The resurgence of interest in film photography is astonishing. Newcomers revel in the challenge of having only a limited number of photos per roll. They enjoy the suspense of waiting a lengthy period for the film to be processed before they see whether their photos have turned out.
What do you get when you cross process the most popular negative medium format film on the market? I asked myself that question after having a crossing run-in with Fuji Pro 160, a film that I normally avoid. The photos were out of this world and I wondered what would happen to Kodak Portra 400.
Some photographers live by a set of rules: they follow the standard conventions of exposure and image development to produce realistic photographs that correctly reproduce the world around them. Others, however, see the world through an entirely different lens. They are the rebels; they are the alternative photographers. Today, we throw aside convention to look at five alternative processes and how they can be used to foster entirely new perspectives.