The Best Camera for Street Photography
What is the best camera for street photography? What do you recommend? That is the question I get asked most.
What is the best camera for street photography? What do you recommend? That is the question I get asked most.
The closer we get to Photokina the more excited we're becoming. Canon will supposedly unveil the 7D Mark II (among other things), Sigma supposedly has several lenses up its sleeve, we might see the next ZEISS Otus lens, and now, we're also hearing talk of a Fuji X100S successor making an appearance with some significant upgrades.
Fujifilm is helping make X-Series camera users' lives easier today by releasing the much-anticipated X100/X100s teleconverter lens and a whole slew of accessories meant for use with the popular X-T1.
CP+ is throwing quite a bit of gear news our way, and one find that caught our eye has to do with the immensely popular Fujifilm X100s and its older sibling the X100. According to Patrick over at Fuji Rumors, X100/s users will soon be able to extend their fixed lens' reach to 50mm (35mm equivalent).
For all you hipster and pro photogs out there, I’m sure you already know that the X100S has already been out for quite some time now. So if you’re looking for another one of those lengthy, technical, in-depth pixel peeping reviews about this camera? Then you’ve most definitely came to the wrong place.
This is about a four-month adventure with a piece of technology that the good folks from Fujfilm generously offered to let me put on my left shoulder. A journey through life as someone who makes pictures for a living.
After reading the great reviews of the Fuji X100S, I decided to take the leap and buy one. I’ve been getting more interested in street photography lately, and this camera seemed like a good fit. Plus, it's supposed to sync at all shutter speeds, which is great for flash photography outside in bright sun. David Hobby and Zack Arias both have nice in-depth reviews.
But, things are rarely perfect. It turns out that the X100S can’t sync at f/2 unless you’re at around 1/1000 or slower on the shutter. Nice, but still, I was curious why that is. So I decided to run some tests to figure it out.