Traditional photo booths at weddings are old news. Sebastian Staacks, who describes himself as someone who loves to "create stuff," built a bullet time video booth for his cousin's wedding.
Rest easy, future astronauts. If occasional filmmaker and full-time tinkerer Mark Rober and his pals are any indication, NASA engineers can MacGyver their way into or out of any situation.
With all of this talk of new cameras and new lenses and fake potential cameras, we thought it might be good to take a quick break and just share something awesome. So, courtesy of the good folks at GoPro and the sheer number of spare cameras they have lying around, we give you: fire-breathing in bullet time.
The folks over at NHK's (the Japan Broadcasting Corporation's) Science & Technology Research Laboratory have developed a groundbreaking multi-viewpoint, motion-controlled camera rig that could very soon be changing the way we view sports, among many other potential applications.
The rig is a robotically controlled system that links one camera to eight sub-cameras, all of which are pointing at the same thing. Basically, it's a bullet time rig that moves, enabling the people behind the lenses to take the technique of timeslicing to new heights.
In order to shoot the best Rolls Royce Wraith launch film possible, Angus Elliott and company pulled out all of the stops. In addition to using some very nice video cameras and all-around great filmmaking, they also wanted to shoot a bullet time sequence, for which they set up a 100 DSLR array. By their reckoning, that's the largest DSLR array shot in Europe.
Fortunately, filmmaker Jack Flynn was there to capture the process in action, and in the video above he gives us a behind the scenes peek at the making of the Rolls Royce Wraith launch video.
You might remember PermaGrin Films' Marc Donahue from his amazing "Dream Music: Part 2" lyric-lapse video that took 6 hours of work for every 3 seconds of footage. We even shared a behind the scenes look at how that time-lapse was put together, complete with deleted scenes and director commentary.