Think you know the inverse-square law? How much of a "law" is it actually in the practice of photography? We are taught that the inverse-square law is the holy grail of understanding the laws of light. Some condense all the wonderful knowledge about light concepts to the inverse square law only. In this article, I want to invite you to take a step back and see how the inverse square law is wrong. Sometimes.
Photographer Robert Hall recently released a simple-yet-brilliant explainer that uses water to illustrate the properties of light and explain a few concepts that frequently confuse beginners, including: what is a "stop" of light, how do you use the exposure triangle, and how do various flashes and flash modifiers affect your image.
In this video, we’ll talk you through 3 common misconceptions when it comes to flash. These are easy mistakes any photographer can make so pay attention and see how to correct them with these easy tips!
In this blog post, I would like to share some insights with you regarding the connection between aperture and the inverse-square law of light, as well as their effects on light fall-off.
One of the most important aspects of fine art macro photography is capturing a non-distracting background so your subject stands out. I tend to like clean and colorful backgrounds, but there are situations where dark backgrounds may be desirable. This article will showcase one method of how to capture black backgrounds in macro photography. We’ll take a look at using flash falloff.
If the term "inverse square law of light" immediately sets you to hyperventilating as flashbacks of college physics begin playing in your mind's eye, take a few breaths into that paper bag, calm down, and click play on the video above.
In 6 minutes, Karl Taylor will explain this law and how it affects you specifically as a photographer without overwhelming you in the process.