Canon Has Now Made Over 150 Million RF and EF Lenses
Canon has announced that the company has eclipsed the mark of 150 million EF and RF lenses manufactured as of January 2021. The 150 millionth lens was an RF 70-200mm f/2.8 L IS USM zoom.
Canon has announced that the company has eclipsed the mark of 150 million EF and RF lenses manufactured as of January 2021. The 150 millionth lens was an RF 70-200mm f/2.8 L IS USM zoom.
The success of Canon's R5 and R6 mirrorless cameras have exceeded the company's expectations and it has revised its 2020 fiscal year earnings over initial projections. The company logged net income of more than a quarter of a billion dollars in excess of its original estimations.
After testing the RF mount 50mm f/1.8, Photographer Alex Barrera didn't think it had the "pop" that other Canon RF lenses had shown. To see if it was just in his head, he decided to pit it directly against that lens's predecessor: the EF 50mm f/1.8.
While not necessarily indicative of how well a brand is doing in terms of sales, the annual LensRentals Top Rented Photo and Video Products report is at least telling of what's popular or what has the public eye. This year, it was Canon yet again.
Canon has patented a handheld camera that combines a design reminiscent of the DJI Osmo (now called the OM) with its RF lenses and a rotating hinge. The flipping lens hinge is described as making it much easier to switch between forward-facing and selfie views.
Canon Ambassador Irene Rudnyk has posted a review of the recently-announced Canon RF 50mm f/1.8 where she compares it to the old EF version from a build-quality perspective as well as shows the quality of the images she was able to produce with it.
Redditor Whomstevest has designed and 3d-printed a fully-functional Canon EF to RF tilt adapter and provided the design so that you can build your own at home. The adapter allows any Canon EF lens to adapt to an RF body and features infinity focus, 7 degrees of tilt, and 180 degrees of rotation.
It’s heavy, expensive, does not have image stabilization, and is impractical for most photographers. It also happens to be one of the best zoom lenses ever made.
YouTuber Matti Haapoja decided to put himself, and his viewers, to the test: can you tell the difference between shots taken in 1080p and those taken in 8K from the Canon EOS R5? He edited several clips back to back in a mix of 1080p and 8K to see if the average person watching on YouTube can tell which is which.
The Chinese brand ZY Optics has just released its Mitakon Speedmaster 85mm f/1.2 lens for Canon RF and Nikon Z. It's a fast manual portrait lens for $680.
If you're looking for a cheap lens for capturing ultra-shallow depth of field, Hong Kong-based lens maker Meike has got you covered. They just unveiled a manual focus 50mm f/1.2 lens for Sony E, Nikon Z, Canon RF, and Canon EF mounts that will run you just $360.
We first reported that Sigma was preparing a Canon RF Mount lens roadmap back in November. Now, fresh rumors indicate that Sigma has "accelerated" those plans, and may official address its plans for the Canon full-frame mirrorless mount soon.
Venus Optics has just announced that its ultra-popular Laowa 100mm f/2.8 2X Ultra Macro APO lens—one of the best and most affordable macro lenses on the market—is now available for Nikon's Z and Canon's EOS R full-frame mirrorless cameras.
Photographer and YouTuber Matt Granger has put together a lens shootout that'll be really valuable for anybody who is new to Canon's full-frame mirrorless cameras. In this video, he compares the image quality of the four main RF-mount zoom lenses: the 28-70mm f/2, the 24-70mm f/2.8, the 24-105mm f/4, and the 24-240mm f/4-6.3.
LensRentals just finished their teardown of the incredibly light and compact new Canon RF 70-200mm f/2.8 lens, and what they found will make Canon users very happy. Not only is this lens a beautifully engineered marvel--a total redesign of the "typical" 70-200mm f/2.8 formula--it is also, in Roger Cicala's words: strong, like bull.
For Canon, Nikon, and Panasonic, 2018-2019 was the first year where they all truly "went for it" when it comes to full-frame mirrorless. All three released full-frame mirrorless cameras, and all three seemed to have different priorities with those releases. In this first of three segments, we're going to take a look at each of these companies in their first year and evaluate where each of them stands today in what is now a very competitive market.
Canon full-frame mirrorless fans rejoice. According to the most recent reports, third party lens maker Sigma is already working on an RF-mount lens roadmap, which they will reveal in "early 2020."
The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.
Canon's stable of RF full-frame mirrorless lenses just grew by two members. The company just announced the new RF 15-35mm f/2.8L IS and RF 24-70mm f/2.8L IS, two lenses that "further cement the company's commitment to" its full-frame mirrorless system, Canon says.
I can't even begin to describe how excited I was about trying out the new Canon RF 24-240mm f/4-6.3 IS.
Canon is apparently hard at work developing some never-before-seen lenses. A newly published patent shows that the camera company has at least toyed with the idea of a crazy 50-80mm f/1.1 lens.
Canon announced the development of the so-called "holy trinity" of zoom lenses for the RF mount back in February, and it looks like they're about ready to release two of the three. According to the latest rumors out of Japan, the RF 15-35mm f/2.8L IS and RF 24-70mm f/2.8L IS will both be available for pre-order later this month.
Lensbaby has launched new Canon RF and Nikon Z mount versions of a number of its popular creative effect lenses.
Chinese lens maker Venus Optics is bringing two of its ultra-wide angle lenses to Canon and Nikon's full-frame mirrorless systems. The Laowa 15mm f/2 Zero-D, which is now available for both the Canon RF and Nikon Z mounts, and the Laowa 10-18mm f/4.5-5.6 Zoom, which will only be released for the Nikon Z system.
Canon made this 4.5-minute video explaining the technology of its new RF lens mount for full-frame mirrorless cameras and its strengths over conventional (e.g. EF) lens mounts.
Lomography has announced the new Petzval 55mm f/1.7 lens, its first Petzval Art lens created for full-frame mirrorless cameras.
Canon has officially released details of its RF lens Control Ring "Clicking Sound Modification Service." For $80, Canon will de-click any RF lens to make the Control Ring more suitable for video shooting.
Canon has announced the new RF 85mm f/1.2L USM, a portrait lens for its new full-frame mirrorless cameras and the 5th lens in the RF lineup.
The Chinese lens maker Zhongyi Optics (ZY Optics) has unveiled the new Mitakon Speedmaster 50mm f/0.95 III for Sony E, Nikon Z, and Canon RF full-frame mirrorless cameras.
Samyang has announced the first 3rd-party lenses for Canon's new RF full-frame mirrorless camera lens mount. The Korean manufacturer has unveiled an MF 14mm f/2.8 and an MF 85mm f/1.4.
Canon has announced the development of six upcoming RF mirrorless lenses: two 85mm lenses, a 24-70mm f/2.8L IS, a 15-35mm f/2.8L IS, a 70-200mm f/2.8L IS, and a 24-240mm f/4-6.3 IS.
The Hong Kong-based camera equipment company Meike has launched an affordable 50mm f/1.7 manual-focus prime lens for Canon and Nikon's full-frame mirrorless camera systems.