It’s a brilliant start to the year for Canon with the full announcement of the Canon EOS-1D X Mark III. Updating their flagship DSLR in time for the Olympics, it’s an announcement eagerly awaited by photographers across different genres who are looking for the best camera on the market.
Last Wednesday, Apple announced the new MacBook Pro with a 16-inch Retina display. I have been testing this new laptop computer (locked behind closed doors) for the last couple of weeks and am excited to share my findings with all of you.
What happens when you put a $52,000, 150MP medium format monster of a camera into the hands of complete newbies? The folks at Gear Patrol wanted to find out. So they got some of the non-photographers on their staff to come in and try out the Phase One XF IQ4 before telling them just how expensive the camera really is.
If you’re wondering why someone who loves Sigma cameras and gets called the ‘Foveon Wizard’ by his peers is writing about the Panasonic Lumix S1R, I need to take you back to 2007.
A few weeks ago, Sony asked me if I wanted to do a quick test run with the (at that time) unannounced Sony a7R IV. I was pleasantly surprised as I (and I am sure many others) expected the a7S III to come out first. I agreed and was excited to be one of the first in the world to test the new camera.
I had the pleasure of trying out the brand new Sony 24mm f/1.4 G-Master lens before it was announced today. I spent the last few days in Sicily with Sony Europe and we had some time to go hands-on with it.
Photographer Miguel Quiles recently got his hands on one of the few Sony FE 400mm f/2.8 GM OSS lenses currently in existence (the $12,000 lens won't hit store shelves until late September). In the 6-minute video above, Quiles shares about his tests in using the super-telephoto lens for portraits.
For Canon and Nikon shooters looking to get a fast ultrawide, the choices in the past have been the Nikon 14-24mm f/2.8, Canon 16-35mm f/2.8, and Tamron 15-30mm f/2.8 VC. Or, go with an f/4 lens and get the Canon 11-24mm or Sigma 12-24mm. Sigma has now joined the mix with its own 14-24mm f/2.8, and we got a chance to use it for a few days to see how it performed.
Apple's new $4,999+ iMac Pro just hit stores today after being announced back in June. Based on initial hands-on reviews that are starting to appear, this computer looks like a solid option for photographers looking for a monster computer upgrade.
Talk about luck. Before teaching a workshop, “Aperture In Action”, recently, I was handed a pre-release copy of the eagerly awaited Sigma 135mm f/1.8 Art Series lens. What was already going to be a great class instantly got a lot better!
I had the good fortune of having a pre-production model of the Fujifilm GFX 50s to take with me to Norway in February of this year on my scouting trip with Discovery Photo Tours.
Quick history lesson. The original Lamborhini motor vehicle wasn't the supercar you know today. They were tractors. Yes, tractors. Full-fledged farm-going vehicular tools.
Wow.
I typically have more to say in my first paragraph, but this camera blew me away and “wow” is one of the best ways to portray my first reactions.
It’s been a week now since I first got my Canon M5 and I can honestly say I’m in love. From its first announcement, I was intrigued by it, but I had the M3 and it seemed too soon to upgrade.
A few weeks ago, the company behind "zero distortion" ultra-wide angle Laowa 12mm f/2.8 lens contacted me to see if I would be interested in reviewing their upcoming lens. I said yes.
The launch of the Fujifilm X-T2 had many photographers excited, with the successor to the wildly popular X-T1 promising higher image quality, 4K video recording and faster autofocus. With its new release, Fujifilm hopes to convert more photographers to the X-system with the DSLR-like handling of the X-T2.
We had the privilege of interviewing wedding photographer Benny Ang on his first impressions of the new X-T2, which Fujifilm provided him prior to the launch.
Curious what full-resolution files out of the mirrorless medium format Hasselblad X1D look like? We've got you covered. Photographer Ming Thein has been out shooting with the camera, and he's sharing some of his full-res samples with us today.
Abraham Joffe of Untitled Film Works released this 3-minute video showing photographer Denis Glennon field testing the new Canon 5DS R by capturing wild animals in Botswana, Africa (he was likely using the first 5DS R to hit African soil).
I will be the first to admit that I am not a street photographer, not a wedding photographer, and don’t generally shoot in low light, but I wanted to get a review out since I just received my two copies of Yongnuo's $40 clone of the Canon 50mm f/1.8 II.
Samsung is making a statement with the recently announced NX1, and that statement is, "pros, we're ready for you." Up till now, any pros who wanted to use Samsung gear -- and there are some that do -- have had to settle for prosumer bodies designed more for the first time buyer than the seasoned pro.
With the introduction of the NX1, that status quo is no more, and a little bit of time with this incredibly powerful new body drives that point home splendidly.
In a move some will inevitably say was planned by Nikon, but which certainly looks a lot more like a mistake from our end, UK tech website Expertreviews has published (and quickly removed) their entire Nikon D810 review ahead of the official announcement, which is expected late tonight.
While in Dubai for GPP 2014, David Hobby (aka. Strobist) got a chance to play around with the yet-unreleased Fuji 10-24mm f/4 lens. He was kind enough to send us a link to his final images along with permission to share them, but we'll warn you: if you're a Fuji lover who isn't looking to spend money, you'll want to look away... she's a beauty.
It seems as though with each passing day the eagerly anticipated and highly touted Fujifilm X-T1 is garnering more and more attention. We've already shared The Camera Store's thoughts after they got some hands-on time with it, and today it's our favorite face from DigitalRev, Kai, taking the X-T1 for a spin.
If we had to name the most exciting camera of 2014 thus far, Fuji's X-T1 would probably get the nod (although the Sony a6000 is no slouch). Some call it the Nikon Df done right, others are saying it's the camera that will finally take the X-Series mainstream, but general opinion about this camera seems to be very good.
There's only one problem... many of those opinions come from people who haven't had a chance to use it yet. And since a spec sheet and press release can only say so much, The Camera Store and photographer Nick Devlin decided to go hands-on and take you in the field with this exciting new shooter.
Panasonic is serious about the 4K-capable GH4 as both a video AND stills camera. But particularly in the stills category, a price tag that will likely push 2 grand and a sensor that is only Micro Four Thirds size makes for an uphill battle when it comes to convincing folks to jump on board.
Well, well. Fuji's done it again. They've simultaneously wowed fans and foes with the newly announced X-T1. There's a lot to learn here and a lot to discuss. Let's take a look at some of the details and perhaps more subtle or overlooked points.
The Sony RX10 was in shorter supply than the other two cameras during my time with Sony in Nashville, so getting my hands on it was a little bit more challenging. But get my hands on it I did, and even though I spent less time shooting with it than I would have liked, what I found was a camera that really blew away whatever expectations I had.
This last week, I had the great pleasure of joining many of my fellow writers from other major photo and tech news outlets for a week of fun and photography with Sony in Nashville, TN. Basically, the event gave us all a chance to test out the new mirrorless full-frame a7 and a7R cameras (as well as the RX10, which I'll hit on in another post) in a variety of situations, with Sony artisans and engineers on hand to answer all of our questions.
One of Pentax's big announcements for this year's CES 2013 was the MX-1, a camera that is designed to compete against other retrotastic compact cameras that are currently generating a lot of buzz (namely the Fujifilm X-Series and the Olympus OM-D).
Canon's attention grabber at this year's CES 2013 is a new compact camera designed to fight against the encroachment of smartphones: the PowerShot N.
The little guy is unlike most point-and-shoots you'll find on the market. It's extremely small, square, and simple. The design may seem gimmicky at first, but pick it up in your hands and your opinion might change.
We had some hands-on time with the new Polaroid iM1836 just now. The company is only showing off two of the units at CES 2013. One of them doesn't turn on. The other one can't take any pictures.
If you use a major-brand DSLR, you should be keeping a close eye on the new $899 Sigma 35mm f/1.4 (above center). It undercuts the popular (but pricey) lenses of rival camera makers by hundreds of dollars, and appears to have build- and image-qualities that are equal to (if not better than) those lenses.
Played around with the new Samsung Galaxy Camera very briefly at Photokina last week. It's basically a camera-fied smartphone that doesn't do voice calling. It does have 3G/4G/Wi-Fi connectivity though, so it's one of the first -- if not the first -- compact camera you can add a data plan to.
Fujifilm is a camera company that's going all-in on the idea of "retro design". We're not complaining. Its new XF1 compact camera brings the sleek design of X-Series' cameras to the world of "point-and-shoots", featuring a minimalist aluminum body that's covered with faux-leather. The camera feels very nice and solid in the hand. It's not as compact as other point-and-shoots (the Canon S110 is around 30% smaller and 20% lighter), so I'd say it's purse-sized rather than pocket-sized. What it lacks in portability, however, it makes up for in beauty and brawn.
We had a chance to play around with the new Fujifilm X-E1 at Photokina 2012, at a meeting attended by people who were the brains and hands behind the camera. Announced back on September 6, the X-E1 is the more affordable counterpart to the well-regarded X-Pro1. It's an interchangeable lens mirrorless camera with the same beastly APS-C sensor, shedding 30% in size, 21% in weight, the fancy hybrid viewfinder in favor of an all-electronic one, and 41% in price (from $1,700 to $1,000).
Announced on Monday, Leica's new M rangefinder does away with the classic numbering system and simply goes by its model name. We got a chance to handle one a couple of times after the initial announcement... after fighting through the hoards that were clamoring to get a peek.
Immediately after handling the Canon 6D, we also got a chance to play around with the new Nikon D600. Unlike the 6D, Nikon's cameras were locked down to the display booth, making it more difficult to get a feel for the weight. However, based on the announced specs alone, we know that the Nikon camera is even lighter than the already-light 6D (760g vs 770g), though it is a bit chunkier in its dimensions. Despite being so light, the D600 also feels quite sturdy. It's cheap in its price but not in its build quality.