Photographer David Emitt Adams experiments with unique metal bases in his experiments with tintype photography. Last week we shared a project in which he used abandoned tin cans found in a desert to create tintype photographs.
36 Exposures is another project of his that uses unconventional materials for creating old school photos. It's a series of tintype photographs that were created using 35mm film canisters.
Using discarded tin cans found on the hot Arizona desert ground, David Emitt Adams has created timeless pieces he calls Conversations with History. The cans are branded with tintype pictures, reflecting ties to the very locations the cans -- some of which have been sitting out in the sun for over forty years -- were found.
In the words of Adams, "The deserts of the West also have special significance in the history of photography. I have explored this landscape with an awareness of the photographers who have come before me, and this awareness has led me to pay close attention to the traces left behind by others."
Warfare is often reduced to headlines in the news and numbers on a page, but it's important to remember that there's a human side to it. The soldiers fighting are fathers and mothers, brothers and sisters, and sons and daughters of people back at home. This is the truth photographer Melissa Cacciola wants to remind the world though her project "War and Peace."
The series consists of 48 tintype photographs of 24 active duty military personnel and veterans. Each subject is photographed both in uniform and in civilian attire.
Getting an authentic tintype of yourself or one of your photos isn't easy. Unless you live near Photobooth in San Francisco or know how to make one yourself, your options are extremely limited. There's a new option available, however, and this one will let you order a tintype from the comfort of your couch.
Restoration company Digital Tintypes recently announced a new website by the same name that will take any photo you give them and turn it into an 8" x 10", 5" x 7", 2.5" x 2.5", or 1" x 1" pendant tintype using the original processing techniques.
The idea behind stop-motion videos is pretty simple: snap a lot of photographs in rapid succession and then string together all the images afterward to animate them. There was a time when the dominant photographic processes weren't fast enough to create any meaningful kind of animation. Does that mean we'll never see a stop-motion animation created using tintypes? Nope. The video above is one example of a stop-motion video created with a super old photographic process: the dry plate tintype.
Documentary filmmaker and photography enthusiast Matt Morris recently noticed a magazine article about a tintype photographer named Harry Taylor based in his hometown of Wilmington, NC. Having recently gotten engaged, Morris and his fiancée decided to have Taylor shoot their engagement photos using the 150-year-old photo process. They ended up sitting for a 5-hour-portrait session, and Morris was stunned by the results.
A few months later, he decided to return to Taylors studio with two Canon 5Ds in tow and spent an afternoon documenting Harry's work. The fantastic 4-minute documentary above is what resulted.
Niniane Kelley of PhotoboothSF -- the SF photo shop that still shoots tintype portraits -- shot a series of tiny tintype photographs using a 110 camera. The images are likely the world's first 110 tintypes, and the world's smallest tintypes as well (each one is about half the size of a standard 35mm frame).
Back in the days before every photo was tagged and shared with family, friends and strangers alike, a photograph was a rare, prized possession. In the Civil War era it wasn't uncommon for soldiers to carry a small tintype of a family member into battle, and if they died, sadly so did all of the information about that photo. That's why the Museum of the Confederacy needs your help.
Here’s another video featuring SF photo shop Photobooth and its tintype …
If film is dying, then tintype photography has been extinct for years, but there’s still …
Last week we shared an interesting video that shows how Civil War-era tintype photographs were created.
Ever wonder how photographs were made back in the days of the Civil War? This video by the George …
Photo restorer Bob Rosinsky of Top Dog Imaging wrote …
A fascinating video made by Mystery Scoop has brought to life old Victorian-era portraits by using the latest technology in artificial intelligence (AI).
Photographer Matt Alberts used an antiquated wet plate tintype camera to cover the modern world of freeride motocross.
A fascinating collection of antique daguerreotypes, ambrotypes, tintypes, and carte de visites has been put together showing dogs and their owners from the 19th and 20th centuries.
Tintype Photographic Studio, Silver and Cedar, has exploded in popularity over the last three years, largely thanks to an enthralled TikTok audience.
Photographer Bill Hao from Vancouver, Canada, spent two years building a huge oakwood camera. It shoots gigantic wet plate collodion photos measuring 32x48 inches.
After being invented in the early 1800s, photography and cameras have gone through three major eras: the plate era, the film era, and the current digital era. This article is a brief history of photography through the lens of these eras.
A collection of early American photography from Larry J. West has been acquired by the Smithsonian American Art Museum, transforming the museum’s holdings. West’s collection includes 286 pieces from the 1840s, when daguerreotypes started to show up in the US, to about 1925.
Well-known wet plate photographer Markus Hofstätter recently purchased an old wet-plate camera, repaired it to a working condition, and added two lenses to it with the help of his 3D printer.
This article is dedicated to a very helpful yet often-overlooked photographic accessory. After scouring the Web, I have only been able to find few brief entries dedicated to those devices, so I hope my writing will be found helpful by inquisitive minds interested in the history of photo equipment.
In early spring 1839, Paris was abuzz with excitement in connection with a recently published letter, in which the invention of photography was confirmed by reliable sources. The world was now waiting for the French government to work out a deal with its inventor Louis J.M. Daguerre for details of the daguerreotype process to become public.
Photographer Roberto Serrini received an antique camera as a gift from his father: a Rochester Premo B. Curious to see what it was like shooting with this camera as if it was 1893, Serrini decided to give see what that process was like.
Having now finalized work on this series, I will attempt to put into words its impetus, as well as how it came to fruition. This will be a lengthy entry, proportional in size to the monumentally significant nature of this work for me, and therefore I shall start from the beginning, as all things have their origins.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
Film photography has enjoyed a significant resurgence in the last several years despite the expansive growth of digital cameras. In this 11-minute short documentary, Exploredinary interviews a few analog photographers to see why they stick with the aged format.
This trip has been waiting in the wings ever since I made my first successful daguerreotype in the redwoods two years ago. I actually planned on going as early as August this year, but one project after another kept getting in the way, and for months I kept pushing it back by a couple of weeks.
Toward the end of November, I went back to one of my favorite places in the desert. A spot out in the middle of nowhere, with the nearest significant human population well over an hour drive away.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!