Photographer and YouTuber Andrew of Denae & Andrew created a comparison that plenty of photographers will be very interested in: Canon vs Fujifilm color science. A lot is made of Fuji's film simulations, and Canon users won't shut up about their amazing skin tones. But when you put them side-by-side in a blind "taste test," which do you actually prefer?
Color is so important in landscape photography. The correct harmony of colors can make a huge difference to an image and help to create your own style. In this 20-minute video, I talk about how I create a painterly look in my photos and how I edit in Lightroom.
Check out this photo. Although it may look like a color picture upon first glance (and even more so if you squint or view it from a distance), it's actually a black-and-white photo with thin color grid lines overlaid on it to trick your brain into filling in the missing color.
How do you think your perception of color stacks up against the general public? If you're a photographer, have your eyes been trained to perceive color better than the average person? Here's a short and sweet test that can help you find out.
We photographers obsess about finding the right light. We understand how to use hard light, when to use soft light, and get excited by directional light. Portrait photographers learn how to control light using flashes and modifiers, and become experts in getting the most from natural light.
Datacolor today launched its latest color calibration tool for monitors. Called the SpyderX, it's Datacolor's "fastest, most accurate, and easiest to use color calibration tool" -- "the best Spyder ever."
I’m not sure on what day I realized that my street photography work had become overly homogeneous, and sometimes asinine. “Oh look, a red car and a red shirt. click.” I’d been in love with the look of Fujifilm’s Classic Chrome (based off of Kodak Kodachrome) and had begun to shoot a lot of color for color’s sake.
Most mammals rely on scent rather than sight. Look at a dog’s eyes, for example: they’re usually on the sides of its face, not close together and forward-facing like ours. Having eyes on the side is good for creating a broad field of vision, but bad for depth perception and accurately judging distances in front.
Something I’ve always found difficult was knowing when an image should be converted to black and white and when it should be left in color. It’s one of the more contested discussions in photography and there really isn’t a “black and white” or cut and dry answer to it. After much trial and error, I’ve come up with three questions that I consistently ask myself when trying to determine if a color image is a good candidate for B&W.
After years of shooting portraits with Canon cameras, photographer Sean Tucker recently switched over to Sony gear. After many people warned him that his portraits would suffer from Sony's "terrible" skin tones, Tucker decided to put the cameras to the test himself in the 20-minute video above.
In this article, we're going to briefly look at the subjectivity of color. This is a colossal subject, but I wanted to share some of my thoughts on how color is perceived by each of us and whether it's really that important.
The three-color method of using colored lens filters when shooting black-and-white photos was one of the earliest techniques for creating color photos. This 11.5-minute video is an exploration of how this process is done.
I ran across yet another case of Holy Cow Look At These Russian Photos, in which the photographs of Sergey Prokudin-Gorsky were showcased. In 1902, Prokudin-Gorsky learned the method of shooting three negatives (color separations) and then projecting them in registration through filters to produce projected color images.
Discussions of many photography topics have the potential to veer deep into complex technical territory that may appeal more to scientists than to artists, and color theory is certainly one of those topics that can become rather arcane quite easily. What follows is a guide for landscape photographers who are more artistically inclined, those who are primarily interested in applying color theory to achieve creative goals.
In the 1950s, early color photography was widely scorned. Now it’s the default. What happened?
Whether you're aware of the correct terminology or not, you have likely experienced color contamination happening in your photographs already. Put simply, color contamination is when one color is affected by the presence of another color in close proximity.
Here's a 5-minute tutorial from Evan Ranft that shows you why and how you can easily split tone your photos for better colors using Adobe Lightroom.
Digital colorizations of historical photos have gotten quite a bit of attention in recent years. Retrographic is a new photo book that brings this concept to physical pages. It's a collection of some of the world's most well-known black-and-white historical photos transformed into living color.
Looking for some ideas for creatively altering the look of your photos? Here's a 2-minute video by photographer Jessica Kobeissi that runs through 5 handy hacks. Using everyday items, you can easily introduce some abstract color into portraits.
Is there an unwanted color cast spoiling your photo? Correcting this is really simple when you use the curves tool, as demonstrated by PiXimperfect in this 7-minute tutorial.
In this 9-minute tutorial from photography Andrew Boey of Beyond Photography, learn how to use a white wall to create any color backdrop you want by using just a speedlight and a colored gel.
Say hello to colorspike, a powerful animation-driven LED light stick that can revolutionize how you think about adding colored light to photo shoots and video projects.
Changing the color of an object using Photoshop is a typical use case for the software, and there are many ways to do it. This 20-minute video from Nathaniel Dodson of tutvid that examines 5 separate ways to re-color or add color to objects.
Instead of editing your images in post to inject color into your shadows, you can use gels to do it in-camera. Here’s a 6-minute video from photographer Jay P. Morgan at The Slanted Lens demonstrating 4 different methods.
Photo colorization is usually done in programs like Photoshop, but did you know that you can achieve good results in Lightroom as well? In this 21-minute video by tutvid, learn how to colorize a black and white photo using only Lightroom.
Did you know that some colors in the world are too intense for an average consumer computer screen to display? In this 3-minute video by Tom Scott, see how one really intense pink is just too pink for your screen.
Blend Modes in Photoshop are simple at a glance, but it’s easy to forget exactly how each of the 27 modes work. This 10-minute video from Blake Rudis of f64 Academy goes in to detail on Luminosity and Color, which are both very useful for photo editing.
We've shared some impressive work by photo colorizers who use Photoshop skills and hard work to add realistic colors into historical monochrome photos. If you're wondering how its done, check out this 7-minute video by Vox that discusses the process. (Note: there's a bit of strong language.)
This is amazing. The researchers at UC Berkeley who came up with the automatic colorizer algorithm we first shared back in March, 2016 have released a major update. The software now lets you team up with the algorithm to colorize complex black and white photos accurately in seconds.
A few months back, a viral video showed how the iPhone 7 could (in some respects) hold its own against a $50,000 RED Weapon. This side-by-side comparison of the iPhone 7 Plus against an $82,000 Arri Alexa is a bit more... what you expect.