Mixing photography with digital backgrounds is becoming easier and more approachable. In this in-depth and over one hour video, Serge Ramelli breaks down how to use the free Unreal Engine to build a background from scratch and use it to create new composite photographic images.
I started in photography as a stepping stone into digital art. As with most photographers, I started taking pictures of everyone and everything. It was not fun hiking with me; I was the guy stopping every five minutes to take pictures of trees and rocks.
This one is painful to watch. In a new video teaser for an upcoming modular camera, Insta360 decided to get creative (and destructive) by literally putting an action cam, a 360 camera, a "1-inch cam" and a drone into a blender.
How's this for a bizarre short film? Speed Motion Films decided to take a DJI Phantom camera drone and see how it performs as a food blender. They tossed various foods at the spinning propellers and filmed the carnage at 1,500 frames per second using a $60,000 Phantom Miro high speed camera.
From time to time I post plots of color gamuts like the one above. Each time, I get emails asking how I make them, leading me to assume that the world's thirst for color nerdiness is going unquenched. I'm setting out to fix that in this post.
The image above is one-hundred percent fake. It has no connection whatsoever to the world of things. I created the bolts, lights, textures, and everything else in a free, open-source, relatively easy-to-use software package called Blender. It's easy enough that even a novice user like me is able to make a pretty convincing image. If you are a photographer that makes a living shooting still-life photos, this should scare you.
Not too long ago I finally got around to picking up a decent manual flash for exploring lighting and speedlight techniques. I picked up a Yongnuo YN-560 Speedlight Flash for Canon and Nikon, and my friend Sean was kind enough to send me his old radio triggers to play with. I was mostly all set to start exploring the world of off-camera lighting...