Search Results for: street photography

Here's an 11-minute video from photographer Sean Tucker that looks at how you can identify "good light" in street photography.

Rinzi Ruiz is a talented photographer who discovered his passion for street photography on the sidewalks of downtown Los Angeles. Here's a great 4-minute interview with Ruiz by StreetShootr about his mindset and work.

Street photography can seem daunting. The idea of photographing strangers and intruding on their privacy might make you nervous, but this video by Eduardo Goye is full of tips for how to overcome this.

When street photographer Robin Schimko made the leap and purchased a Leica Q in 2015, he was hesitant. The price was steep, and the fixed lens made it a "glorified point-and-shoot." And yet, it has become his unequivocal favorite. Here are the 5 reasons why.

Street photography is a huge passion for us as well as essential development training for our wedding work. Each year we make multiple short excursions to cities across the world to see what we can find on the streets and one big, extended trip to give us a chance to really try and find the essence and soul of a particular city, country or culture.

Arriving in Kyoto, I am holding onto Fujifilm’s X-T20 pre-production unit #48. I’ve had it for 3 months now and, to be honest, it competes for attention with the other cameras in my dry-box, all of them waiting for their turns to come out and play.

Many street photography tutorials discuss the same topics over and over—focussing techniques, composition, candid shooting, etc. However, I believe that one topic is underrepresented: storytelling.

I miss India. The explosions of bold colour alongside subtle, pastel textures and hues. The juxtaposition lurking on every corner. The people—friendly, welcoming and warm. The insane city streets and the almost forgotten village walkways.

“Street photography is dead”, declare forum threads and thinkpieces far and wide. The Internet and phone cameras have watered the quality down. The uniformity of the modern world means nothing is interesting anymore. Privacy and security issues make it immoral and dangerous. From a lot of angles, it seems, the photographic discipline I love is under attack.

One of my passions in life is travel. I love to travel, experience new cultures, try new foods, meet new people and, of course, take photos while I’m traveling.

The 50mm lens has been the 'standard' for street photographers for ages, but is it the best option available? Maybe not. Kai wanted to find out, so he pit the 50mm against a 35mm and 28mm, and went out shooting to find out which he liked best and why.

Cuba has long been the go-to location for iconic street and travel photography—its combination of tropical beauty and crumbling textures mixed with a festive population is photo gold. The trouble is, with the recent influx of tourism the floodgates of photographers has opened and it is becoming harder to get that truly unique image.

I am a street photographer currently based in Manila, the Philippines. I prefer to photograph the streets alone or with a non-photographer, but on the occasions when I do shoot with fellow photographers, I tend to find myself painfully trapped in conversations about gear.

Street photography is one of the easiest genres to get into, and one of the hardest to build up the courage to actually try. Hopefully, this quick video by VSCO Academy will show you just how simple it can be to start capturing great street shots.

It might sound like a provocation, but it's not. Notice the little difference: I am not asking if you have got the brains for street photography, I am asking if you have got the brain for it. The single “s” in brain(s) is the difference. A huge difference.

I’m not sure what motivates other photographers, but for me there’s usually a good bit of wanting to do something established—something that I’ve been drawn to and respect or even love—in a different way. In a better way, if I dare aspire.

Hey streettogs, if you want to learn some practical tips and techniques when shooting on the streets, check out the video above, or read more to see all 15 tips.

It was another normal Saturday walk in the park. My camera was carelessly hanging from my right hand as I walked with a few not-that-great shots on the memory card. By that time I already had made peace with the fact that the day would not bring me any amazing images, but then something caught my attention.

I've been a street photographer for a while now, and I would like to share what I believe are 3 popular misconceptions about street photography -- things I've seen pop up over and over.

When I started photography nine years ago, I didn’t have a problem going out and finding inspiration. Everything was so new and, subsequently, there seemed to be no end to the ideas I felt I could produce. Looking back, I can see that my work wasn’t particularly indistinguishable from many others—there was no depth, no originality.

I teach a lot of street photography workshops for a living. I’m always wondering, “How can I best empower my students, help them build their confidence, and ultimately make better images?” Honestly, the most important way for a photographer to make better images is to build their social skills.

One interesting distinction I find in speaking “American English” and with “European English” is how we differentiate between “taking” and “making” photos.

Let me begin by saying that I’m not a hunter. But I am surrounded by hunters because I live in Minnesota. I’ve heard countless stories about deer hunting from co-workers and friends, but the most interesting story was from a seasoned hunter who told me that now he only hunts for a “trophy buck” because he’s hunted everything else and he’s only interested in getting “the big one”.

He goes on to describe what the big one may look like – broad shoulders, big neck, and apparently the size of the rack doesn’t matter. When he goes hunting he may let herds of less attractive deer walk by during the course of a weekend without lifting his gun. This may sound like an elitist attitude, but it made me think about using this strategy in street photography.

The essence of street photography is about documenting everyday life and society on the streets. You can find opportunities to practice street photography everywhere and you don't necessarily need to travel to capture great shots.

For the past 29 years I’ve been traveling to China for my day job as an industrial designer to manage the ramp-up of new products manufactured in China. I’ve discovered that it’s become a common career path for product designers to morph into Asian sourcing managers because of our background in product development. That’s exactly what happened in my career about 30 years ago, with the exception that I’ve remained active in product design plus I’ve become a street photographer in China over the course of the last 5 years.

If you want to get a deeper insight into street photography and take better photos, I feel it is very important to study the work of the street photographers who came before us and paved the way for the rest of us. Not only that, but reading the quotes and words by these influential street photographers is a great way to train your mind to take better photos as well.

Here are some of my favorite street photography quotes that are concise, inspirational, and have influenced me in one way or another.

Jack Simon has worked as a psychiatrist for four decades. Ten years ago, he began a personal journey in photography, and these days he rarely goes anywhere without a camera by his side.

Street photographer Keenan Hastings released this short 2-minute video that shares his point-of-view during some photos he shot in Chicago recently. We see him roaming the sidewalks of the city in search for interesting people and photos with his Fujifilm X-T1, XF 35mm lens, and a GoPro camera.

I’ve shot digital for as long as I can remember, but for a number of years I have been considering delving into film for my street photography work. Every time I became adamant about pursuing it, I talked myself out of it.

"What are you going to do with your negatives? How will you print? It’s so expensive! Your hit rate on digital isn’t that great...you have more control with RAW anyway...It will be waste of money"