16mm

Lomography is making some major waves in the photo world today by unveiling the first brand new color negative emulsion to be released in half a decade. They're calling it LomoChrome Metropolis, and ironically enough, the "color" it emphasizes the most is... black.

Digital Bolex burst onto the scene four years ago through a highly successful Kickstarter campaign for its first cinema camera. But despite the admiration they've earned from cinematographers since March of 2012, the company has announced that it will soon close up shop.

We told you about it in March of 2012, but the Digital Bolex D16 Cinema RAW camera only just made it into a few choice cinematographers hands this month, giving them a chance to put together sample footage that'll make the videographers out there salivate.

I’ve always been fascinated by pancake lenses. It just amazes me that something that small can actually function. As I mentioned in an earlier post, we’ve been taking things apart to determine where and how (and sometimes if) the lenses can be adjusted optically. So, I decided to do two pancake lenses for mirrorless cameras side-by-side to see how they differed (the Sony 16mm f/2.8 E mount and the Olympus 17mm f/2.8 micro 4/3 mount). I wasn’t sure there would be much we could do with pancakes (and there wasn’t), but I still found the look inside rather interesting.

Pixilation is the stop motion technique in which humans are used as the subject, moving through slight changes in pose and position in each successive frame. Eric Hanus, a recent graduate from Indiana University, created the above video (titled "Day Drunk") using the technique, and doing it with a old, hacked film camera to boot. Hanus tells us,