gritty

Photographing a Double Mastectomy: My Friend’s Fight with Breast Cancer

Every photographer should photograph a cancer patient at some point in his/her life. It teaches you how little of a person you are and how you’re but one character in the story of life. That’s what I learned at least when I had the privilege of photographing the double mastectomy of my friend, Diana Sheldon, 38, last fall.

These World War II Photos Were Actually Captured During a Modern Reenactment

Conflict photography is typically a dangerous, traumatizing and, at least in part, heroic profession that puts you in the line of fire with only a camera as a weapon.

But as Penn State grad and former Onward State photographer Mitchell Wilston recently demonstrated to great effect, you don't need to put yourself in harm's way to capture the kinds of gritty, black-and-white conflict photography that has become iconic through the ages.

Haunting Portraits of the Homeless

Photographer Lee Jeffries worked as a sports photographer before having a chance encounter one day with a young homeless girl on a London street. After stealthily photographing the girl huddled in her sleeping bag, Jeffries decided to approach and talk with her rather than disappear with the photograph. That day changed his perception about the homeless, and he then decided to make them the subject of his photography. Jeffries makes portraits of homeless people he meets in Europe and in the US, and makes it a point to get to know them before asking to create the portraits. His photographs are gritty, honest, and haunting.