveiled a versatile new zoom lens for the L-mount system. The Lumix S 20-60mm f/3.5-5.6 is a standard zoom lens for full-frame cameras that combines the variable aperture found in more affordable glass with some professional-grade features like weather sealing and specialized lens elements.
In a recent interview with Photorend, the Director of Imaging at Panasonic, Yosuke Yamane, revealed some of the company's plans moving forward. Highlights include a teaser for a more affordable L-mount camera, reiterating the brand's commitment to Micro 4/3, and much more.
Though it might seem less popular than other systems (probably due to marketing), the L Mount Alliance is producing some of the best full-frame lenses currently available. In this case, Panasonic Lumix worked in tandem with their buddies at Leica to release their second 70-200mm lens for full-frame systems: the Panasonic Lumix S Pro 70-200mm f/2.8 OIS.
For Canon, Nikon and Panasonic/Leica/Sigma, 2018-2019 was the first year where they all truly “went for it” when it comes to full frame mirrorless. All three released full-frame mirrorless cameras, and all three seemed to have different priorities with those releases. In this three-part series, we’re looking at each of these companies in their first year and evaluate where each of them stands today in what is now a very competitive market.
In early November, Panasonic announced that they would be releasing a 16-35mm f/4. Ever since Panasonic released the S1 and S1R, people have been asking about a wide angle lens, especially with the availability of a high-res mode in both cameras (96MP in the S1, 187MP in the S1R) making them a great camera for landscape shooters.
Back in mid-2017, I was tasked with reviewing Sigma's first 24-70mm lens, the 24-70mm f/2.8 DG OS HSM IF Art lens, and I was extremely disappointed. You can read my whole review here, but in summary, I found it to be sadly inconsistent with its sharpness. Most notably, I found that edge sharpness was really quite bad.
Sigma Japan has issued a statement apologizing for the "supply status" of the recently released 24-70mm f/2.8 DG DN Art lens for Sony E- and Leica L-Mount, explaining that pre-orders "exceed our expectations" and "production cannot keep up with demands."
If you've bought into the L-Mount, Sigma just added two very compelling new primes to your list of lens options. The Sigma 40mm f/1.4 Art and 105mm f/1.4 Art 'bokeh master' are both dropping two weeks from today on December 20th, just in time for an end-of-year pick-me-up for your Sigma fp, Panasonic S1 or Leica SL2.
One of Sigma's most anticipated lenses for the full-frame Sony E-Mount cameras has an official price tag, and it's shockingly affordable. The recently announced Sigma 24-70mm f/2.8 Art lens—a direct competitor to Sony's expensive 24-70mm f/2.8 G Master—will begin shipping in early December for just $1,100.
Panasonic has added two much-anticipated lenses to its "S Pro" lineup of L-Mount lenses for the full-frame mirrorless Lumix S1, S1R and S1H cameras: The Lumix S Pro 70-200mm f/2.8 O.I.S. and the Lumix S Pro 16-35mm f/4.
Sigma has announced the new 24-70mm f/2.8 DG DN Art lens for full-frame mirrorless cameras. It'll be available at launch for the E-mount by Sony and the L-mount by the Leica/Panasonic/Sigma L-Mount Alliance.
Sigma officially released the Sigma fp today, confirming the leak we reported earlier this week. Available to pre-order today, the world's smallest full-frame mirrorless camera will cost $1,900 for the body-only, and will begin shipping to customers on October 25th.
In addition to officially launching the video-centric full-frame Lumix S1H, Panasonic also revealed two new lenses today: The Lumix S PRO 24-70mm f/2.8 for the L-Mount, and a refreshed Leica DG Summilux 25mm f/1.4 II ASPH lens for Micro Four Thirds shooters.
If you’re wondering why someone who loves Sigma cameras and gets called the ‘Foveon Wizard’ by his peers is writing about the Panasonic Lumix S1R, I need to take you back to 2007.
Overshadowed slightly by the release of the pocket-sized Sigma fp full-frame mirrorless camera, last night, Sigma also announced three lenses we knew were coming. The full-frame Sigma 14-24mm f/2.8, 35mm f/1.2, and 45mm f/2.8 DG DN lenses designed for the L-mount and Sony E-mount.
Last night, in addition to debuting three lenses everybody knew were coming, Sigma revealed something nobody saw coming: the L-mount Sigma fp, "the world's smallest and lightest 'pocketable full-frame' camera."
As we head into the weekend, Sigma has decided to (sort of) confirm an exciting leak we shared earlier this week: that a 35mm f/1.2, 45mm f/2.8, 14-24mm f/2.8, and possibly a 24-70mm f/2.8 designed specifically for full-frame mirrorless cameras will be announced in mid-July.
Leica has announced the new APO-Summicron-SL 35mm f/2 ASPH prime lens for the L-Mount, which is found on Leica's SL mirrorless camera as well as all cameras that are launched as part of the L-Mount Alliance between Leica, Panasonic, and Sigma.