The Science Behind Tintype Photography
Here’s another video featuring SF photo shop Photobooth and its tintype …
Here’s another video featuring SF photo shop Photobooth and its tintype …
If film is dying, then tintype photography has been extinct for years, but there’s still …
Last week we shared an interesting video that shows how Civil War-era tintype photographs were created.
Ever wonder how photographs were made back in the days of the Civil War? This video by the George …
The J. Paul Getty Museum added around 88,000 images of artworks from its collection to its Open Content database.
Posing with her daughter who leans on her shoulder, a Victorian mother stares mournfully into the camera. But her cheerless expression is understandable when you realize that her peaceful daughter beside her is dead.
A documentary photographer and photo preservationist painstakingly restored thousands of glass plate photographs that reveal what life was like in New England 160 years ago.
It seems like a scratched lens would produce poor images, but as Markus Hofstaetter shows, it can be hard to tell when looking at the photos themselves. Scratched lenses are typically relatively cheap to purchase second-hand, and they can represent a fantastic bargain.
Photographer Markus Hofstaetter's wet-plate work often features big, ultra-fast lenses. However, Hofstaetter recently acquired a very tiny lens that has caused him some massive problems.
Artificial intelligence images have the potential to misinform the future. For the first time in the technological present, we are on the cusp of a life-and-art-altering explosion of intentionally created dis-informational imagery.
A fascinating video made by Mystery Scoop has brought to life old Victorian-era portraits by using the latest technology in artificial intelligence (AI).
Photographer Matt Alberts used an antiquated wet plate tintype camera to cover the modern world of freeride motocross.
A fascinating collection of antique daguerreotypes, ambrotypes, tintypes, and carte de visites has been put together showing dogs and their owners from the 19th and 20th centuries.
Tintype Photographic Studio, Silver and Cedar, has exploded in popularity over the last three years, largely thanks to an enthralled TikTok audience.
Photographer Bill Hao from Vancouver, Canada, spent two years building a huge oakwood camera. It shoots gigantic wet plate collodion photos measuring 32x48 inches.
After being invented in the early 1800s, photography and cameras have gone through three major eras: the plate era, the film era, and the current digital era. This article is a brief history of photography through the lens of these eras.
A collection of early American photography from Larry J. West has been acquired by the Smithsonian American Art Museum, transforming the museum’s holdings. West’s collection includes 286 pieces from the 1840s, when daguerreotypes started to show up in the US, to about 1925.
Well-known wet plate photographer Markus Hofstätter recently purchased an old wet-plate camera, repaired it to a working condition, and added two lenses to it with the help of his 3D printer.
This article is dedicated to a very helpful yet often-overlooked photographic accessory. After scouring the Web, I have only been able to find few brief entries dedicated to those devices, so I hope my writing will be found helpful by inquisitive minds interested in the history of photo equipment.
In early spring 1839, Paris was abuzz with excitement in connection with a recently published letter, in which the invention of photography was confirmed by reliable sources. The world was now waiting for the French government to work out a deal with its inventor Louis J.M. Daguerre for details of the daguerreotype process to become public.
Photographer Roberto Serrini received an antique camera as a gift from his father: a Rochester Premo B. Curious to see what it was like shooting with this camera as if it was 1893, Serrini decided to give see what that process was like.
Having now finalized work on this series, I will attempt to put into words its impetus, as well as how it came to fruition. This will be a lengthy entry, proportional in size to the monumentally significant nature of this work for me, and therefore I shall start from the beginning, as all things have their origins.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
Film photography has enjoyed a significant resurgence in the last several years despite the expansive growth of digital cameras. In this 11-minute short documentary, Exploredinary interviews a few analog photographers to see why they stick with the aged format.
This trip has been waiting in the wings ever since I made my first successful daguerreotype in the redwoods two years ago. I actually planned on going as early as August this year, but one project after another kept getting in the way, and for months I kept pushing it back by a couple of weeks.
Toward the end of November, I went back to one of my favorite places in the desert. A spot out in the middle of nowhere, with the nearest significant human population well over an hour drive away.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
It hasn’t been easy being a portrait photographer during a pandemic. I opened my tintype portrait studio in February of 2020 with visions of goofy vintage photo remakes and smiling families gracing my lens. By the end of March, it was only still lifes full of skulls and dead flowers, dark and stale tones oddly appropriate for the time.
Italian photographer Ursula Ferrara's Lomography Lomo'Instant Wide camera is a bit different than others you'll find. Instead of shooting Instax Wide instant photos, it's used for capturing tiny wet plate collodion photos.
At the end of every year, I get to see, for the first time, all the things I’ve already seen. New Year’s Eve is my final film pickup day for One Second, an ongoing project in which I, an otherwise sane, rational, working modern photographer, make one photograph, and only one photograph, on film, every day, with no do-overs and no second chances.
Chimacabres come out at night. They are around during the day too of course, but the night is when they really thrive. In the dark, it’s harder to tell if you’re face to face with a fellow person or if it’s a chimacabre in front of you, and they don’t even have faces.
On October 1st, inventor of the smartphone photo filter Hipstamatic made its grand return to the spotlight by releasing Hipstamatic X: a free iOS camera app that hopes to "bring all the joy, quirk, and randomness of film photography to your pocket."
During this year's STORY conference in Nashville, TN, photographer Blake Wylie did something really cool. He turned a massive symphony hall into what might be the world's largest darkroom so that he could capture and develop a tintype portrait on-stage, in front of an audience of 1,400 people.
I've been involved with The Wild West Days in Viroqua, Wisconsin since 2008. I've been doing photography for most of that time as well, but as-of 2017, officially as Hickok Country Photography.
I always resisted writing artist statements and bios. In school, that part of every assignment or exhibition was the most agonizing. It felt overly simplistic to just describe what the viewer was about to encounter, or why objects or abstract shapes, making my specific image or groups of images, were presented in this way or another.
I’ve been experimenting non-stop with a few new daguerreotype techniques lately, and however promising the results are looking so far, those experiments are slow going. But here’s something I thought up and was able to execute in a relatively speedy manner -- something I believe warrants a look. I don’t believe this method of making a panoramic image has ever been utilized before, so I’m dubbing it the "Antorama."
Modern Collodion has just announced the winners of the 2019 Wet Plate Competition, the second annual contest for wet plate collodion photographers around the world after launching last year.
New York photographer Justin Borucki has been documenting his city with a pop-up tintype studio out of the back of his car. While shooting a portrait for a client recently, Borucki unexpectedly captured a beautiful leaf-like pattern across the photo due to the frigid wind chill causing ice crystals to form.
We are approaching the peak capacity for film photography labs. The machines are old, the parts are scarce, the demand is high. The measly Kodak Pakon Scanner, terrible it may be, fetches absurdly high prices.