Watch a GoPro Go Through an Electron Beam Irradiator
Here's a 2.5-minute video recorded by a GoPro Session action camera that was given a trip through an electron beam irradiator.
Here's a 2.5-minute video recorded by a GoPro Session action camera that was given a trip through an electron beam irradiator.
Here's a timelapse video showing how an old plastic camera melts away when you expose it to acetone fumes. The 3-minutes in the video spans 25 hours of real time.
What happens when a model and a photographer switch places? In this humorous 18-minute video, photographer Matt Granger swaps roles with Stephanie Pham, his model of 7 years experience.
When I started out in photography, I always thought: if I could shoot in New York City, Tokyo, Paris or Amsterdam, my street photos would be much better... But it turns out that it's all about your imagination, creativity, and patience.
Amid recent reports that the new Sony a9 would overheat easily in fairly normal shooting conditions, Imaging Resource decided to put the mirrorless camera through an overheating test to see whether it has a problem.
As a photographer you're probably quite a creative person, and no doubt you are therefore critical of your own work. The 'inner critic' is that voice in your head, badgering you and questioning your decisions behind the camera. Canon Australia conducted an experiment to show the effect your inner critic can have when you allow it to take hold.
Let's say you spent pretty much all of your camera budget on a shiny new $1,400 Sony a6500 mirrorless camera, yet you want a super telephoto lens for getting way up close to subjects. Here's a thrifty option you could consider: buy a cheapo 500mm lens, Sony adapter, and 2x teleconverter for just $80.
What do you do when you find a roll of film that expired 34 years ago? Shoot with it, of course! Colin Wirth of This Does Not Compute shares the results of a recent experiment in this 8-minute video in which he shoots with some ancient Kodak Plus-X black and white film.
Photographer Beno Saradzic recently embarked on an interesting experiment. Given the crazy resolution of cameras like the 50MP Canon 5DSR, could you create a "Motion" timelapse by simply... cropping out frames? It turns out, you can.
Canon Australia has been sharing a series of inspiring experiments through a series called THE LAB. For its latest video, titled "The Menu," 3 photographers were asked to shoot photos based on a blind tasting of a restaurant's food.
My name is Trey Cockrum, I am a wedding and portrait photographer based in Indiana. This is the story of how I recently traded my photography for a haircut.
Before I bought the Edge 50 optic earlier this year I did a bit of online searching to find out how people were using it, what their thoughts were and what sort of images they were creating with it. I found a few “proper” reviews but struggled to find any “this is what I’m doing and how I’m feeling about it” sort of posts.
In the world of Instagram, there is a practice known as botting -- and I hate it. For the uninitiated, botting is the process of tying your Instagram account to a wide variety of automation software, which charge users small sums of money to juice their profile. At the heart of it, it’s a pay-to-play relationship where you’re paying money to grow your following on Instagram.
Kodak Moments UK pulled a cringe-worthy prank on a few Londoners recently. They attracted unsuspecting strangers to their display under the guise of a "custom-built, super-fast phone charger," and then promptly 'wiped' all of the data off of their smartphones... oops.
I came across dichroic film years ago while researching materials for an art lighting business, Lightlink Lighting. The color changing properties of this material was so inspiring I ended up creating new lighting designs based on it.
Using a modified DSLR, ultraviolet light bulbs, and a custom-built massive UV ring flash, Mathieu Stern teamed up with UV photographer Pierre-Louis Ferrer to capture some fascinating portraits and side-by-side video.
A photography professor in Oklahoma recently had an awesome idea for teaching his students about the beginnings of photography: he turned his classroom into a giant camera obscura.
Did you know you can transfer the image on a Polaroid instant print onto paper? It's called an "emulsion lift," and this video tutorial by photographer Matt Day shows you exactly how to go about doing it.
When the selfie-stick craze began happening a couple of years ago, photographer and educator Russell Squires decided that he wanted to go beyond using "a lightweight flimsy stick" and a smartphone, so he decided to try shooting selfies with his 4x5" large format camera.
My name is Marius Hanzak, and I'm an experimental photography student currently studying at the Cleveland College of Art and Design in the UK. For one of my recent projects, titled RGB Church Street, I experimented with making color photos using black and white film.
"Would you buy a photograph without seeing it first?" That's the question Canon Australia asked recently through its experiment titled, "Sight Unseen." The company held a blind photo auction to sell photos by some of Australia's best photographers.
Photographer Mathieu Stern has based his YouTube channel on reviewing cheap and unusual lenses, but for his latest experiment he went a different direction. Stern created his own lens using 3D printing to see what results he could achieve.
My name is Skyler Adams. I recently wanted to challenge my gear acquisition syndrome, so I decided to shoot with a $1 camera for a month.
Photographer Tim Berry of Practical Photography magazine recently decided to take his camera onto the streets of London, England, to exercise his rights to photograph in public places and to see how people would react to seeing a photographer at work.
The Hydraulic Press Channel on YouTube has amassed over 1 million subscribers by sharing videos of various objects getting crushed by a powerful hydraulic press. For its latest video, the channel decided to crush some vintage Canon and Nikon SLR camera gear.
The enlarger lenses used by film photographers to create prints from developed negatives are not meant to be used on a camera. Of course, that doesn't mean you can't use one... or that you shouldn't try.
A rare Nikon 1200mm f/11 lens recently appeared on eBay. The earliest Nikon non-refractive long lenses were the Nikkor-Q 400mm f/4.5, Nikkor-P 600mm f/5.6, Nikkor-P 800mm f/8, and Nikkor-P 1200mm f/11. All of them were on the market around 1964 and withdrawn in the mid-1970. These lenses are actually lens heads and require a focus unit to be functional.
As the world's fastest land animal, the cheetah's body is designed for speeds up to 70 mph (~113 km/h). To see what these breakneck sprinting speeds look like from a cheetah's point of view, a zoo recently decided to strap a GoPro camera to one cheetah's back.
Color is one of the fundamental aspects of branding, and most major companies in the world of photography are known for using key colors in their branding.
Can photo clients tell the difference between a professional photographer and a fake one? Seattle-based photographer Ben Lucas recently decided to do an experiment to find out, and the 5-minute video above shows what happened.
As one of the most famous athletes in the world, soccer superstar Cristiano Ronaldo can't go anywhere without being swarmed by fans. And instead of autographs or a conversation, fans these days are intent on just getting a photo with Ronaldo.
Swedish photographer Mattias Burling recently decided to experiment with shooting 4K video with his Microsoft Lumia 950 smartphone... through his collection of Nikon SLR lenses. Using an old 35mm adapter, Burling put together a rig that lets him shoot with a Nikkor 25mm f/1.4, 50mm f/1.4, and 17-35mm f/2.8.
"This was a fun experiment taking advantage of the 4K video in the Lumia 950 and its awesome close focus distance," Burling says. "I used old Nikon glass and an old s35 adapter from the 'DV Days'."
Last week, we shared how this year's Grammy Awards would be the first to feature footage captured with the GrammyCam, a special Grammy trophy that has a built-in GoPro camera in its base. Well, the Grammys were last night, and the world's first GrammyCam videos are now available for the world to see.
The idea was interesting, but the results are far from spectacular.
When starting out in photography, a lot of beginners are confused about RAW and JPEG formats while shooting. There are plenty of explanations out there, but with us being photographers, it's easier for us to comprehend a visual reference.
I've had the option of shooting RAW since my Canon 20D over 10 years ago and even though I've never shot JPEG since then, I never actually compared a RAW with JPEG to see the data I would've been losing if I let the camera compress the files itself.
I've recently become obsessed with the idea of shooting (something close to) true, 2.35:1 ratio CinemaScope anamorphic on my DSLR camera. This is pretty easily done if you can spend $1,000+ on an anamorphic lens made specifically for a DSLR camera... but I don't have that kind of cash, so I went another route.
After some research, I found that other DIY filmmakers are re-purposing old film projection lens, typically used in movie theaters, to "correct" the compressed anamorphic image into what we see on the screen as 2.35:1 CinemaScope.
A group of 12 photographers gathered in a beautiful villa in Tuscany, Italy, last year to be creative, learn from one another, and exchange ideas. On the last day, they decided to challenge themselves with an experiment: they would each spend 15 minutes shooting a portrait of a model using the same room as the setting.
"The Lab" is a series of 6 creative experiments being conducted on photographers by Canon Australia. Early efforts were interesting: 6 photographers were asked to shoot portraits of the same subject while given different backstories, and then another 6 were asked to shoot photos of the same objects with no repeats.
For his latest Weird Lens Challenge experiment, French photographer Mathieu Stern found a 136-year-old lens and mounted it to his Sony a7 II mirrorless camera to see what the results would look like. You can see his test footage in the short video above.
The braniacs at MIT have created an algorithm to determine the “memorability” of a photograph. The deep learning-based technology “learned” what makes a photo memorable by evaluating the rankings from 5,000 human volunteers, and even indicates which portions of an image it considers to be memorable with a heatmap depiction. The algorithm is allegedly as good as a human in determining what makes a memorable photograph.
But ranking a photo based purely on aesthetics isn’t necessarily how humans associate photographs. Context matters. Where was I? What was I doing? What is this photo representative of? I decided to test the algorithm against TIME magazine’s top 10 photos of 2015.
Here’s a new inspiring and thought-provoking video from Canon Australia’s The Lab project, which aims to “shift …