A Digital Photographer Tries Large Format for the First Time
This lovely video from photographer Thomas Heaton sees him heading out in to the wilderness with his tent and an Intrepid 4x5 to try large format photography for the first time.
This lovely video from photographer Thomas Heaton sees him heading out in to the wilderness with his tent and an Intrepid 4x5 to try large format photography for the first time.
As the winds charge through the mountain pass it takes every effort to forge onwards as your feet slip and your ankles twist. Rivulets soak the track ahead and the sodden-peat moulds itself around your boots. You trudge on under the watchful eyes of a Stag who appears un-phased by this sudden arrival of foul weather.
When I started working in photography, digital already ruled the industry. I never got the chance to perform controlled photography (don't wanna use the term "professional") using film.
Many (if not most) of the people reading this have shot 35mm film, and a chunk of those people have shot 120 medium format film, but only a fraction of that fraction has ever touched a large format camera. Here's your chance to see what it's like to shoot 4x5 film for the very first time.
For his project "The Spirit of Iron Man," photographer Dan Votjech visited the world's hardest triathlon, the Ironman World Championship in Kona, Hawaii, and shot portraits of the competitors using a large format Polaroid camera.
If you've been itching to step up your film photography game—be it trying 35mm for the first time, stepping up to 120 medium format, or even trying out large format film—this old video that's circulating the Interwebz again today is a great place to start.
I recently built a Trash Cam out of a trash can, large format lens, and Sony a7S II. The project was an attempt to find an inexpensive housing for a large format lens.
I recently built my own DIY large format camera using scraps. The idea of this camera started with vintage profile spotlight that I wanted to restore, only to discover that some of the internal lens elements were shattered. The only lens element that was undamaged was the front element. Upon closer inspection, I discovered that this element can project an image circle big enough to cover an 8x10 area.
If you have a bunch of 35mm, 120, and even large format negatives lying around in your attic, slowly succumbing to the ravages of time, Ricoh has a solution for you. It's their newest "film duplicator," and it'll let you digitize all that film using your DSLR or digital medium format camera.
Columbus, Ohio-based photographer Mat Marrash has been working in large format photography for the past six years -- a span longer than pretty much any other hobby that's emerged in his life. He has also spent a lot of time thinking about why photography has had such a big impact on him. He shares those musings with us in this 2.5-minute video by Rooted Content.
Ian and Erick Regnard are two Mauritian-born photographers who have won big awards for their underwater 4x5 Polaroid photos.
Chris Payne is a architectural photographer who focuses his camera on design, assembly, and the built form. For his latest project, Textiles, Payne visited the color-, shape-, and pattern-filled worlds of textile mills in the American Northeast.
Long-time film photographer Timothy Gilbert was frustrated with existing options for processing 4x5 large format sheet film at home, so, as an engineer, he decided to create an easy-to-use and affordable system himself.
After several prototypes and extensive testing, what he came up with is the SP-445 processing system, an extremely compact and simple tank that requires minimal chemicals and effort.
If you thought the idea of a smartphone selfie stick was peculiar, get this: photographer Jesse Chehak has created a gigantic selfie stick for his large format camera, and it actually works.
Epson today announced its new SureColor P-Series line of large format commercial ink jet printers. The new lineup includes the SureColor P6000 and P8000, which is geared toward photographers (and other creative professionals), and the SureColor P7000 and P9000, which is designed for high-end commercial purposes.
I’ve been taking photos all of my life. Something that I realize now started from a young age: I’ve been genetically disposed with bad eyes, but it was only discovered around the age of ten. This forced me to look closely at what was in front of me for a long time. Once I got tested and got glasses an entire world opened up. As a result, I’ve always looked at things and people with an appreciation I doubt I could’ve had any other way.
It’s a hunger to try and capture what I see in the moment as it presents itself, be it a theme or a feeling, a relationship or a time. There’s always a story to tell and that’s why we take photos.
Using an 8x10 camera requires patience, attention to detail and a whole lot of steps in between. But don't worry if you've never done it before: here to walk you, step-by-step, through the entire rewarding workflow is Tim Layton of Black and White Fine Art.
Photographer Chuck Baker is a self-proclaimed "camera and darkroom equipment hoarder" who can't bear to get rid of gear even when it no longer works. Having a large number of enlargers in his collection, Baker recently decided to upcycle one of them by turning it into a working camera.
The large format camera you see about is what resulted from the project.
If you’ve been wanting to get into the large format game, but the financial investment was just too rich for your blood, the Intrepid 4x5 camera might be exactly what you’re looking for.
If you're in the mood to pine for your own large format camera, the great outdoors, landscape photography, and the darkroom, this beautifully shot ode to the large format photographer is right up your alley.
It's called Through the Ground Glass, and though it does feature a bit of language (consider yourself warned), it's a visually engaging ode to what some might call a lost art.
Lovers of light painting photography, large format photography, symmetry and physics each have a distinct reason to enjoy photographer Paul Wainwright's Pendulum Project.
Created in the pitch blackness of his barn at night, Wainwright shoots these beautiful light paintings with the help of a massive Blackburn pendulum he built himself and a large format camera packing 4x5 sheet film.
Larger format instant photography is certainly nothing new, but a whole new generation of hipsters and film enthusiasts will now get to know it thanks to Fuji's new Instax Wide 300: a large format Insta camera that uses 86mm x 108mm instant film.
Noted photographer Gregory Heisler has captured hundreds upon hundreds of iconic photographs. But, in the above video, he tells the inspiring and even humorous story behind one particular photo shoot that involved Olympic gold medalist diver, Greg Louganis.
In the world of analogue photography, the larger you go in format, the more time, discipline and resources it typically takes to capture and develop your photographs. And while the age-old technique of developing film takes due diligence no matter the format, large format photography in particular has a certain quality to the process that makes it stand out from the rest.
New York-based photographer Michael Massaia's images are easily identified for two reasons: first, because they're all very distinct, black-and-white, large format photographs; and second, because most of them are taken in the middle of the night... a result of Massaia's struggle with insomnia.
Two months after being in Sochi to cover the 2014 Winter Olympics, photographer Guy Rhodes is sharing some of the images he captured there. But they’re not just any images. They’re analog images. 4x5 images, to be exact.
Using 34 sheets of Tri-X and a Crown Graphic 4x5 camera, Rhodes describes capturing the games with such a beast (while also shooting digital) as, "among the top experiences [in his] life."
Leica began its takeover of Swiss view camera manufacturer Sinar all the way back in 2006, when the German company acquired a 51% stake in Sinar from Jenoptik. The real goal, however, was only truly achieved yesterday when both companies announced via press release that they had reached an acquisition deal.
This year I was presented with the unexpected opportunity to take a short trip to Afghanistan, and was able to take my camera gear with me. I had wanted to shoot portraits of deployed Marines being, well ... themselves for quite some time now.
So with about two weeks notice I was off to the sand box. Cameras, film and the closest thing to a darkroom I could pack into my luggage in tow.
This video, put together as a personal project by Logan Kelsey of Vertical Online, tells the inspirational story of large format photographer Marty Knapp from the first time he ever picked up a camera to his current work capturing the landscapes of Northern California and the surrounding areas near Point Reyes.
This camera is a poor man's large format camera. It is made with a simple shoebox acting as a dark room.
To commemorate the 150th anniversary of the Civil War, photographer Michael Falco is shooting a project titled "Civil War 150 Pinhole Project." His goal is to highlight the haunting beauty of civil war battlefields and to chronicle the various battle reenactments that are happening all across the country. To do so, he's using large format pinhole cameras that gives the poetic images an old fashioned look.
San Diego-based photographer Tim Mantoani, the guy who shot giant Polaroid photos of famous photographers holding their works, recently got his hands on Lot #1 of The Impossible Project's new 8x10 instant film. To test it out, Mantoani busted out his large format camera and 8x10 processor, and then visited a local surf shop to create a multi-shot panorama.
Guess who's back? Back again. 8x10 instant film's back. Tell a friend.
After successfully reviving various lines of instant film for Polaroid cameras, The Impossible Project announced today that they've created a new line of 8x10 instant film for large format cameras.
If you were given the task of shooting gymnastics at the Olympics, what camera would you use? The Canon EOS-1D X for its 14fps capabilities?
At least one Olympic sports photographer chose something much slower, much larger, and much older.
This “How It’s Made” segment provides a behind-the-scenes glimpse into the manufacturing process for modern Walker Titan SF 4×5 …
Artists Taiyo Onorato and Nico Krebs create homemade cameras out of bizarre objects …
London-based photographer David Wilman recently did some experiments in which he used a Canon 5D Mark II as a digital back for his MPP 4x5 large format camera. He placed his lens-less 5D at the back of the camera at the film plane and then placed a black cloth over the two cameras to prevent any light from spilling onto the sensor. Light from the Schneider Kreuznach Xenar 4.5/150mm lens entered straight into the open mirror box of the DSLR without any physical link between the two cameras. Wilman was surprised to discovered that this pairing produced quite a respectable macro setup.
If you’ve never shot with a large format camera before, you might find this video illuminating. In it, photographer …
This is the large format camera collection of the School of Visual Arts …
Photographer Darren Samuelson spent seven months building a massive homemade large-format camera that's about six-feet-long when fully extended. He shoots with 14×36-inch x-ray film that's about 1/12th the cost of ordinary photographic film but much harder to develop.