A Day In The Life of an F1 Photographer: Behind the Scenes
F1 photographer Kym Illman tries to clear up some of that mystery that surrounds his job and covers everything a prospective photographer would need to know to succeed in the racing world.
F1 photographer Kym Illman tries to clear up some of that mystery that surrounds his job and covers everything a prospective photographer would need to know to succeed in the racing world.
I create my landscape photography with film and digital technical cameras and received a request to share how I compose in the landscape with the gear I use.
Mirrorless, mirrorless, ah the joys of mirrorless. Isn’t it better than DSLRs in every way possible? It may be. But honestly, I couldn’t care less. While that may sound egoistical, the reason I don’t care is that I’m not upgrading to mirrorless anytime soon.
Released in 2016, the Canon 5D Mark IV got a range of reviews, with most being quite negative. 5 years down the road, how does this camera hold up in professional jobs, and will I be upgrading from it?
There have been thousands of articles written about cheap and expensive lights, cameras, and lenses. To me, the light is not as important as the modifier.
I have always been interested in technology. When I was a kid, I had a computer very early and I was writing and learning code at around the age of 7 or 8 years old, simple stuff such as making the screen flash different colors -- important skills I have since forgotten. However, from computers to phones to TV systems, I have always embraced technology and I love playing with gadgets.
I previously wrote an article on some of the gear that photographers can buy used and how I saved $15,000 doing so. It feels wrong for me to buy any new gear -- like I'm burning money when doing so. That said, here are a few photography things that even bargain-hunters like me buy new.
It’s no secret that most photographers want the pro stuff. Indeed, perhaps your favorite YouTuber has a Canon R5 or the latest expensive L lens. Pro gear beats amateur gear in most areas, even if it's 10 years older. I know people who shot global campaigns in 2018 on a pro camera from 2009. Pro gear is great but expensive. Sometimes extremely expensive.
I recently came across an interesting comment made by a participant in a photography forum: "You should only upgrade your camera only if it’s limiting you, not just because you have the money to."
When I was a semi-professional 4x5 landscape photographer I often spent a half-hour shooting a single sheet of film and several hours enlarging it to the best of my ability. I sought the sharpest possible result. And now in the digital age, I still pursue sharp images.
In 2015, I fully committed to switching from my Nikon DSLR system to a Sony mirrorless system starting with the Sony a7 II. Up until that point, I had always held on to my Nikon D700 and D800 as my workhorse cameras for weddings and commercial shoots but experimented with Olympus, Sony, and Panasonic for my travel photography.
What even is a ‘studio shooter’ today? Years ago it was a little easier to define, but due to us having tons of heavy, cumbersome lighting and cameras, we were all pretty grounded in the actual home-base of a studio. Today though, the vast majority of my own jobs are not shot in my own space. I shoot wherever I’m needed and whether that be in a home, an office, hair salon or even another hired studio, I’m always on the move.
The South China Morning Post published this 10-minute short film titled "The Camera Guardian." It's about Hong Kong shop owner David Chan, a lover of cameras who has spent over 60 years collecting and selling vintage photographic equipment.
I first became interested in storms when I was a boy growing up in Texas, the only state in the US that experiences tornadoes, hurricane and blizzards on a regular basis. I built a scale model of a supercell thunderstorm inside a clear plexiglass box using cotton and a light bulb for lightning, and won first place in the weather category at our local science fair. Then I got permission from my mother to climb onto our roof and build a weather station.
There is a phrase that I see regularly pop up on photography forums that I think is horrible advice for emerging photographers or anyone getting started in the image-making business. It is repeated over and over again and while the intent might be good, I think it does a disservice to beginners who don’t know any better.
Large format photography still enjoys the status of a noble branch in image-making. Legendary names like Planar, Dagor, Heliar, Symmar, and Angulon -- to mention just a few milestones in lens’ history -- bear an almost supernatural aura of excellence.
I'd never have thought that a trivial accessory like a humble camera battery charger could get me excited. But ISDT NP2 managed to do just that. What can I say? My life is rock-and-roll, champagne, and caviar.
During the global lockdown, many landscape photographers who would normally be traveling the world and leading workshops have found themselves cooped up at home. Away from their element on location and with an abundance of free time, they’ve joined the online circuit of photography webinars, panels and interviews.
Commercial photographer and educator Karl Taylor is a working pro with an impressive portfolio to his name and major brands on his CV. So it came as a surprise when he declared recently that he hasn't used a light meter in 15 years... and explained why you shouldn't be using one either.
If you've been thinking of trying your hand at vlogging or starting a YouTube channel, it might surprise you to learn that you can create a nice-looking "YouTube Studio" setup at home for less that $100. In this video, Boston-based videographer Kellan Reck takes you step-by-step through the whole process.
Canon Rumors came through in a big way this morning. After hearing a few different release dates and reporting on some upcoming products, the rumor site got their hands on a leaked image of the full EOS R lineup, and a specific release date for a whole bunch of exciting products.
Andrew of the YouTube Channel Andrew & Denae is back with another helpful "blind taste test" for camera lovers. This time, he's not comparing color science—he's comparing the results from Fuji's X-Trans sensors agains images captured through a standard Bayer Filter.
Every time Fuji releases a new camera I feel like this is the generation that will let me leave Canon behind. I had the same hopes and eventual disappointments with the XT2 and the XT3. Inevitably, I would realize full frame always beats out crop frame, that high ISOs and battery life can’t be matched, that Fuji was just not good enough to beat my Canons.
The Technical Image Press Association has announced the winners of the 2020 TIPA World Awards, which honors the best cameras, lenses, and other products that have made an impact on the photography industry over the past year.
I've been an amateur landscape photographer for some time now. I remember fondly my first years in the field—I loved roaming around and shooting like mad. I even started getting good at it. Year by year, though, I found myself shooting less and less.
Los Angeles-based event photographer Mik Milman made this 11-minute video showing how he stores and organizes his photography gear. The centerpiece of his organizational strategy: a rolling tool chest.
Former White House photographer Pete Souza often gets asked about the camera gear he uses, so he posted this 11-minute video to Instagram this week to show what's in his camera bag.
Fujifilm has just announced the beginning of its "Students of Storytelling" competition, a twist on the traditional photo/video contest where students submit proposals, and Fuji gives them the gear they need to bring their vision to life. When they're done, they get to keep the gear!
Nikon USA has announced the temporarily suspension of all equipment repair services due to the spread of COVID-19. The decision was made in compliance with federal guidelines, and in the interest of protecting employees' health and safety.
Sigma CEO Kazuto Yamaki has gone ahead and confirmed what many of us believed: the third-party lens maker will be focusing most of its resources on creating "DN" lenses for mirrorless cameras. That includes lenses for full-frame, APS-C and Micro Four Thirds systems.
Photographer Jason Webber recently embarked on a little statistical experiment. He wanted to see if he could use stats from his Instagram photos to choose the 'perfect' lens purchase by identifying the focal lengths he uses most often, the holes in his lens lineup, and what features he needs to prioritize.
This is a question that I struggle with, because I truly believe that the best camera is the camera you already have. I want to believe that you can give me any camera and I will still make great photographs. But the truth is, camera gear does matter... kind of.
According to a multiple reports out of Japan, Canon has announced that it will be temporarily closing five of its factories due to supply shortages caused by the COVID-19 coronavirus outbreak. The shutdown is scheduled to last approximately two weeks.
If you're just getting into landscape photography and you're not sure what lenses you actually need for this genre, photographer Mads Peter Iversen is here to help. In one of his most popular videos to date, Iversen lays out the only 3 lenses you "need" for landscape photography."
When it comes to technology, consumers have been conditioned to expect notable feature changes with version numbers increases. The iPhone 11 Pro, for example, not only included the snappier A13 Bionic chip, it also sported a three lens array and significantly better low light performance.
If you're a sports photographer at any level in the United States, the dream gig would be to shoot a national championship: the World Series, the MLS cup, the NBA Finals, the Stanley Cup, or perhaps the most coveted of all, the Super Bowl. For Getty Images Chief Sports Photographer Rob Carr, that dream is a reality.
As we know, wide angle lenses show a larger field of view and therefore make things appear smaller and further away than they are. Which contradicts the concept of macro photography, where we want our subject to be projected onto the sensor at a magnification ratio of at least 1.0x. So how can we combine a wide angle perspective and macro macro-capabilities?
Despite many (many) articles and advice videos and IG posts on the subject, many beginners still believe that the best thing they can do for their landscape photography is buy a better camera or lens. So here's another reminder from photographer Mark Denney about why this is not the case.
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography: these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
Event and wedding photographer Mik Milman has released a handy buying guide that lists all of the gear a beginner needs if they want to get into this niche. From camera bodies, to glass, to flash guns, he covers all the bases so you don't waste money buying stuff you don't actually need.